Frank uses the kidnapping to open up, seek advice, explore how to establish his own identity in his father's shadow, and start looking for real emotional connections: "I've never loved anybody!" he moans. He doesn't actually fall in love with Barry or Joe -- the kidnapping remains a harrowing ordeal -- but now at least he knows where to begin.
Beefcake, gay subtexts, and queer representation in mass media from the 1950s to the present
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Nov 28, 2020
Stealing Sinatra
Frank uses the kidnapping to open up, seek advice, explore how to establish his own identity in his father's shadow, and start looking for real emotional connections: "I've never loved anybody!" he moans. He doesn't actually fall in love with Barry or Joe -- the kidnapping remains a harrowing ordeal -- but now at least he knows where to begin.
Nov 22, 2020
Revisiting "Eerie, Indiana"
I have fond memories of Eerie, Indiana (1991-1992), although I'm not sure how many episodes I actually saw. Maybe just one: it aired on NBC on Sunday nights, against a block of must-see sitcoms on Fox: Parker Lewis Can't Lose, Herman's Head, and Married...with Children.
What I remember is: teenagers Marshall Teller (Omri Katz) and Simon Holmes (Justin Shenkerow) are gay-subtext buddies who investigate humorous paranormal mysteries: a mother uses magical tupperware to keep her sons from aging for 30 years; a boy they are babysitting gets trapped in a old horror movie on tv; an ATM machine becomes sentient and showers Simon with money. The mysterious Dash X (Jason Marsden) seems to be the key to the ongoing mystery, but the series ends before it is resolved.
Omri Katz (top photo) went on to star in the Halloween classic Hocus Pocus (1993) and the gay-themed Journey into Night (2002) before retiring from acting. I assume he's gay in real life.
Justin Shenkarow went on to star in Picket Fences (1992-1996), and do lot of voice work. This is the only beefcake photo I could find on his Instagram. There are also about 1,000 photos of him and his mother and none of anyone else, so I assume that he's gay in real life, too.
Bob and I have recently been watching/re-watching Eerie, Indiana, and it's completely different from what I remember.
1. Marshall is hetero-horny. It seems like he gets all dopey over a girl every other episode.
2. Marshall gets all dopey over a boy in every other episode, too. Simon just sits and smiles while Marshall dumps him for the teen hunk du jour: Gabrial Damon, Cory Danzinger, Tobey Maguire, Scott Weinger, and finally Jason Marsden. At the end of the episode, when the boy dies, gets zapped into an alternate reality, or just vanishes from the narrative, Simon quietly takes him back.
But when Simon dumps Marshall for a pair of older boys, Marshall gets jealous and tells himself "This isn't like Simon! He must be brainwashed!"
3. The tone shifts from humorous to somber at the drop of an episode. People die, quite often. A boy is being abused by his father.. A girl is homeless. A man is mentally ill. When you tune in, you never know if you're going to get a sitcom or an After School Special.
4. Marshall's 17-year old sister Syndi (Julie Condry) seems to be in another series. We keep getting snippets of telephone conversations or off-hand comments about things going on in her life, but nothing is ever developed. In her only B-plot, she thinks that she might want to become a police officer, but her surprisingly old-fashioned parents nix the idea: too dangerous for a girl. So she changes to firefighter.
5. Marshall's parents (Mary-Margaret Humes, Francis Guinan) are absurdly wacky, authoritarian, or caring and hugging, depending on the needs of the episode, but at least Francis Guinan is cute. He has 88 film/tv credits on IMDB< and has done a lot of live theater in Chicago, including some plays with gay themes.
He's one of the older guys in a bathrobe in this shot from the stage play Penelope.
Eerie, Indiana is not the show I remember from 1991. It has even more gay texts and subtexts.
See also: Eerie, Indiana: Omri Katz, Paranormal Investigator