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Mar 14, 2019

Mary Poppins Helps a Gay Dad

Remember Mary Poppins (1964), the classic Disney movie in which a strange magical governess sweeps down from the sky to introduce joie de vivre into the lives of two kids and their stuffy, negligent parents? 

To refresh your memory, the parents are stuffy George Banks, a banker (good name), and Winifred, who is ludicrously obsessed with women's suffrage (imagine, women having the right to vote!).  The two preteen children, Jane and Michael, needed saving from their nascent juvenile delinquency.

Well, now there's a sequel, Mary Poppins Returns (2018).

P. L. Travers actually wrote a sequel to her first book, with Mary Poppins returning a year or so later, dealing with the same family all over again.  But in the movie version, it's been 25 years.  The elder Banks are deceased.  Michael (Ben Whishaw, top photo) has abandoned his dream of becoming an artist and taken a job in banking, like his father, and Jane has grown into a shrill labor activist, like her mother.

Michael has three children (Georgie, John, and Annabel), but no wife, and a lot of financial trouble: he's in debt up to his eyeballs and may lose his house.  So Mary Poppins (Emily Blunt) has a lot of fixing-up to do:

1. Find some way to make Jane less shrill.
2. Restore Michael's faith in art.
3. Rescue the children from a kidnapping animal gang that also happen to be the Bad Guys trying to destroy Michael's career.
4. Find the note that will allow them to save the house.
5. Reveal the corruption at the heart of the British banking industry.
6. Oh, yeah, teach them how to fly kites again.



Bert, the jack of all trades who knew Mary from many of her dysfunctional-family-saving expeditions, has long since retired (Dick Van Dyke appears as the president of the bank).  Mary's new chum is the lamplighter Jack (Lin-Manuel Miranda), who teaches the kids the joy of being working class.


Beefcake:  Not much.  I couldn't even find shirtless photos of most of the male cast in other productions.  This is Tarik Frimpong, who plays one of Jack's coworkers.

Gay subtexts: Lots.

Mary doesn't try to get Michael a girlfriend (or, horrors, become his girlfriend), which is usual in a show about a single parent.  Could it be because Michael is gay?  Ben Whishaw is, after all, and Michael never expresses a glimmer of heterosexual interest (Jane does start dating Jack; have to put the hetero-romance in there somewhere).

Also, Admiral Boom (David Warner), the navy captain from down the street who thinks he's still living on a ship, has a "first mate"/boy toy (actually they're the same age, but they've been living together without the company of women for a number of years, so....).

And Edward Hibbert, who played the swishy-but-straight Gil on Frasier, and is swishy-but-gay in real life, does the voice of Mary's talking umbrella.

6 comments:

  1. That would be pretty gross, dating your old nanny. Did you have to give me that image?

    An aside: In the finale for this arc of Steven Universe, we finally see the new Rainbow Quartz, and he looks like a male Mary Poppins.

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    Replies
    1. Being attracted to the nanny is actually a common motif; both the 1960s "Nanny and the Professor" and the 1980s "Charles in Charge", for instance had gushy theme songs implying sexual interest. The one from the 1960s is especially cringeworthy. Then there's the whole "sex with the babysitter" genre.

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    2. NANNY AND THE PROFESSOR was created by AJ Carothers, who wrote the screenplay to the 1967 Disney musical THE HAPPIEST MILLIONAIRE, which is also far superior to this dreck. A woman once admitted to me she found this film's treatment of women's suffrage "flippant," which means you can't call it a win for feminism. Quite the opposite, in fact.

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  2. Ben Whishaw makes all his characters seem gay- he even flirts with James Bond as the new Q

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  3. This wretchedly vile movie deservedly lost the Oscar to an actual classic, MY FAIR LADY, brilliantly directed by George Cukor who was both gay and Jewish.

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    Replies
    1. This is the "sequel", not the 1964 original.

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