Beefcake Dads of 1950s Sitcoms

During the late 1950s and early 1960s, there was a fad of nuclear family sitcoms, set in small town Mayfields, with a pipe-smoking Dad, a Mom who did housework in high heels, groovy teenagers, and wise-cracking preteens.  They actually weren't very popular at the time; adults preferred Westerns, swinging detectives, and musical-variety shows.  But the first generation of Boomers remembers getting their first glimpses of what family life was like -- or what they thought it should be like -- from the nuclear family sitcoms.

They generally identified with and/or mooned over the teenage boys: the muscular physiques of Bud (Billy Gray) of Father Knows Best and Wally (Tony Dow) of Leave it to Beaver, the blatant bulges of Ricky and David Nelson (Ozzie and Harriet), the teen idol cuteness of Jeff (Paul Petersen) of Donna Reed.  But there's a lot to be said for the dads, too.

Unfortunately, they weren't always as gay-friendly as their tv sons.

1. Born in 1906, bandleader Ozzie Nelson and his wife, former dancer Harriet, started The Adventures of Ozzie and Harriet on the radio in 1944. They transitioned to television in 1952, and lasted until 1966, making Ozzie and Harriet the longest-running fictional program on radio/tv.  Still not satisfied, he tried a spin-off, Ozzie's Girls, in 1976 (in which Ozzie takes in three college girls as boarders).

Ozzie and Harriet had many gay friends in real life, although no openly gay characters appeared on their show (that would have been impossible in the 1950s).

2. Robert Young (here apparently informing us of his size) was not only less than adequate physically, he was homophobic.

After his tenure on Father Knows Best ended, he starred in Marcus Welby, M.D., one of the most homophobic tv series of the 1970s.  In one episode, Dr. Welby diagnoses a man with "homosexual tendencies," but assures him that with the proper counseling, he can overcome his affliction.  In another, he treats a gay pedophile, with the implication that all gay men are pedophiles.  Gay activists protested, but the network -- and Dr. Welby -- wouldn't budge.

3. Born in 1909, Hugh Beaumont started out as a minister, but moved into acting during World War II.  Although a devout Methodist, he played his share of scoundrels, in Apology for Murder (1945) and The Blue Dahlia (1946), plus hard-boiled detective Mike Shayne.  Leave It to Beaver was meant to be a change of pace, but he was so typecast as Ward Cleaver that he took only a few roles afterwards, and ended up retiring to grow Christmas trees.

No data on whether he was a gay ally or not, but apparently his tv wife, Barbara Billingsley, was nonchalant about gay people.

4. The youngest of the 1950s sitcom Dads, ex-football star Carl Betz was only 36 when he was cast as Dr. Alex Stone, husband of the practically-perfect Donna Reed.  He had been making the rounds of tv adventure series, with guest parts on The Big Story, Waterfront, Sheriff of Colchise, Panic!, and Perry Mason, and he continued to be a sought-after performer throughout his life.

While he was playing the titular lawyer in Judd for the Defense (1967-69), one of his clients was a father who thinks that his son's friend is "recruiting" him into the "homosexual lifestyle."  Judd assures him that there's no cause for believing such a scandalous rumor.

Charlie Brown, Linus, and Gay-Coded Peanuts

I didn't read  Charles Schulz's Peanuts in the newspaper; our Rock Island Argus offered only a cheap imitation called Winthrop. My knowledge of Peanuts came through Fawcett paperbacks acquired at garage sales during the 1970s and treasuries acquired at the Waldenbooks at the Mall during the 1980s.

Not a lot of gay content.

1. Only two significant same-sex friendships (Charlie Brown-Linus and Peppermint Patty-Marcie), and neither display the intensity, physicality, or exclusivity that might push them from friendship to romance. (Christopher Shea provided the original voice for Linus.)

 Marcie calling Peppermint Patty "Sir" does not signify lesbian identity.  Lesbians do not call each other "Sir."

Plus, every character, almost without exception, is involved in an unrequited heterosexual romance: Lucy is in love with Schroeder, Sally with Linus, Peppermint Patty and Marcie both with Charlie Brown, Charlie Brown with the Little Red-Haired Girl.  Linus and Snoopy never zero in on one crush, but they each get many girlfriends.

In one 1985 continuity, Charlie Brown merely has to say "Eleanor" for Linus to collapse, and "Fifi" for Snoopy to collapse in agony over their lost loves.

Heterosexual desire validated over and over again, same-sex desire absent.  It was a world where gay kids felt alien and unwanted.

But there was an exception.  Like Jughead in the Archie comics, Schroeder is not interested in girls.  He not only rejects Lucy's advances.  He not only lacks a heterosexual crush of his own.  He never expresses any interest in any girl, ever. 

Of course, Schroeder never expresses any interest in boys, either, but he had a passion for music, specifically classical music.  Mostly Beethoven, because Schulz thought the name sounded funny, but also Bach, Schubert, Brahms, Handel.  His artistic interest and ability is gender-transgressive in a world devoted to sports (continuities are devoted to baseball, tennis, golf, ice skating, and so on).  He alone resonated with gay kids as "one of us."  He alone saw the world in a way they could understand.

The Gay Villages of Sonia and Tim Gidal

When I was little, my search for a "good place" often led me to the My Village books.  Tim Gidal (1909-1996) was a a pioneer in the field of photojournalism and a respected academic at the New School for Social Research.  In the interest of fostering international understanding, he and his wife Sonia published My Village in India (1956), a photo-story about the everyday life of a real ten-year old boy in a rural village.

It became so popular that they started scouting out villages in other countries, eventually traveling to 23:

1956: Austria
1957: Yugoslavia, Ireland
1958: Norway
1959: Israel, Lapps (Norway)
1960: Bedouins (Jordan), Greece
1961: Switzerland
1962: Spain, Italy
1963: Denmark, England
1964: Germany, Morocco
1965: France
1966: Finland, Japan
1968: Korea, Brazil
1969: Ghana
1970: Thailand
They only stopped when the couple divorced.



Each story was written in present tense and covered a few days in the life of a 10-12 year old boy: shepherding in Yugoslavia, fishing in Norway, tending to a vineyard in France.  He also went to school, played with his friends, talked to other villagers, went to a festival or took a field trip to a big city, and sometimes solved a minor mystery.  On the way you learned something about the history, language, and culture of the country (probably for the first time).

No gay people or same-sex romances were ever mentioned.  So why did these books offer a glimpse of a "good place"?

1. The boys were all exceptionally cute, from my preteen vantage point, and in warm climates they often stripped down to swim or fish or frolic.  Even in cold climates: the Norwegian boy stripped down for bed, and the Finnish boy was photographed completely nude in a sauna.

2. Their fathers, older brothers, and neighbors all lived off the land: they were farmers, shepherds, fishermen, loggers.  That meant endless photographs of muscular adult men.


3. American media of the 1960s was full of preteen boys "discovering" girls.  But the Village boys never expressed the slightest interest in girls.  Indeed, they didn't seem to know any, other than their sisters.

4. However, they often came in pairs that were extremely expressive by American standards: always hugging, wrapping their arms around each other, lying side by side, even kissing each other on the cheek.  To my preteen mind, it was obvious that they were boyfriends.

See also: Looking for Love in the Encyclopedia

The Top 10 Dour Hunks of "The Last of Us"

 

If you're watching several post-Apocalyptic tv shows at the same time, it becomes difficult to remember which pandemic just killed almost everyone (Station Eleven), which resulted in a world full of plodding, snarling zombies (The Walking Dead), and which resulted in vampire-like beings (The Strain).  Then there's The Last of Us on HBO, where mutated fungus in flour-based products results in near-instantaneous transformation into a creature covered with nauseating bulbous tumors. 

 I'm still watching, but every time a bulbous monster appears, I keep my eyes closed, or scroll through the social media on my cell phone.  As a result, I'm not entirely sure what's going on, so don't yell at me if I get something wrong.  These are just my impressions.  But I did notice some beefcake.

1. Construction worker Joel (Pedro Pascal, top photo) lost his daughter on the first night of the Apocalypse (she is presented as the protagonist, just to mess with viewers' heads). Twenty years later, he is living in Boston, a horrifying dystopia much worse than anything conjured up on The Walking Dead, a police state where they have public executions of anyone who breaks any of the hundreds of repressive laws.  Hardened and dour, he is working as a smuggler along with his non-romantic business partner Tess. 

2. Joel's screw-up younger brother Tommy (Gabriel Luna) also survived, but the two are estranged because Tommy went over to the Dark Side or something.

Joel and Tess are hired to deliver sassy 14-year old Ellie to a location I can't remember.  She's special because she's the first person in history to be immune to the fungus, so her blood can be used to make a vaccine.  

On the way out of decrepit, decayed Boston, partner Tess is inundated by disgusting bulbous monsters.  Then it's just the two, trudging through the pristine forests that are just outside the city.  Wait -- outside of Boston there are miles and miles of suburbs.  They stop in various places for supplies and fight the disgusting bulbous monsters.

3. For a reason I'm not clear on, they have to stop by Bill and Frank's -- a gay bear couple (Nick Offerman, left, Murray Bartlett, below) who live in a very nice house with hot water and electricity, pair rabbit stew with Beaujolais, and play Linda Ronstadt songs on the piano. 

4,  In Episode 3, we see their 20 year relationship from beginning to end.  Bill, a survivalist, was hiding in an underground bunker when the military rounded up everyone else in town to kill (to prevent infection?).  He lived alone for several years, until Frank showed up.  He had never been romantic with anyone before, but apparently his only human contact in years sparked some interest.  

I like the scene where they are preparing for sex for the first time: Bill takes his towel off, and Frank's eyes bug out -- apparently the bear is quite well-hung.  I don't like them both being isolated, interacting with no humans other than Joel and Tess, and being dead.

5. Next, in Missouri for some reason, Joel and Ellie encounter dour revolutionary Kathleen and her dour nonromantic partner Perry (Jeffrey Pierce).

6. The revolutionaries want to find and kill hardened bandit Henry (Lamar Johnson) and his deaf, sick, autistic brother Sam (how vulnerable can you get?).  But Joel and Ellie bond with the two.  They fight disgusting bulbous monsters together.  But Sam is bitten!   You know this won't end well.

7.  This doesn't technically count, but in the video game version of The Last of Us, deaf, sick, autistic Sam is a teenager, played by Nadji Jeter.

8. Joel and Ellie finally reunite with Joel's younger brother Tommy (was that the game plan?), who is living in Jackson, Wyoming with his pregnant wife.  But they argue, and the two leave. 

 In Colorado for some reason, Joel is severely injured.  And guess what: in Episode 7, the teenage Ellie is revealed to be a lesbian!  She had a girlfriend back in whatever horrible dystopian place she was living in before Boston, but the girl got monster-ized.

While Joel is fighting his life-threatening injury, Ellie encounters dour cult leader David  (Scott Shepherd) and his nonromantic partner James, who threaten and traumatize her in various ways before she kills them.  

9. I spend most of each episode desperately trying to avoid looking at the disgusting bulbous monsters on the screen, but I got a brief glimpse of Philip Prajoux (right), playing one who infects Joel's nonromantic partner Tess by exuding tentacles into her mouth.

10. Riley Davis (bottom) reputedly plays a "Young Firefly Soldier" (Fireflies are terrorists or freedom fighters, depending on which side you are on), whom Joel provides with drugs in Episode 2.  

I'm including him without a shirtless photo because I spent ten minutes paging through references to a woman named Riley Davis on the old McGyver tv series and looking at the instagrams of 12 people named Riley Davis, all women.  This actor has four citations on the IMDB, but not The Last of Us or Lions in Waiting, which is the source of this photo.

Oh, well.  The last episode of The Last of Us airs on March 12th.