Feel like dressing up like Tarzan for Halloween, or for the next sci-fi convention?
There are some problems with the idea.
1. Tarzan doesn't really have a recognizable costume. He wears a loincloth, like many barbarian heroes. Your audience might not know which you mean.
You might alleviate that problem by wearing a dreadlock wig, to resemble the Disney Tarzan.
If you already have long hair, problem solved.
2. You'll be wearing that loincloth all night, in the cold. Maybe a nice wool sash will help.
3. You have to have a muscular physique. There are fake muscles on sale, but they look sort of ridiculous on anyone older than 12.
More after the break.
Beefcake, gay subtexts, and queer representation in mass media from the 1950s to the present
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Mar 17, 2018
Mar 14, 2018
10 Shirtless Bricks from "Cat on a Hot Tin Roof"
Tennessee Williams' Cat on a Hot Tin Roof was first performed in 1955, won a Pulitzer Prize, and remains a favorite today, in spite of (or maybe because of) its shrill theatricality: a dysfunctional family yelling about its hidden passions and long-ago traumas.
Like most Tennessee Williams plays, same-sex desire is lurking just below the surface, alluded to but never discussed.
And there's a guy with his shirt off: Brick, son of the dying Big Daddy, an alcoholic ex-footballer who won't sleep with his wife, Maggie (the Cat on the Hot Tin Roof), maybe because he's gay -- he was in love with his old teammate, Skipper, who committed suicide.
In the 1950s, of course, the implication of gayness is a major scandal. Big Daddy tiptoes around it, but Maggie shrieks it out.
The 1958 movie closeted Brick and Skipper even more: "I told him he was weak!" Maggie (Elizabeth Taylor) shrieks.
But Paul Newman as Brick famously walked around in pajama bottoms, leading most contemporary productions to give us shirtless Bricks.
1. Top photo: Max Falls at Utah State. Even closeted, Cat is quite a heady mix for Utah.
2. Benjamin Walker in Pittsburgh shows us some Brick abs.
3.The Cincinnati Shakespeare Company surprisingly gives us bald, middle-aged Brick with a little belly. But that's how he's written, right?
4. Jonathan Shirey at the Susquehanna Stage Company. An ex-athlete? He's got a bodybuilder's physique!
5. Chapter, a multi-art cultural space in Cardiff, Wales, gives us a rather slim Brick.
More after the break
Like most Tennessee Williams plays, same-sex desire is lurking just below the surface, alluded to but never discussed.
And there's a guy with his shirt off: Brick, son of the dying Big Daddy, an alcoholic ex-footballer who won't sleep with his wife, Maggie (the Cat on the Hot Tin Roof), maybe because he's gay -- he was in love with his old teammate, Skipper, who committed suicide.
In the 1950s, of course, the implication of gayness is a major scandal. Big Daddy tiptoes around it, but Maggie shrieks it out.
The 1958 movie closeted Brick and Skipper even more: "I told him he was weak!" Maggie (Elizabeth Taylor) shrieks.
But Paul Newman as Brick famously walked around in pajama bottoms, leading most contemporary productions to give us shirtless Bricks.
1. Top photo: Max Falls at Utah State. Even closeted, Cat is quite a heady mix for Utah.
2. Benjamin Walker in Pittsburgh shows us some Brick abs.
3.The Cincinnati Shakespeare Company surprisingly gives us bald, middle-aged Brick with a little belly. But that's how he's written, right?
4. Jonathan Shirey at the Susquehanna Stage Company. An ex-athlete? He's got a bodybuilder's physique!
5. Chapter, a multi-art cultural space in Cardiff, Wales, gives us a rather slim Brick.
More after the break
Mar 12, 2018
Clyde Diddit's Beefcake Today
The January 1960 issue of Archie's Madhouse, the Archie comics version of Mad Magazine, referred to someone with the odd name Clyde Diddit ("Who he?").
Clyde Diddit or Didit was often referenced in later issues of Madhouse, and occasionally hosted features like "The Madhouse Book of Useless Knowledge" and "The Discovery of Sleep!" Sometimes he appeared in the cover art as a sort of Alfred E. Neuman.
He rarely appeared as a character until 1968, when Archie and company were dropped and the comic was re-titled Madhouse Glads, about a teenage rock band. Now he a rather more attractive blonde hippie, the lead guitarist (other band members were also named Diddit). Stories continued through 1974.
Another Clyde Diddit, or the same one with a new makeover, appeared as a rock promoter in five issues of Josie (before she became Josie and the Pussycats).
That's not a lot of exposure among the countless thousands of stories in the Archie universe, and there haven't been any new stories for 40 years. Still, Clyde's anarchic wit, charm, and lack of heterosexual interest made an impression on young readers. On Deviantart.com, an artist named Dynacor has a whole gallery of beefcake interpretations of Clyde Diddit.
Some more erotic than others.
He also specializes in beefcake photography. Here's an example of his work.
Clyde Diddit or Didit was often referenced in later issues of Madhouse, and occasionally hosted features like "The Madhouse Book of Useless Knowledge" and "The Discovery of Sleep!" Sometimes he appeared in the cover art as a sort of Alfred E. Neuman.
He rarely appeared as a character until 1968, when Archie and company were dropped and the comic was re-titled Madhouse Glads, about a teenage rock band. Now he a rather more attractive blonde hippie, the lead guitarist (other band members were also named Diddit). Stories continued through 1974.
Another Clyde Diddit, or the same one with a new makeover, appeared as a rock promoter in five issues of Josie (before she became Josie and the Pussycats).
That's not a lot of exposure among the countless thousands of stories in the Archie universe, and there haven't been any new stories for 40 years. Still, Clyde's anarchic wit, charm, and lack of heterosexual interest made an impression on young readers. On Deviantart.com, an artist named Dynacor has a whole gallery of beefcake interpretations of Clyde Diddit.
Some more erotic than others.
He also specializes in beefcake photography. Here's an example of his work.
Mar 11, 2018
Homophobia and Trapper John
January 11, 1981: a Sunday night, my junior year at Augustana. So far it's been rather heterosexist. Last quarter I had a gay-free class in Modern American Literature; this quarter I will read Death in Venice but not yet. I saw Times Square (1980), starring Tim Curry of The Rocky Horror Picture Show, but there was no gay content. The radio has been incessantly playing "Every Woman in the World," by Air Supply.
I am studying German while watching lackluster episodes of One Day at a Time, Alice (no Tommy), and The Jeffersons (the second, un-cute Lionel). Then comes Trapper John, MD (1979-86), about the wisecracking medic of MASH, now a modern-day hospital administrator with a free-spirited assistant named Gonzo (Gregory Harrison, left): A swishy gay guy named Judy (Craig Russell) is hospitalized after becoming the victim of a hate crime (in those days they called it gay bashing). Her initial roommate is bigoted, so she is moved into a room with an elderly woman suffering from Alzheimer's disease. The woman's son objects, but changes his mind when he sees that Judy's magical gay powers have cured her.
I have never heard the myth that all gay men are into Judy Garland, but fortunately Judy explains about The Wizard of Oz, a place where "there isn't any trouble." Did she even see the movie? The Wicked Witch of the West keeps trying to kill her!
All gay men are really girls. Got it. And that's not even the primary plot:
A cop named Joey Santori (Joseph Cali) is shot at a gay rights rally. His partner, Sam (Charles Hallahan), is livid with rage: "Some fag shot my partner! They want power -- well, there's already too much fag power in San Francisco!"
Gonzo investigates, and discovers that Joey is gay! And the shooter was a fellow cop upset over "fag power" in San Francisco! How's that for a plot twist?
At least Gonzo is not homophobic. Gregory Harrison is actually a gay ally, and has played gay characters several times. Joseph Cali is a veteran of Saturday Night Live (1977), apparently, hardcore porn; there are several fully nude pictures available on the internet.
I am studying German while watching lackluster episodes of One Day at a Time, Alice (no Tommy), and The Jeffersons (the second, un-cute Lionel). Then comes Trapper John, MD (1979-86), about the wisecracking medic of MASH, now a modern-day hospital administrator with a free-spirited assistant named Gonzo (Gregory Harrison, left): A swishy gay guy named Judy (Craig Russell) is hospitalized after becoming the victim of a hate crime (in those days they called it gay bashing). Her initial roommate is bigoted, so she is moved into a room with an elderly woman suffering from Alzheimer's disease. The woman's son objects, but changes his mind when he sees that Judy's magical gay powers have cured her.
I have never heard the myth that all gay men are into Judy Garland, but fortunately Judy explains about The Wizard of Oz, a place where "there isn't any trouble." Did she even see the movie? The Wicked Witch of the West keeps trying to kill her!
All gay men are really girls. Got it. And that's not even the primary plot:
A cop named Joey Santori (Joseph Cali) is shot at a gay rights rally. His partner, Sam (Charles Hallahan), is livid with rage: "Some fag shot my partner! They want power -- well, there's already too much fag power in San Francisco!"
Gonzo investigates, and discovers that Joey is gay! And the shooter was a fellow cop upset over "fag power" in San Francisco! How's that for a plot twist?
At least Gonzo is not homophobic. Gregory Harrison is actually a gay ally, and has played gay characters several times. Joseph Cali is a veteran of Saturday Night Live (1977), apparently, hardcore porn; there are several fully nude pictures available on the internet.