I never watched The Man from U.N.C.L.E. (1964-68). First it was on past my bedtime, and then there were too many competing choices (The Time Tunnel, Hogan's Heroes). But I had more than one friend who thought it was "good beyond hope."
What are you measuring, Mr. Mad Scientist?
It was a buddy spy series, like I Spy and Wild Wild West, but with an interesting twist. In the heart of the Cold War, we heard over and over that "Russkies" were all evil monsters plotting our destruction. But one of the secret agents was Russian.
The premise: The USSR, the United States, and other countries have set aside their differences and formed U.N.C.L.E. (United Network Command for Law and Enforcement) to fight the evil THRUSH (acronym unknown), which wants to "subjugate the human race."
The plots were much more extravagant than anything seen on Mission: Impossible, rivaling Batman in campiness:
THRUSH tries to bring Hitler back to life.
The premise: The USSR, the United States, and other countries have set aside their differences and formed U.N.C.L.E. (United Network Command for Law and Enforcement) to fight the evil THRUSH (acronym unknown), which wants to "subjugate the human race."
The plots were much more extravagant than anything seen on Mission: Impossible, rivaling Batman in campiness:
THRUSH tries to bring Hitler back to life.
Invents a deadly hiccup-inducing gas.
Invents an exploding hula-dancing doll.
Pat Harrington, Jr. (later on One Day at a Time) steals a rare book containing THRUSH code.
Sonny and Cher play clothes designers with THRUSH codes hidden in one of their dresses.
But the main draw was the "The Man" of the title, American agnet Napoleon Solo (Robert Vaughn, previously seen shirtless in Teenage Caveman), and his partner, the Russian Illya Kuryakin (Scottish actor David McCallum).
They were not only spy partners: they seemed to live together (and when traveling always took hotel rooms with just one bed).
More after the break
They expressed their affection with the easy nonchalance of Starsky and Hutch. And, contrary to James Bond style, they mostly ignored women.
Solo was a no-nonsense man's man (notice the use of his last name). By contrast, Illya (notice the first name) was soft, quiet, intellectual, "feminine." As a result, he was captured by the baddies a lot more often: 8 times (Solo was captured alone 4 times, and they were captured together 10 times).
Sometimes the capture was specifically to egg Solo on. For instance, in "The Deadly Quest Affair," Viktor Karmak (Darren McGavin) tells Solo that Illya has been sequestered somewhere in New York City, and he has 12 hours to find him before Illya is killed by nerve gas.
There were also many shirtless and underwear shots. David McCallum had the blond, shaggy-haired dreaminess that appealed to preteens, so he received the lion's share of coverage in teen magazines.
There were lots of book tie-ins and miscellaneous toys.
David McCallum had a long television and film career, with roles in Sex and the City, NCIS, Ben 10, and three Batman movies (where he played Alfred the Butler).
Robert Vaughn appeared in everything from Murder She Wrote to The Nanny to the British soap Coronation Street.
Both were married with children. The gay subtext on their show was unintentional.
Both were married with children. The gay subtext on their show was unintentional.
Probably.
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The movie reboot with Henry Cavill and Army Hammer had some nice visuals but the straight director never managed to have either one have a shirtless scene
ReplyDeleteI was a big fan of Man from U.N.C.L.E. in the 1960's when it initially aired. I liked it because it was all spy business and no stupid romance stuff with women to get in the way. Of course the two stars were the best part. I never appreciated the apparent gay subtext of the characters and stories until I read this piece but perhaps that's why I found the series so interesting. Thanks for your blog, it provides a lot of insights into things I hadn't considered.
ReplyDeletewas also a big fan way back when, just an FYI-- not revealed in the series but in a novel-- T.H.R.U.S.H. - stood for the "Technological Hierarchy for the Removal of Undesirables and the Subjugation of Humanity"
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