The 9th season of American Horror Story is set in the summer of 1984 (a year before I moved to Los Angeles), when a group of aerobic-studio friends get jobs as counselors at a remote woodland camp. What follows looks like a standard 90-minute teenkill, with a ridiculously over-the-top Jason-Michael-Freddie named Mr. Jingles (John Carroll Lynch) picking them off one by one.
That seems a little thin for an entire series. I assume there's a big twist coming, and some additional characters, but until then we'll have to make do with just 8 hunks and 2 non-hunks, all with some gay connections.
1. Conor Donnally as Eddie, one of the aerobics students. He previously starred in Hooked (2018), about two gay teens trying to make a living on the street.
2. Deron Horton, who you know as the cute gay nerd of Dear White People, plays Ray, the black counselor. Traditionally the black guy is the first to get sliced and diced, but he sticks around through the fifth episode.
3. Luke Lowrey as an unnamed aerobic dancer. Too bad he isn't dancing shirtless. You might remember him from the webseries Bi (2014-15), about a bi guy negotiating life, love, and hookups.
4. Matthew Morrison as Trevor, the counselors' supervisor, with a 1970s pornstache and a super-sized package. I think he's actually a ghost.
You may remember Trevor as Will Sylvester, the choir director on gay fave Glee.
5. Cody Fern, who played the Antichrist last season, as Xavier Plimpton, the rich party boy counselor. Cody, who is gay in real life, is set to appear in the remake of the pre-Stonewall classic Boys in the Band.
6. Lou Taylor Pucci in a 1960s outfit as the hiker the counselors run over (I Know What You Did Last Summer homage). I think he was already a ghost. Lou played a bi character in the short A Good Dinner Party.
7. Gus Kenworthy as Chet, the jock counselor. Gus was the first gay-identified Olympic athlete before moving into acting.
8. Zach Villa as Richard Ramirez, the serial killer who terrorized Los Angeles in 1984. In 2014, Zach starred in the indie film Honeyglue, about a "gender-defying artist" who starts a romance with a terminally ill girl.
9. Spencer Neville as Joseph Cavanaugh (I don't know who that is, as the character hasn't appeared yet). Spencer is best known as a competitive bodybuilder, and as the gay Derrick on the soap Days of Our Lives.
10. And who can forget John Carroll Lynch before he moved into serial killer roles, as Drew's straight transvestite brother on The Drew Carey Show?
Sep 23, 2019
What's Wrong with the Word "Homosexual"?
Some people who comment on this blog actually use the term "homosexual." I delete their comments.
The word makes my ears hurt. I will not permit it to be said in my classrooms. I never use it in my writing. I will purchase no book with that term in the title.
The English language didn’t have a word for people who are exclusively drawn to one sex or another until 1892, when the English translation of Richard Von Krafft-Ebing’s Psychopathia Sexualis appeared. It divided human beings into two populations, the heterosexual and the homosexual, the one normal, natural, benign, the other contingent, abnormal, unnatural, purveyors of evil, victims of an insidious and destructive psychopathology. Psychiatrists, criminologists, teachers, and journalists continued to talk about the dark, sinister “homosexual” psychopath for the next 70 years.
Meanwhile, in subcultures organized by people with exclusive same-sex desires and behaviors, the common term was “gay,” probably derived from prostitute slang of the 1890s. We don’t know how early it was used, but at least by 1932, when Noel Coward wrote the song “Mad About the Boy”: “He has a gay appeal that makes me feel there’s maybe something sad about the boy.”
Certainly by 1938, when, in the movie Bringing Up Baby, Cary Grant must answer the door in a lady’s nightgown, and he tells the startled caller, “I’ve just gone gay all of a sudden.” The bisexual actor ad-libbed the line as an in-joke for his friends, assuming it would go over the heads of the audience.
It was deliberately meant as a code term, used only by members of the subculture. As late as the 1960s, you could say “I’m going to a gay party tonight,” and judge by the reaction of the listener if they got it or not.
Most outsiders preferred not to "name" same-sex desire at all -- it was much too sinister – but if they had no choice, they used the word “homosexual.” The first gay rights organization, the Mattachine Society, used the word “homosexual,” reasoning that otherwise no one would know what they were talking about.
In 1969, the Gay Liberation Front, and the subsequent Gay Rights Movement, made two significant changes. First, they believed that they were not psychotic, not abominations, not evil. They chanted “Gay is just as good as straight."
Second, the word “homosexual” had to go. It was old-fashioned and bigoted. It referred to a mental disorder. Besides, it had to do with who you have sex with, and they were about so much more than that. They were about living and working together, sharing a history and a destiny, being a community. They were not homosexuals, skulking in the darkness, seeking out anonymous liaisons in t-rooms. They were gay.
The term “gay” was not without detractors. Many famous homophiles, such as Gore Vidal, Christopher Isherwood, and Truman Capote, said it was much too frivolous for a bona fide minority group. Many people said that it was sexist, like using “men” to mean “all people,” ignoring the women. It also assumed exclusive same-sex desire, behavior, and romance, whereas the community also included bisexuals and transgendered persons. Eventually LGBT appeared an alternative, and then "queer."
Regardless, “homosexual” was gone, and would remain out of favor among gay people for the next 40 year. In an Advocate poll in 2000, in answer to the question “What should we be called?”, 95% of respondents said gay or LGBT; 3% homosexual.
There are over 5000 gay or LGBT organizations in the United States, and no homosexual ones.
Barnes & Noble lists 3,389 books with “gay” in their titles and 305 with “homosexual,” most written to argue that “homosexuals” are bad, evil, and psychotic after all: The Homosexual Neurosis, Hope and Healing for the Homosexual, The Homosexual Agenda.
The Gay Rights Movement had a good precedent for a society-wide name change. In 1965, the Civil Rights Movement objected to the term “Negro,” then used by government agencies, journalists, and on the streets. Negro was old-fashioned and bigoted. They chanted “Black is Beautiful!” They wanted to be called Black.
Mass media changed instantly. Within 2 years, no one was saying “Negro” except for the incredibly old-fashioned and the bigoted. In Julia, in 1966, the titular character is on the telephone, & identifies herself as “a Negro.” The white man she is talking to, not wanting to appear bigoted, pretends that he has no idea what she means, forcing her to use the new term “Black.”
But “homosexual” didn’t change easily. Even though gay people yelled, picketed, conducted sit-ins, and so on, it took until 1985 for the New York Times to agree to substitute gay for homosexual. In 1976, in the Doonesbury comic strip, Joannie’s law school classmate says “I’m gay,” and she doesn’t understand.
The American Psychiatric Association removed gay people from their list of dangerous psychotics in 1973, but refused to call them “gay” until 1997. About 20% of scholarly articles today still have “homosexual” rather than “gay” in their titles. In newspapers and magazines, “gay” tends to win out in titles, but in the articles “homosexual” pops in as if it an exact synonym.
Every time I tell students that the word "gay" is appropriate and the word “homosexual” old-fashioned and bigoted, they are astonished. They tell me, “But every other teacher I have ever had in my life said ‘homosexual’ was good and 'gay' was bad.” They then trot out a gay friend who says “I have no problem with homosexual.” I ask if they are aware of the century of oppression centered on that word. They are not. They think of “gay” as bigoted!
The word makes my ears hurt. I will not permit it to be said in my classrooms. I never use it in my writing. I will purchase no book with that term in the title.
The English language didn’t have a word for people who are exclusively drawn to one sex or another until 1892, when the English translation of Richard Von Krafft-Ebing’s Psychopathia Sexualis appeared. It divided human beings into two populations, the heterosexual and the homosexual, the one normal, natural, benign, the other contingent, abnormal, unnatural, purveyors of evil, victims of an insidious and destructive psychopathology. Psychiatrists, criminologists, teachers, and journalists continued to talk about the dark, sinister “homosexual” psychopath for the next 70 years.
Meanwhile, in subcultures organized by people with exclusive same-sex desires and behaviors, the common term was “gay,” probably derived from prostitute slang of the 1890s. We don’t know how early it was used, but at least by 1932, when Noel Coward wrote the song “Mad About the Boy”: “He has a gay appeal that makes me feel there’s maybe something sad about the boy.”
Certainly by 1938, when, in the movie Bringing Up Baby, Cary Grant must answer the door in a lady’s nightgown, and he tells the startled caller, “I’ve just gone gay all of a sudden.” The bisexual actor ad-libbed the line as an in-joke for his friends, assuming it would go over the heads of the audience.
It was deliberately meant as a code term, used only by members of the subculture. As late as the 1960s, you could say “I’m going to a gay party tonight,” and judge by the reaction of the listener if they got it or not.
Most outsiders preferred not to "name" same-sex desire at all -- it was much too sinister – but if they had no choice, they used the word “homosexual.” The first gay rights organization, the Mattachine Society, used the word “homosexual,” reasoning that otherwise no one would know what they were talking about.
In 1969, the Gay Liberation Front, and the subsequent Gay Rights Movement, made two significant changes. First, they believed that they were not psychotic, not abominations, not evil. They chanted “Gay is just as good as straight."
Second, the word “homosexual” had to go. It was old-fashioned and bigoted. It referred to a mental disorder. Besides, it had to do with who you have sex with, and they were about so much more than that. They were about living and working together, sharing a history and a destiny, being a community. They were not homosexuals, skulking in the darkness, seeking out anonymous liaisons in t-rooms. They were gay.
The term “gay” was not without detractors. Many famous homophiles, such as Gore Vidal, Christopher Isherwood, and Truman Capote, said it was much too frivolous for a bona fide minority group. Many people said that it was sexist, like using “men” to mean “all people,” ignoring the women. It also assumed exclusive same-sex desire, behavior, and romance, whereas the community also included bisexuals and transgendered persons. Eventually LGBT appeared an alternative, and then "queer."
Regardless, “homosexual” was gone, and would remain out of favor among gay people for the next 40 year. In an Advocate poll in 2000, in answer to the question “What should we be called?”, 95% of respondents said gay or LGBT; 3% homosexual.
There are over 5000 gay or LGBT organizations in the United States, and no homosexual ones.
Barnes & Noble lists 3,389 books with “gay” in their titles and 305 with “homosexual,” most written to argue that “homosexuals” are bad, evil, and psychotic after all: The Homosexual Neurosis, Hope and Healing for the Homosexual, The Homosexual Agenda.
The Gay Rights Movement had a good precedent for a society-wide name change. In 1965, the Civil Rights Movement objected to the term “Negro,” then used by government agencies, journalists, and on the streets. Negro was old-fashioned and bigoted. They chanted “Black is Beautiful!” They wanted to be called Black.
Mass media changed instantly. Within 2 years, no one was saying “Negro” except for the incredibly old-fashioned and the bigoted. In Julia, in 1966, the titular character is on the telephone, & identifies herself as “a Negro.” The white man she is talking to, not wanting to appear bigoted, pretends that he has no idea what she means, forcing her to use the new term “Black.”
But “homosexual” didn’t change easily. Even though gay people yelled, picketed, conducted sit-ins, and so on, it took until 1985 for the New York Times to agree to substitute gay for homosexual. In 1976, in the Doonesbury comic strip, Joannie’s law school classmate says “I’m gay,” and she doesn’t understand.
The American Psychiatric Association removed gay people from their list of dangerous psychotics in 1973, but refused to call them “gay” until 1997. About 20% of scholarly articles today still have “homosexual” rather than “gay” in their titles. In newspapers and magazines, “gay” tends to win out in titles, but in the articles “homosexual” pops in as if it an exact synonym.
Every time I tell students that the word "gay" is appropriate and the word “homosexual” old-fashioned and bigoted, they are astonished. They tell me, “But every other teacher I have ever had in my life said ‘homosexual’ was good and 'gay' was bad.” They then trot out a gay friend who says “I have no problem with homosexual.” I ask if they are aware of the century of oppression centered on that word. They are not. They think of “gay” as bigoted!
Sep 22, 2019
Star Trek: Deep Space Nine: Boldly Going Where No Heterosexual Has Gone Before
Science fiction has been notorious for promoting an exclusively heterosexual future, insisting over and over again that gay people do not exist. The Star Trek tv series have been the worse offenders, and Deep Space Nine (1993-1999) the worst of the lot, trying over and over again to be as heteronormative as possible, ignoring countless blatant opportunities for inclusivity.
The premise: On a far-off space station (but only about a day's flight from Earth), United Federation of Planets is assisting the planet of Bajor, which has just won its independence from the brutal Cardassians. Meanwhile a wormhole opens up to the other side of the galaxy, bringing new possibilities for exploration, plus the threat of the Dominion.
The politics get complicated, and rather boring. And all of the characters, bar none, are heterosexual:
Odo (Rene Auberjonois) is a changeling, a liquid in his natural state, capable of adopting any form he wishes. He usually adopts the form of a humanoid male -- who is attracted to women.
Jadzia Dax (Terry Farrell) is a trill: a symbiont named Dax "joined" to a humanoid host. Dax has lived in seven hosts before; its last was Curzon, an elderly man very, very interested in ladies. Now that it's living in a female host, however, it's very, very interested in men.
The possibility of same-sex desire intrudes in a few episodes, briefly:
1. The Ferengi, space capitalists/Jewish stereotypes, do not allow women to go to work, so Pel (Helene Udy) disguised herself as a man to become a waiter at the bar/restaurant run by Quark (Armin Shimmerman). "He" falls in love with him, and seeks the advice of Dax, who is not surprised by what she thinks is same-sex desire.
Later "he" grabs and kisses Quark. They are interrupted in media res by aliens, who assume that they are a same-sex couple.
Quark responds to the same-sex advance by ignoring it.
Pel: "I kissed you."
Quark: "No, you didn't."
2. Dax and her boyfriend Worf (the Klingon from The Next Generation) go to the pleasure planet Risa, which seems to be a gigantic tropical brothel, with scantily clad women walking around saying "Everything we have is yours." Dax reunites with a woman "he" dated as Curzon. They get altogether chummy, even though Dax is now female, and Worf suspects that they are involved.
3. In a parallel mirror universe, the counterpart of Bajoran Major Kira Nerys is slinky, seductive, and predatory, hinting that she's bisexual.
And some gay-subtext bromances.
1. Garak (Andrew G. Robinson), the only Cardassian left on the space station, is a fey, androgynous tailor who seems to be hitting on Dr. Julian Bashir. Then they settle in for a romantic friendship, as each pursues hetero-romances.
Robinson later stated that he played the character as bisexual and in love with Bashir, but it was "a family show," so he couldn't be open about it -- can't let those kids know that gay or bi people exist!
2. Jake, son of the station commander (Cirroq Lofton), and Nog, Quark's nephew (Aron Eisenberg), are teenage best buds who have a quasi-romantic relationship.
By the way, after Nog joins Star Fleet, take a look at him in his uniform. You'll soon find out why they generally film him from the waist up.
Beefcake is practically non-existent. None of the main cast are ever shown shirtless. Occasionally one of the women hooks up with a muscle man.
Lieutenant Manuele Atoa (Sidney Liufau) performs a Hawaiian fire-dance at Dax's pre-marital party.
Of all the Star Trek series, I like Deep Space 9 the least. Instead of exploring strange new worlds, it's internecene politics. Instead of boldly going where no man has gone before, it retreads the same old tired "no gays in space" mantra.
The premise: On a far-off space station (but only about a day's flight from Earth), United Federation of Planets is assisting the planet of Bajor, which has just won its independence from the brutal Cardassians. Meanwhile a wormhole opens up to the other side of the galaxy, bringing new possibilities for exploration, plus the threat of the Dominion.
The politics get complicated, and rather boring. And all of the characters, bar none, are heterosexual:
Odo (Rene Auberjonois) is a changeling, a liquid in his natural state, capable of adopting any form he wishes. He usually adopts the form of a humanoid male -- who is attracted to women.
Jadzia Dax (Terry Farrell) is a trill: a symbiont named Dax "joined" to a humanoid host. Dax has lived in seven hosts before; its last was Curzon, an elderly man very, very interested in ladies. Now that it's living in a female host, however, it's very, very interested in men.
The possibility of same-sex desire intrudes in a few episodes, briefly:
1. The Ferengi, space capitalists/Jewish stereotypes, do not allow women to go to work, so Pel (Helene Udy) disguised herself as a man to become a waiter at the bar/restaurant run by Quark (Armin Shimmerman). "He" falls in love with him, and seeks the advice of Dax, who is not surprised by what she thinks is same-sex desire.
Later "he" grabs and kisses Quark. They are interrupted in media res by aliens, who assume that they are a same-sex couple.
Quark responds to the same-sex advance by ignoring it.
Pel: "I kissed you."
Quark: "No, you didn't."
2. Dax and her boyfriend Worf (the Klingon from The Next Generation) go to the pleasure planet Risa, which seems to be a gigantic tropical brothel, with scantily clad women walking around saying "Everything we have is yours." Dax reunites with a woman "he" dated as Curzon. They get altogether chummy, even though Dax is now female, and Worf suspects that they are involved.
3. In a parallel mirror universe, the counterpart of Bajoran Major Kira Nerys is slinky, seductive, and predatory, hinting that she's bisexual.
And some gay-subtext bromances.
1. Garak (Andrew G. Robinson), the only Cardassian left on the space station, is a fey, androgynous tailor who seems to be hitting on Dr. Julian Bashir. Then they settle in for a romantic friendship, as each pursues hetero-romances.
Robinson later stated that he played the character as bisexual and in love with Bashir, but it was "a family show," so he couldn't be open about it -- can't let those kids know that gay or bi people exist!
2. Jake, son of the station commander (Cirroq Lofton), and Nog, Quark's nephew (Aron Eisenberg), are teenage best buds who have a quasi-romantic relationship.
By the way, after Nog joins Star Fleet, take a look at him in his uniform. You'll soon find out why they generally film him from the waist up.
Beefcake is practically non-existent. None of the main cast are ever shown shirtless. Occasionally one of the women hooks up with a muscle man.
Lieutenant Manuele Atoa (Sidney Liufau) performs a Hawaiian fire-dance at Dax's pre-marital party.
Of all the Star Trek series, I like Deep Space 9 the least. Instead of exploring strange new worlds, it's internecene politics. Instead of boldly going where no man has gone before, it retreads the same old tired "no gays in space" mantra.
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