Eerie, Indiana: Omri Katz, Paranormal Investigator

Israeli actor Omri Katz played J.R.'s son on Dallas (seen here hugging his gay-vague nanny, played by Christopher Atkins), and a scientist's son zapped into a world of sentient dinosaurs in Adventures in Dinosaur City.  But he's probably most famous for the gay-vague classic Eerie Indiana (1991-92).

It lasted for only 17 episodes (plus an eight-episode spin-off starring Daniel Clark), but it is still remembered and discussed by fans.  One of the first of the teen-paranormal series of the 1990s, it drew on Twin Peaks (1990-1991) to depict a small town with an overarching mystery to be solved, with minor mysteries along the way.

Marshall Teller (Omri) moves with his parents to a small town in Indiana where weird things happen.  Tupperware containers keep you alive forever. Time stops.  ATMs aren't what they seem. There's a tornado every year on the same date.

A world full of bizarre events, where everyone has a secret agenda and nothing is what it seems?  That's the life of every kid, of course, but it also reflects the journey of gay boys as they try to negotiate the mine-field of adult heterosexism, the constant "What girl do you like?" and "You'll meet a girl someday."

Marshall pairs up with local kid Simon Holmes (11-year old Justin Shenkarow) to investigate. They are often assisted by mysterious grayhaired boy, who has no name and no memory of his past, but calls himself Dash X (16-year old Jason Marsden, right).  But more often he has a hidden agenda of his own.

There were few girl-crazy plotlines -- neither Simon nor Dash X so much as glances at a girl -- but there's lots of captures and daring rescues.  However, Marshall remains just a close friend with Simon, while he is quite obviously attracted to the infuriating, mysterious, powerful yet somehow vulnerable Dash X.  If they had more time, the two might have fallen in love.  Unfortunately, the series ended before they could unravel the mystery or develop the homoromance, leaving viewers with more questions than answers

After the excellent "things are not what they seem" Pleasantville (1993), the Halloween comedy Hocus Pocus (1993), and a tv movie, Omri Katz moved to Israel, where he appeared occasionally in short films (which sometimes feature nudity), including the gay-themed Journey into Night (2002).  He now works as a hairdresser in Los Angeles.

Justin Shenkarow remains an actor and producer with credits in Home Improvement, Picket Fences, W.I.T.C.H., and Aliens in America.  

Mid90s: Drugs, Suicide, Homophobia, and Pedophilia

Jonah Hill says "It was important to tell the truth" in Mid90s, his directorial debut, and hopefully his swan song.  I think it's more important to not make viewers sick.

When I searched for one of the cast members, Gio Galicia, this photo came up, with the caption "Screenshot of Bohemian Rhapsody."    It's obviously from Mid90s, not Bohemian Rhapsody, nor is Gio Galicia in the shot.

Goes to show how f*ked up this movie is.

Oh, sorry, we're being real.  The movie is fucked up.  It's a piece of shit.  It is especially offensive to gay viewers, even though producer Scott Rudin is gay.

It's a Kids reboot about a little boy named Stevie, 13 years old but played by 12-year old Sunny Suljic.  Apparently Jonah Hill cast him deliberately to get someone who looked "young."  He's living with his neglectful mother and abusive older brother (Lucas Hedges, top photo) in Los Angeles in the mid-90s.

I lived in Los Angeles in the mid-90s.  It was great.

Stevie tries to alleviate his pain by hanging out with some older kids at a skate park.

Way older.  Their leader, Ray, is played by 25-year old Na-Kel Smith.

Stevie learns to smoke marijuana, fight, get drunk, and use racist and homophobic language (every other word is "fag"),

I agree that it's "real"  There are real racist, homophobic assholes in the world.  Why make a movie about them?

Of course Stevie has sex (with a girl played by a 23-year old actress).

That's a Class 1 Felony. Even pretending to have sex with a 13-year old is inappropriate.

But Stevie's newfound drug abuse and prepubescent sexual activity does not bring happiness.  He gets two head injuries, one in a skateboarding accident and the other in a car accident, and attempts suicide.

One would expect at least some buddy-bonding among the skateboarders.  But they mostly argue, posture, and fight.  .

\No beefcake.  We see Stevie's prepubescent body, of course, and Ian (his older brother) briefly in his underwear as he's beating up Stevie. 

Here's the only shirtless photo of a cast member I could find, Olan Prenatt, who plays  Fuckshit.

My rating:Is there anything lower than F-?

How about fuckshit?

Teen Angels

A year before they caused a counterculture-establishment standoff with their Smothers Brothers Comedy Hour (1967-70), comic duo Tommy  and Dick Smothers starred in an "I've got a secret" sitcom, The Smothers Brothers Show (1965-66).

Dick, the "straight man," plays a young, hip, self-absorbed bachelor in the Bill Bixby mold.  The paranormal event that jolts him out of his heterosexist stupor is not a crashed spaceship, but a knock on the door: his irreverent, anarchic, "queer" brother Tommy, lost at sea two years ago, has returned as "an apprentice angel," assigned to oversee Dick's life and do good deeds.

The plots involved Tommy's good deeds -- reforming gangsters and juvenile delinquents, helping the homeless, helping a musician change his tune -- and Dick's fruitless attempts to continue his skirt-chasing in instead of accepting a supernatural, well-night omnipotent same-sex bond.

I don't remember much about the series -- I was very, very young at the time -- but I remember Tommy's marvelous nonchalance about gender transgressions. To liven up a nursing home, he puts on old-lady drag and cavorts with the old men.

Fast forward thirty years, and the premise was recast in Teen Angel (1997-98), starring Corbin Allred  (left) as Steve, a young, hip, self-absorbed high schooler in the Michael Cade mold.  Again, a knock on the door: his irreverent, anarchic, "queer' best friend Marty(Mike Damus), who died last year after eating a spoiled hamburger, has returned as "an apprentice angel," assigned to oversee Steve's life and do good deeds.

The plots involved Marty's good deeds -- mostly helping Steve pass tests, get on the wrestling team, get the lead in the school play, and so on.  The sibling relationship gone, Marty and Steve become a more obvious romantic couple; though they both display heterosexual interests, they are obviously devoted to each other.

Again, Marty displays a marvelous nonchalance about gender transgressions.  When Steve likes a  cheerleader named Jessica, Marty senses that she will reject him, so he morphs into Jessica to go on the date.

What can we learn about the social changes between 1965 and 1997:
1. MORE heterosexism.  More tongue-lolling, leering, moaning insistence that boys and girls together are the meaning of life.
2. MORE subtext. More touching, more tenderness, more caring.
3. Humorous gender transgressions are ok, but you still aren't allowed to be gay.

Parker Lewis Can't Lose

The 1980s was the era of the teen operator, the teenager who works behind the scenes, enraging tyrannical assistant principals and college deans.  He starred in virtually every TGIF sitcom, from Family Ties to Growing Pains; he used his stealth to save the day in Toy Soldiers; he ruled the school in Ferris Bueller's Day Off.

Parker Lewis Can't Lose (1990-93) was a late entry in the teen operator canon, a Ferris Bueller clone that aired on Fox on Sunday nights.

Parker (Corin Nemec, left) ruled the school with flashy costumes and surreal antics, along with his bud, the uber-cool Mikey Randall (Billy Jayne, previously Billy Jacoby, below), and their  nerdish protege Jerry Steiner (Troy W. Slaten).

They had several allies, including inarticulate man-mountain Kube (Abraham Benrubi) and Nick Comstock (Paul Johannson), manager of their diner hangout.

And several nemeses, including the cartoon-villain principal Grace Musso (Melanie Chartoff), who was obsessed with men with "big hands," and her vampiric crony, Lemmer (Taj Johnson), who could appear and disappear at will.

There was a lot of heterosexism; about half of the episodes involve somebody trying to get with a heterosexual crush.

But Parker and Mikey made a cute couple, with Jerry as their surrogate son, and later Kube found a soulmate in the obese Coach Kohler (John Pinette), in spite of their respective hetero-crushes.

In the third season, hunky bricklayer Brad Penny (Harold Pruett) became interested in Parker, and tried to win his "friendship."  When Parker rejected him, he got revenge by stealing Jerry, who dropped  out of school to join him in the career of bricklaying.

After Parker Lewis, Corin Nemec had a stable career, mostly playing sleazoids: two serial killers, an Adolph Hitler lookalike, and "himself" (in the webseries Star-Ving with buddy David Faustino).

He was the associate producer of the evangelical Christian film Hidden Secrets (2006), and starred as an ex-gay guy who can't accept God's forgiveness for his sinful past.  Yuck.

Billy Jayne had some acting and directing credits, but he's better known now as a commercial producer.

Troy Slaten is now an attorney.

"Schooled": "Welcome Back, Kotter" for the 1990s

I got pulled into buying the $1.99 premiere episode of  Schooled (2019) with this shot of the abs of star Christian Gehring.

Turns out that it's a spin-off of The Goldbergs (2013-), the sitcom about future filmmaker Adam Goldberg's high school years in the 1980s.

Spin-offs usually take a wacky supporting character and push them into a starring role, then find out too late that wacky doesn't work for the central character.  So "Kiss mah grits" Flo was great on Alice, but bombed on Flo, and the bickering landlords on the top-rated Three's Company hit the bottom of the ratings barrel on The Ropers

In this case, it's the wacky Lainey Lewis (A. J. Michaelka), Erica's school friend and eventually Barry's girlfriend.  Sometime during the 1990s, after a failed musical career, Lainey returns to Philadelphia and takes a job as a music teacher at William Penn Academy, "the same old place that she laughed about."

Shades of Welcome Back, Kotter, except Kotter actually had a teaching degree, and Lainey has no degree, no certification, no practicum, no nothng. She doesn't even know what a syllabus is.  But the Principal (Tim Meadows) and Coach Mellor (Bryan Callen), who knew her a a student, "believe" in her.

The music class is, naturally, full of slackers, losers, and wise guys, but Lainey "gets through to them" by switching from the "Do Wop" music on the syllabus to Grunge. So this is more like Glee without the gay kid?

But things go wrong when Lainey tries to expell Felicia (who happens to be the Principal's niece) for asking to go to the nurse's office (an act which would immediately get a real-life teacher fired, but here has no consequences).  But she finally bonds with Felicia.

Meanwhile, the ridiculously fit Coach Mellor, who actually doesn't have much of a physique, is having his own problems adjusting to the 1990s (wait -- wasn't he there all along?).  He hates the new Be Like Mike non-teamwork basketball style and short-short uniforms that show everything you got (well, I'd like to see those).

In a parallel to Lainey-Felicia, he butts heads with the showboating Matty (Hunter Doohan),the best athlete at the school, who quits the team in protest.  Not to worry, they bond, and the Coach suggests that he try out for football instead.

We finish with cameos by "the real Matty," Matt Ryan of the Atlanta Falcons football team,  who really  did attend the William Penn Charter School in Philadelphia, started as a basketball player before "the real Coach Mellor" convinced him to take football instead.

My head is exploding.  Are these all real people?  Are we going to get more interviews with famous graduates of William Penn Academy in future episodes?  I almost want to buy more episodes to see.

Gay References:  They will be performing Rent later on..

Gay Characters: None that I know of.

Beefcake.  Maybe I've been spoiled by Riverdale, but those team members are scrawny, and always fully clothed.

Lainey: Super annoying.

And where's Christian?

Back to Schooled:  It turns out that Matty appears only in the pilot.  The main students will be Ed (Israel Johson), Aaron (Dallas Edwards), Weasel (Gabe Gibbs), and Ronnie (Christian Gehring, finally).  There will also be another teacher, C.B> (Brett Dior, left), who will have a crush on Lainey.

Oh, and most of The Goldbergs will make cameos.

My grade:  D.  I'd rather watch Welcome Back, Kotter. Or Glee.  Or Riverdale.

Or The Goldbergs.

See also: The Goldbergs; 

David Lascher

The 1990s was the decade of the teen hunk; they appeared on Saturday morning, on Saved by the Bell and its clones (California Dreams, Breaker High), on the teen-heavy nuclear family sitcoms on ABC's TGIF (Sabrina the Teenage Witch, Boy Meets World, Teen Angel), and on the material-starved kids' networks, Disney and Nickelodeon (Welcome Freshmen, Salute Your Shorts, The Adventures of Pete and Pete).

With all the teen hunks wandering around, it was easy to get lost in the crowd, even if you have a killer smile and a fantastic physique. David Lascher almost did.

Born in 1972, David hit Hollywood in a series of Burger King commercials and two failed network series before landing the role of teen operator on Hey, Dude  (1989-91), about the employees of a faltering dude ranch.  He hatched crazy schemes, competed with laconic Native American Danny Lightfoot (Joe Torres), gasped and  moaned over girls, and was nominated for a Young Artist Award.  But no one really noticed, not even when he took his shirt off.  Not that his smooth, muscular chest wasn't appealing, but if you changed he channel, you got Mark-Paul Gosselaer and Michael Cade.

 Next he was hired to play Vinnie Bonitardi on the TGIF series Blossom, as Blossom's wrong-side-of-the-tracks boyfriend.  He lasted through two seasons (1992-94), plus a special two-part call-back, but again, no one really noticed, not even in his swimsuit, shirtless, and underwear shots.  He was pleasantly muscular, but his co-star was the incredible Joey Lawrence.

In the fourth season of the TGIF "I've got a secret" comedy Sabrina the Teenage Witch (1999-2000), the teen witch went to college.  David played the manager of the coffee shop where she worked, and eventually competed with long-term boyfriend Harvey for her affection, which didn't make him popular with Sabrina-Harvey shippers.  He lasted for 3 seasons, then vanished, with viewership at an all time low.

But when he played a gay-vague or gay role, David had no trouble being noticed. His three-episode story arc as a gay high school jock on Beverly Hills 90210 was memorable, not at all shadowed by the regular cast of Beverly Hills musclemen like Jason Priestley and Ian Ziering (left).


In White Squall (1996), he has to contend with an incredible number of shirtless hunks, including Scott Wolf, Ryan Philippe, Jeremy Sisto, Ethan Embry, Balthazar Getty, and Jason Marsden -- and he doesn't even take his shirt off  -- yet his performance stands out as quiet, dignified, and touching.

Note to David Lascher: gay characters from now on.

Laying it Bare in Key West

This is an interesting post from 2012, one of the first I posted to this blog.  What's interesting are the comments.  Back then I was much more forgiving of comments like "He can't be gay!  He's not wearing a sign!"  and "He can't be gay!  He's only 12."

The implications, of course, are odious:  everyone must be taken as heterosexual unless the authors explicitly that they are gay. 

There are no gay children; we are all straight until we decide to "turn gay" sometime in adulthood.

Today I would just delete them automatically, but back in 2012, a newbie, I let them stand.

So here's the post:

I have 3 questions about CrissCross (1992), the downbeat but very brightly-lit movie starring David Arnott as a 12-year old boy whose mom works as a topless dancer.  And that's the least of his problems.  His biggest: his name is actually Criss Cross.

1. Who decided to cast decidedly homophobic Goldie Hawn as the mother of a gay kid?

Ok, maybe the producers weren't expecting a gay reading.  But it's hard to miss: as Criss (David Arnott) rides his bike down the mean streets of Key West, searching for a way to make money so Mom won't have to strip anymore (he hits on a plan to steal drugs being smuggled in on a fishing boat, with tragic results), he tries again and again to establish a same-sex bond.

First a male peer, Buggs (Damian Vantriglia); then the grizzled Emmett (James Gammon), who advises him that "The only thing worse than being lonely with yourself is being lonely with someone."

If you're trying to make gay mecca Key West gay-free, shouldn't you patrol for same-sex friendships, and give the kid a girlfriend (he does have a girl who's a friend)?

2.  Why the nudity?

I know it's hot in Florida,  and it's nice that all the male actors are barechested all the time.  It's understandable, I guess, that the kid rides around shirtless, in Daisy Duke short-shorts. But why the nude butt, when the movie is R-rated, so gay kids can't even get in to see it?

50 years ago, preteens were commonly filmed nude in movies to signify their innocence.  But this kid is anything but innocent.

3. What happened to David Arnott?

He gives a good, understated performance, reminiscent of Chris Makepeace in Meatballs (although that's a completely different genre).  He handles the gay-vague subtext with panache.  One one expects him to have a long career as a serious actor, or at least some ecstatic "fave rave" articles in Tiger Beat.  But this was his first movie -- he beat out 3,000 hopefuls in open auditions -- and his last.  Maybe he didn't like acting.

Which of the Teenage Mutant Ninja Turtles was Gay?

I'll bet you never thought you'd be reading about the ancient Greek drama Alcestis and The Teenage Mutant Ninja Turtles on the same blog, on the same day.  But my search for beefcake and bonding takes me everywhere.

During the late 1980s, pundits often pointed to Teenage Mutant Ninja Turtles when they needed a quick, easy example of tv being a "vast wasteland" responsible for turning kids into brain-dead zombies.  They probably never watched the cartoon series or read the comic books: the title was enough for them.

TMNT began as a comic book in 1984, and moved into cartoons and extensive marketing tie-ins by 1987.  By 1990, everyone, even pundits, had heard of the four slacker-talking, pizza-obsessed ninja turtles named after Renaissance artists (two of whom, by the way, were gay in real life).
1. Leonardo, the leader.
2. Michelangelo, the fun-loving trickster whose catchphrase is "Cowabunga!"
3. Donatello, the technological genius and computer whiz.
4. The brooding Raphael, who has a Brooklyn accident.

They live in the sewers of New York with their beset-upon sensei, the mutant rat Splinter, emerging only to pick up the pizzas they ordered and to fight crime.  They have two human allies, tv reporter April O'Neil and hockey-mask wearing vigilante Casey Jones.

The cartoon series lasted for 10 years, and new versions are in the works.  A series of films began in 1990, with sequels in 1991, 1993, and 2007.  I've seen the first two.

Teenage Mutant Ninja Turtles (1990) gives us the turtles' origin story, and introduces them to April (Judith Hoag), Casey (Elias Koteas), and their arch-nemesis, Shredder, an evil Darth Vader clone who heads the evil Foot gang, comprised entirely of teenage boys.

April's boss happens to have a sullen teenage son, Danny (Michael Turney), who is secretly working for the Foot gang, and eventually gets big-brothered and rehabilitated by the turtles.

Surprisingly for a movie about turtles, there is significant beefcake, in the older members of the Foot gang, and in Casey Jones, who displays biceps and a prominent bulge.

Casey and April embark on a bickering "I hate you!" hetero-romance, like that of Sam and Diane on Cheers, David and Maddie on Moonlighting, and practically everybody else in the 1980s.  But otherwise hetero-romance is limited.  Of the turtles, only Michelangelo expresses heterosexual interest.  The others enjoy surprisingly open physicality, touching, hugging, grabbing each other at will, and Raphael obviously prefers the company of men: he spends most of the movie buddy-bonding with Casey.

Teenage Mutant Ninja Turtles 2: The Secret of the Ooze (1991) casts a new April, and eliminates Danny, Casey, and every hint of hetero-romance.  There is none.

Instead, the turtles face a restored Foot gang and discover the secret of their origin, with the help of a befuddled scientist (David Warner, who had a romance with Gregory Peck in The Omen).  This time Raphael buddy bonds with and rescues a new teenager, pizza delivery boy/martial arts expert Keno (Ernie Reyes Jr., who played another hardbodied martial artist in Surf Ninjas).

What are we to make of this pleasant lack of hetero-horniness?  The fact that the dudes are turtles in a human world is irrelevant; anthropomorphic animals from Bugs Bunny to Howard the Duck have often been portrayed as overwhelmed with desire for human women.
The intended audience of preteens is also irrelevant: movies during the 1990s often promoted gushing prepubescent hetero-romances.

For whatever reason, the Turtles were spared.  Cowabunga, dudes.

See also: The Omen; Surf Ninjas

Tiny Toon Adventures

Everyone misunderstands the Tiny Toons.  They weren't kid versions of classic Warner Brothers characters -- Bugs Bunny, Porky Pig, and so on.  They weren't the offspring of the classic Warner Brothers characters.  And they weren't tiny -- they were adolescents, aged 13-15.  They lived with their parents while attending  Acme Looniversity, where the classic characters taught them the art of being toons.

After years of decline -- no new cartoons, old ones chopped to bits to eliminate the violence  -- Warner Brothers was trying to modernize for a new generation of fans.  So the Tiny Toons began appearing in after-school time slots, first in syndication (1990-1992), and then on the Fox network (1992-1995).

  They drew on the personalities of the classic characters, but their adventures were strictly modern, involving video games, cell phones, and lots of sly references to 1990s pop culture, from Lifestyles of the Rich and Famous to Roseanne Barr.

There were no domestic partnerships, as in the Hanna Barbara cartoons of a generation before. Instead, the characters displayed the heterosexism of the major teen sitcoms of the era (Sabrina the Teenage Witch, Boy Meets World, California Dreams), with lots of dating and romance. But there were plenty of subtexts.

Plucky, an egotistical duck, and Hamton, a shy, sensible pig, are partnered for a number of adventures, including parodies of Batman and Star Trek, and sometimes are shown living together.  They break up, seek out other "best friends," realize how much they care for each other, and reconcile.

The human character Elmyra usually lacks heterosexual interest -- she is busy hugging and squeezing "cute little animals" to death.  But in one episode, she falls in love with a new girl named Rhonda Queen, and goes to absurd lengths to try to win her affection.

The character of Gogo Dodo also lacks heterosexual interest, and brings a vacuum cleaner to the school dance.

The gay kids in the audience had a lot to identify with.  A lot more than with the horrid Animaniacs, which regrettably replaced Tiny Toon Adventures in 1993.

See also: Animaniacs

Gay Boys and Ghosts: Jeremy Lelliott

Born in 1982, Jeremy Lelliott skipped the kid-comedy routine and went straight into a soap, playing the noble, longsuffering David Patterson on Melrose Place (1997-98).  Threatened kid roles followed: the son of a KKK leader hiding in a safe house in Ambushed (1998), and the son of a bomb expert being held hostage by the Serbian Liberation Front in Diplomatic Siege (1999).

The short-lived Safe Harbor (fall 1998) was about a small town sheriff (Gregory Harrison) and his mother (Rue McClanahan of The Golden Girls) raising three sons. Only 10 episodes were aired, but they gave Jeremy an opportunity to buddy-bond with a friend, lounge around the pool, and show off his slim, lanky physique.

The paranormal movie Disappearance (2002) gave Jeremy more buddy-bonding.  A nuclear family is driving through Nevada, along with a boy named Ethan (Australian actor Jamie Croft).  No one explains what Ethan is doing there. Is he a foster son?  Did teenage son Matt (Jeremy) invite a school friend along on their vacation?

Whatever brought them together, they are doomed.  The family stumbles onto a small town where the people behave like sleepwalkers and bizarre things happen.  While trying to solve the mystery, they discover that they are trapped.  Eventually they become sleepwalkers, too.

Soon Jeremy's characters moved beyond gay-vague.

In Gacey (2003), Jeremy plays a gay boy who becomes one of the serial killer's victims.

In Race You to the Bottom (2005), travel writer Nathan (Cole Williams) and Maggie (Amber Benson) both have boyfriends, but they're having an affair as they explore the California wine country for an assignment.  Nicholas (Jeremy),  Nathan's partner, is not amused.

Driftwood (2006) stars Raviv Ullman as a death-obsessed teenager who is sent to a re-education camp to be brutalized.  There he is haunted by the spirit of a gay boy who was murdered in the camp, and helps Noah (Jeremy), who has been sent to the camp to be de-gayed, to stand up to his oppressors.

Jeremy has a MFA in acting from California State University, Fullerton.  Today he works as the artistic director for the Coeurage Theatre Company in West Hollywood, which is dedicated to making fresh, exciting theater accessible to everyone with its "pay what you want" admission policy.

Super Mario Brothers

When I was a kid, we had arcade games (for which you went to an arcade), but no video games.

In college we played Asteroids, in which your space ship shoots asteroids and flying saucers.

Mario Brothers appeared in arcades in 1983, and the Nintendo home game Super Mario Brothers in 1987.  Oddly enough, my parents were fans.  I have fond memories of summer nights in the 1990s, living in West Hollywood but back in Rock Island for a visit, the screen door open to let in a breeze, hearing the theme music coming from the living room.

There was also a Super Mario Brothers All-Stars in 1993, a Super Mario Brothers Deluxe in 1999, and various games devoted to other characters in the Mario universe, but by that time my parents had lost interest.

Nearly all of the game plots are sexist.  A princess is kidnapped, and the brothers Mario and Luigi, drawn as stereotypic Italian-American plumbers, must rescue her.

They are sometimes accompanied by Yoshi, a sentient dinosaur, and Toad, a sentient mushroom who wears a turban.

The only game without a princess to rescue is Yoshi's Island (1995), in which Baby Mario, accompanied by a clan of Yoshis, must rescue Baby Luigi.

However, none of the games involve a fade-out kiss: neither Mario nor Luigi display any heterosexual interest, leaving them open to gay subtexts.  Maybe they're a gay couple, not "brothers."

Mario cosplay is common, with some muscular Marios, Luigis, and Toads strutting about.

A film version, Super Mario Bros., appeared in 1993.  It stars Bob Hoskins and John Leguizamo as Mario and Luigi, plumbers in real-life Brooklyn who are zapped into a parallel Earth run by the descendants of dinosaurs,  They rescue Princess Daisy, as expected.

  Of course, Hollywood movies must always have a heterosexist plot, so Luigi and Daisy fall in love.

But, on the plus side, John Leguizamo has a shirtless scene (top photo), before he got all craggy and bizarre.

Why We Watched "The Nanny" in West Hollywood

We didn't watch a lot of tv in West Hollywood, but we did manage to watch The Nanny (1993-1999), part of the  "servant brings joie de vivre to a dysfunctional family" sitcoms that extends back to Hazel , "Somebody bellow for Beulah?", and probably back to ancient Roman comedy.

Here a  "flashy girl from Flushing",  the loud-mouthed, low-brow working-class Jewish Fran Fine (Fran Drescher) has no education or experience in childcare, but somehow manages to becomes the nanny for the children of the ultra-sophisticated, ultra-elite Broadway producer Maxwell Sheffield (Charles Shaughnessy):

1. Teenage Maggie (Lauren Tom)
2. Tween Brighton (Benjamin Salisbury. left)
3. Preteen Grace (Madeline Zima)

Filling out the main cast are Maxwell's business partner C.C. Babcock (Lauren Lane), who has an unrequited crush on him, and sarcastic butler Niles (Daniel Davis).

Episodes involve Fran's wild I Love Lucy-style schemes, Maxwell's play production problems,  occasionally caring for the kids, and of course the ongoing question of "Will they or won't they?"

Of course they will, but it seems to take forever.  Maxwell is concerned that, coming from different social classes, they are incompatible  (has he never seen, like, every romance movie ever?).

Meanwhile the Sheffields get along swimmingly with Fran's family:  stereotypic Jewish mother Sylvia, generally unseen father Morty, and grandma Yetta.

And Maxwell has an endless stream of relatives who demonstrate that it's ok to romance your servants.  His sister marries her chauffeur. His brother even romances Fran.

Yet Maxwell proposes and takes it back, says the "L" word and takes it back, kisses her and takes it back, yada yada yada.

I would have told him, "show me a ring or I'm outta here," like 35 episodes ago.

Not a lot of beefcake.  This is a distaff show, about women talking, scheming, commiserating, bonding.  The few men around are seen from the perspective of the female gaze, desired for their charm, sophistication, and power, not for their physiques.  They rarely if ever take their clothes off.

Not a lot of gay references.  When a very occasional gay person does appear, everyone is surprised.  Apparently the world of Broadway draws only straight people.

Then why was it such a hit among gay men in West Hollywood?

1.  We were envious of New York.  It was bigger, more sophisticated, more serious, the birthplace of Gay Rights.

2. It was unremittingly cheery, with few of the depressing "problem of the week" episodes that spoiled other 1990s sitcoms.

3. Fran is a flamboyant fashionista, a campy, corny drag queen.

4. Since Maxwell is a Broadway producer, every Broadway star, singer, and actor you ever heard of makes a cameo: Ray Charles, Steve Lawrence, Eydie Gorme,  Eartha Kitt, Carol Channing, Patti LaBelle, Rita Moreno, Billy Ray Cyrus, Ben Vereen, Celine Dion, Lynne Redgrave, Elizabeth Taylor, Elton John,

And many you never heard of, famous at the time but now long forgotten: Joe Lando (left), Leslie Moonves, Donald Trump.