Devon Sawa

I wasn't happy when Casper (1995) made the Harvey Comics character into a real ghost -- a dead boy -- rather than a magical being, and then eliminated the gay subtext by giving him a girlfriend.   So, by implication, I wasn't happy with the star, 16-year old Devon Sawa.













But I forgave him when he starred in a string of homoromantic buddy-bonding movies (most required extensive shirtless and underwear shots and skinny-dipping scenes for teenage fans to gaze at):

1. Night of the Twisters (1996), based on the novel by Ivy Ruckman.  Nebraska teens Dan (Devon) and Arthur (Amos Crawley) try to find their families during a spate of tornados.  Unfortunately, there's a fade-out-kiss conclusion.

2. The Boys Club (1997).   Ontario teens Eric (Devon),  his boyfriend Kyle (Dominic Zamprogna), and their friend Brad (Stuart Stone), who seem too old for a clubhouse, are terrorized by an escaped con (Chris Penn).

3. Wild America (1997).  Three "brothers" (Devon, Jonathan Taylor Thomas, Scott Bairstow) head out into the wilderness to make a movie.

Meanwhile Devon was getting the full teen-idol treatment, with dozens of photo shoots in teen idol magazines and interviewers asking such probing questions as "What kind of girls do you like?"

His teen idol career lasted for only a few years.  Then he was relegated to sleazy horror films like Idle Hands  (1999), Final Destination (1999), and Devil's Den (2006), or sleazy teen sex comedies like Slackers (2002).

More recently Devon has re-invented himself as an action hero, the heavily-muscled, heavily-tattooed assassin Owen in Nikita (2010-2013), or the unscrupulous cop-turned-detective Nico in Somewhere Between (2017). 

Mostly the kind, sympathetic women and rough, aggressive men bit.  Not a lot of buddy bonding.

There's a sausage sighting story on Tales of West Hollywood

Zachery Ty Bryan: Home Improvement Also-Ran

Born in Colorado in 1981, Zachery Ty Bryan was hired to play the oldest brother on the TGIF sitcom Home Improvement (1991-1999).  As he grew into adolescence, he became more and more muscular, but his spectacular physique never made a splash in teen magazines -- they were all agog over Jonathan Taylor Thomas.  For most of the series' run,  JTT was the standout star, Zachery a background player.

But he never became bitter over his second-banana status; ZTB and JTT remained on friendly terms.  Instead, he used his free time to star in movies and tv series:

1. First Kid (1996), about a regular guy who lands a date with the President's daughter.

2. "Mr. Muscles," a 1997 episode of Promised Land about steroid abuse.
3. Principal Takes a Holiday (1998), about a teen operator who gets a drifter to stand-in as his school principal.
4. Held for Ransom (2000), which allowed his character to buddy-bond with Jordan Brower.

Afterwards he mostly played athletes whose plots involve winning the championship, not getting the girl.  The Game of their Lives (2005), for instance, is about the U.S. soccer team beating Britain in 1950.

Code Breakers (2005) is about a cheating scandal at West Point Military Academy, with no girls in the cast.

In Hammer of the Gods (2009), he played a man-mountain, the Norse god Thor, who wields a mighty hammer and saves his friends (there's a girl, too, but it's most about his friends).

Today Zach has moved into independent film production.

Jonathan Taylor Thomas

Born in September 1981, Jonathan Taylor Thomas (JTT) became a star at age 11 through Home Improvement (1991-1998), playing Randy, the middle son of macho tool-show host Tim Allen. He was passive and somewhat feminine, gay-coded yet indefatigably girl-crazy from the start, and careful to rebel against any hint that he might be gay.

In “Groin Pull” (October 1992), Randy is cast as Peter Pan in the school play.  First he is horrified because he must “prance” rather than fly: as his father states, “Men don’t prance.  We walk, we run, we skip if no one’s looking. . .but we never prance!”  Then he discovers that Peter Pan is generally played by a woman, and almost drops out of the play, before Dad confinces him that he can re-create the role as heterosexual, “a man’s man. . .a man with hair on his chest.”  And it works: Randy comes home after the performance and exclaims triumphantly, “I saw Jennifer looking at me!"

The pubescent Jonathan Taylor Thomas soon began to dominate the teen magazines.  There are literally thousands of pin-ups and centerfolds, far overwhelming those featuring the more muscular Zachery Ty Bryan, who played his older brother, or Taran Noah Smith, who played his younger brother, or their various hunky friends (such as Josh Blake of Alf).

. His character became a teen dream operator, intensely attractive to girls -- never to boys -- and intensely heterosexually active and aware.

But Randy was not content to be just another of the girl-crazy hunks who populated 1990s tv.  He often supported liberal causes, in opposition to his conservative father, and his episodes often drew the series into serious themes, such as Randy questioning his religion or facing a possible cancer diagnosis. When JTT left the series in 1998, it was explained that Randy had been accepted into a year-long environmental study program in Costa Rica.

In his other projects, JTT more than made up for the "every girl's fantasy" plotlines of his conservative tv series.  He enjoyed a buddy-bonding romance with Brad Renfro in Tom and Huck (1995), and with Devon Sawa in Wild America (1997).  He played a bisexual hustler in Speedway Junky (1999), opposite Jesse Bradford, and a gay teenager in Common Ground (2000).

2 gay/bi roles in two years!  The gay rumors came fast and furious, but JTT, like his character on Home Improvement, always denied them: he said he didn't mind, but they made his elderly grandmother upset.

He moved into voice work, guest starred on Smallville, and went to college, graduating from Columbia University in 2010 with a degree in history.

 In 2011, tv personality Lo Bosworth re-ignited the rumors by stating that he was gay on the Chelsea Lately program.

There's a sausage sighting story on Tales of West Hollywood

Brian Kerwin: Not Just a Deputy

This post is down.

Tom and Huck

In Tom and Huck (1995), an idiosyncratic take on Mark Twain's classic Tom Sawyer, the standard elements are retained: Tom paints the fence, gets engaged to Becky Thatcher (with a tight-close up kiss), has a fake funeral, gets lost in the cave.  But as the title suggests, the relationship between Tom Sawyer and Huckleberry Finn is emphasized.

Tom is played by fourteen-year old Jonathan Taylor Thomas, whose short stature and baby face could easily mark him as prepubescent, especially given his previous cute-boy roles.  Huck, in contrast, is played by Brad Renfro (left), thirteen years old but already a head taller and considerably more mature looking than Thomas, and already saddled with a reputation for being bad, wild, and irascable.

Brad Renfro’s Huck is a creature of the wild, as unpredictable and enigmatic as forest sprite.  He appears without warning, lodged in a tree or lying on a river bank to comment on the action of the fools with the dispassionate interest of a Puck.

In one scene he appears unexpectedly before Tom, naked, his body coated with mud.  He explains – it is a form of camoflauge – but still we are shocked at the sight of an elemental spirit. Indeed, his wilderness home is no hut or cabin, but an earthen pit, the sort of place one might visit at night to conjure hobgoblins.

Huck has no need or desire for human relationships. When Tom says softly “I thought we was friends,” Huck retorts “You thought wrong. I ain’t got no friends.”

But Tom desires him with a intensity beyond friendship, beyond even erotic longing.  Though he knocks around with acts of minor mischief, conning his schoolmates and torturing his cousin, he yearns to be naked and muddy, to need no one, to be free.

Yet he also yearns for a connection with Huck: he seeks out the sprite, invites him places, gazes at him with glassy-eyed wonder, sometimes dares to put touch his shoulder or put an arm around his waist.  This version omits the traditional homoromantic idyll on the island, since, in a terrible paradox, if Tom ever succeeds in establishing a connection with Huck, it will destroy the very “no-strings” freedom that he finds so attractive.





Huck is mistaken, of course: he does need human relationships, and Tom is indeed his friend.  In the cave with Injun Joe, he risks his life to save him – not Becky, who has long since escaped, but Tom alone: “When a friend’s in trouble, you can’t run away.”

With an elemental human connection (and, coincidentally, a fortune), Huck accepts the Widow Douglas’s offer to civilize him.  He puts on pants and enrolls in school and church.    Now Tom feels betrayed.  He decides to stay in the pit and replace Huck as woodland sprite, proclaiming “Somebody’s got to carry on!”  But Huck convinces him that one can be both uninhibited and civilized, and the two walk off together to plan their minor acts of mischief. The outsider has become a schoolboy through the evocation of friendship, with Becky Thatcher long since forgotten.