The Canadian kid-oriented series that aired in the U.S. during the late 1980s came in all varieties.
You Can't Do That on Television was sketch-comedy,
Degrassi Junior High teen angst, and
Katts and Dog (1988-93) teen adventure.
It aired as
Rin Tin Tin, K-9 Cop in the United States and
Rin Tin Tin Junior in France. The owner of the original dog actor (1918-32) never trademarked his name, so his descendants continue to appear at animal events, and unrelated dogs have appeared in radio programs, movies, and two tv shows.
The Adventures of Rin Tin Tin (1954-59), starred Lee Aaker as a 19th century orphan being raised by the U.S. Calvary at Fort Apache. It was trying unsuccessfully to compete with
Lassie (1954-73), with the female collie owned by several boys, including Jon Provost (left, during his hippie years). But most people remember Tommy Rettig, whose tv mom June Lockhart moved on to become the mom on the original
Lost in Space.
By the 1980s, Rin Tin Tin was a distant memory. His connection to the Katts and Dog dog, called Rudy or Rinty, is only mentioned once.
The premise: Hank Katts (Jesse Collins) and his dog Rudy/Rinty go to work together in the K-9 division, where they rescue kidnapped boys and heiresses, keep drugs out of school, are held hostage, shoot suspects, and so on in adventures that are not always kid-friendly. He begins dating widowed mother Maggie and mentoring her son, s Officer Hank Katts, who worked with a German shepherd named Rudy or Rinty (Rudolph Von Holstein III). He lived with Maggie, the widow of his late brother, and her son, slim blond Stevie (12-year old Andrew Bednarski).
Homophobic televangelist Pat Robertson, whose Christian Broadcasting Network provided most of the funding for the show, disapproved of an unrelated man and woman living in the same house, so Maggie was killed, and Hank adopted Stevie. His job was to ignore orders like "stay here where it's safe," snoop around on his own, get captured by the bad guys, and require a nick of time rescue.
He required nick of time rescues in most episodes. Sometimes he and Hank required rescue together.
Hank and Stevie behaved nothing like foster father and adopted son. Instead, their relationship reflected the superhero-sidekicks of the 1940s. The two were inseparable, and engaged in activities that elsewhere would be reserved for romantic partners: going to dinners and movies, going on vacations. They shared an emotional intimacy and an easy physicality that was rare in the cop-kid bond.
More after the break