I went into the Netflix tv series Troy: Fall of a City expecting a vast canvass, a lot of spectacular special effects, and nonstop beefcake. After all, a new take on one of the most familiar stories in the world has to have something to justify the retelling.
The first episode was promising: Paris Prince of Troy (Louis Hunter, left) meets a mysterious group of beings who might be gods. Zeus (Hakeem Kae-Kazim) asks him to choose who is superior: Hera (power), Athena (wisdom), or Aphrodite (beauty). When he chooses beauty, the others in a rage vow to shatter his world.
Very interesting, very evocative. It goes downhill from there.
Troy is the story of a battle between the gods, with humans their unwilling pawns. Paris (remember him?) kidnaps Helen, Princess of Sparta, to the consternation of her husband Menelaus (Jonas Armstrong, top photo). The Spartans and their allies lay siege to Troy, a siege that lasts for ten long, gruelling years.
In the Iliad, Homer covers only a few weeks in the story; his Odyssey focuses on the minor character Odysseus (Joseph Mawle, left) trying to get home.
Other ancient authors have filled in the rest, explored interesting byways and asides, speculated about the lives of the characters before and after the War, given other minor characterstheir own epics. You couldn't cover all of it in a hundred tv series.
Troy: Fall of a City tries to.
The result is a jumble of people, name upon name splattering across the stag. Some I recognized from literature or mythology: Ajax, Hector, Priam, Hecuba, Cassandra,Troilus, Odysseus, Aeneas.
Some not: Xanthus (David Avery), Diomedes, Thersites, Harmon, Dolan, Iola.
The main stories are minimized or ignored. The famous are shuffled off to the side.
Hesion (who?) gets as much air time as Hector (Tom Weston-Jones).
More after the break
