In I Was a Teenage Frankenstein (1957), #5 on my list of the Top Horror Movies of the 1950s, Whit Bissell plays an obviously gay Dr. Frankenstein who reads of a high school track team dying in a plane crash, exclaims with homoerotic ardor, "All those fine athletic bodies gone to waste," and hustles out to the cemetery to collect the choicest parts.
The resulting creature is not the groaning, green-faced slug of the Universal picture, but a teenage hunk with the "hands of a wrestler" and the "legs of a football player."
Producer Herman Cohen denies that there was anything special about Gary Conway, hired to play the monster; they just went down to Muscle Beach and grabbed the nearest hunk. But surely it is no coincidence that Gary was studying art at UCLA (a gay-coded major) and posing for the proto-gay magazine Physique Pictorial.
Sensitive, code for gay, was not part of the master plan, and comes as an unwelcome surprise.
But even after the operation, the boy monster is not a man: he can't stop staring at his image in the mirror and stroking his cheeks. "Quite handsome!" Dr. Frankenstein agrees. "Quite, quite handsome!" Of course, he is not really looking at his own face; he is admiring the beauty of the blond they harvested, that is, expressing homoerotic desire.
He is still a monster, not because he is violent or disfigured, but because he has failed to express the heterosexual desire necessary to become a real boy. The film ends quickly and ludicrously when Dr. Frankenstein decides to disassemble the boy, ship the parts to England, and reassemble them there. The boy naturally disapproves, and feeds Dr. Frankenstein to the alligators that conveniently live in a pit beneath the house. Then he is accidentally electrocuted,dying because he cannot live. There is no place for a "sensitive" teenager who admires male beauty in the 1950s.
Swinging Bachelor Detective drama and starred in Burke's Law (1963-65), as the assistant (but apparently not the boyfriend) of debonair detective Burke (Gene Barry).
In the late 1960s, he appeared on one of my favorite sci-fi programs, Land of the Giants (1968-70), as Steve Burton, pilot of a spaceship that crash-lands on a planet where everybody is. . .well, a giant. Steve never took his shirt off, but at least he didn't display any heterosexual interest, and he sometimes buddy-bonded with one of the male castaways, Mark (Don Matheson), who became a close friend in real life.
Man-Mountain movies, including American Ninja and Over the Top), but he was increasingly involved in his first passion, art. He also studied architecture and became an accomplished violinist, performing at the Hollywood Bowl. And, lest anyone forget that he still had a spectacular physique, he posed nude for Playgirl.
If that wasn't enough to keep the multitalented performer busy, he bought a ranch in California, converted it to a vineyard, and developed his own wines. And he wrote and illustrated The Art of the Vineyard.