Death in Venice

My sophomore year in college revealed the world of Winnetou and Bravo magazine, but my junior year was oppressively heterosexist: gay-free Modern British Novel and Modern American Literature, and in German Literature, Dr. Weber assigned us the Thomas Mann novel Der Tod in Venedig (Death in Venice, 1912), and then spent a lot of time on a blazing hot spring day pointing out that Aschenbach was not Wearing a Sign.

What I read was obviously about a stymied same-sex courtship.  The middle-aged writer visits Venice on holiday, and becomes obsessed with the beautiful 15-year old Tadzio.  He watches the boy and follows him around Venice, but does not approach.

Aschenbach notices that there is a cholera epidemic in Venice, being covered up by the authorities, but he doesn't warn Tadzio, for fear that he will leave, and beauty will be lost to the earth.  Nor does he leave town himself; he sits, watches Tadzio, and smiles.  Finally he succumbs to cholera and dies. I couldn't help noticing the parallel with Herman Melville's Billy Budd, which we were reading in my American Renaissance class at the same time.

Why didn't Aschenbach just strike up a conversation with the boy? I wondered. Same-sex act were legal in Italy, and the age of consent was 14.  Maybe he thought the match inappropriate due the age difference?  Maybe he was just shy, or maybe same-sex desire was so alien to  his self-image that he was paralyzed?  When Tadzio smiles at him, inviting a "hello," Aschenbach runs away in terror and whispers "I love you" to an empty garden.






But Dr. Weber said: "Aschenbach's obsession for Tadzio is the desire of age for youth, for the new that will supercede the old, even of civilization for savagery.  It is a quest for ideal beauty that always kills.  When Icarus flies too close to the sun, he dies.  There is no hint of homosexuality in the novel."


As "proof" that Aschenbach and Tadzio, like all fictional characters, were straight, Dr. Weber showed us the 1971 film version, Morte a Venezia (this was the same class that showed us a beefcake version of Das Nibelungenlied).  Tadzio was played by 15-year old Swedish actor Bjorn Andresen (left).









But in the movie, Tadzio is obviously gay, engaging in homoerotic horseplay with his friends.  He even appears to have a boyfriend.  And Aschenbach, played by gay actor Dirk Bogarde, is obviously gay, too.  They are separated not by sexual orientation, but by their different worlds.

I've seen the Benjamin Britten opera three times, twice on tv (in 1981 with Robert Garde and an unnamed, non-singing performer, and in 1990 with Robert Tear and Paul Zeplichal). It gives Aschenbach a girlfriend.  But the ballet doesn't; and it transforms Tadzio from an androgynous waif to a muscular, gay-and-proud twenty-something.

So the obsession becomes that of an old-style gay man who believed that his same-sex desire was "too personal" to reveal, who pretended to be heterosexual, who married a woman, and who now longs for the freedom of modern gay youth, cavorting openly on the beach.

See also: Male Nudity in German Class; and The Gay Werewolf of Steppenwolf.

Growing Pains

The homophobic rants of Growing Pains star Kirk Cameron may lead you to believe that the TGIF sitcom  (1985-92) was exceptionally homophobic.  But it wasn't.

It aired next to programs I liked -- Who's the Boss or Head of the Class -- so I watched a few episodes here and there. Standard TGIF premise: affluent suburban family, psychiatrist Dad, newspaper columnist Mom, and their three kids: teen operator Mike (Kirk Cameron), feminist Carol, and practical jokester Ben.  In the last seasons they added two more kids to up the cuteness quotient: Chrissy  and Luke (a young Leonardo DiCaprio).









Like all TGIF sitcoms, Growing Pains was set in a gay-free world.  In one episode, Dad reacts in horror at the thought that Mike might be...you know, but no one ever said The Word.

But there was a strong homoromantic subtext between Mike and his best friend with the unfortunate name Boner (presumably the writers were unaware of the contemporary dirty meaning, and intended us to think of the old meaning, "mistake").  Boner was played by Andrew Koenig (son of Walter Koenig of Star Trek), who was reputedly gay in real life.









Kirk Cameron's conservative religious beliefs forbade many beefcake shots, so most of the teen idol attention fell on the stream of hunky guest stars, including K. C. Martel, Matthew Perry, and Brad Pitt, and in later seasons, on Jeremy Miller (Ben).














When Jeremy was 14, he began receiving letters from a violently obsessed fan, describing lurid fantasies of rape and murder, even giving the dates he intended to carry out his threats. Jeremy was not informed of the letters, and was astonished to discover that the heightened security on the set was for his protection.

The ensuing publicity gave Growing Pains a undeserved sordid reputation.

Today Kirk Cameron acts in fundamentalist Christian movies and makes anti-gay rants.  Jeremy Miller became a professional chef, but still acts on occasion.   No word on whether he is a gay ally or not, but he has kept silent while fellow Growing Pain stars Allan Thicke and Tracey Gold have issued condemnations of Kirk's homophobia.

See also: Alan Thicke.

The Wizards of Waverly Place

Even Stevens, Hannah Montana, and The Suite Life of Zack and Cody are not unique. American tv programs aimed at a juvenile audience are strictly forbidden from mentioning gay people or ever suggesting that heterosexual desire, practice, and identity are not universal human experience.  So the Disney Channel has become very good at hints.

For example, take Wizards of Waverly Place (2007-2012), an "I've Got a Secret" sitcom about a family of wizards living in contemporary Manhattan.  Jerry (David DeLuise, far right) and Theresa (Maria Canales Barrera) and their kids:

16-year old Justin (David Henrie, second from left), 14-year old Alex (Selena Gomez), and 12-year old Max (Jake T. Austin, far left). (The others are supporting characters.)







All of the characters have opposite-sex dates and relationships. Not one is Wearing a Sign.  Therefore they are all heterosexual, and gay people do not exist. Are you listening, network censors?  Ok, then:

1. Alex is gay.  She and Justin are constantly fighting over girls that they both want.  She's constantly telling Justin, "I like this girl. You can't have her."  During the third season, she falls in love with a butch lesbian stereotype named Stevie (Hayley Kiyoko), but drops her upon discovering that she is a leftist revolutionary. Her main squeeze is Harper (Jennifer Stone); the two eventually move into an apartment together.  No one even tries to pretend that they are platonic friends.

2. Justin is a heterosexual ally.  In one episode, Alex spreads a rumor that he is engaged to a boy, Hugh Normous (Josh Sussman).  Justin is angry, not because of the accusation, but because now he won't be able to attract the girl he likes.  Besides, he could do a lot better than Hugh Normous.

3. Hugh Normous is gay.  Alex is hit on by lots of guys at school, so she befriends Hugh, knowing that he won't have any romantic interest.  In the last season, she invites Hugh to a party at her apartment, where he hooks up with a guy.









4.  Uncle Kelso  (Jeff Garland) is gay. He is masquerading as pop star Shakira.  Alex asks if it bothers him that millions of teenage boys have his picture on their bedroom walls.  He shrugs.

5. Max is probably gay.

His crush on Alex's boyfriend, Mason (Gregg Sulkin, left, with costar Dan Benson), is so intense that when they break up, Max falls into a deep depression, and when Mason re-appears to request a reconciliation, Max thinks that Mason wants a reconciliation with him.  

At age sixteen, Max turns into a girl, and hates it because now he has to hang out with other girls; he likes to hang out with guys.

6. Just about everyone else in the cast could be gay or bisexual.  In “Saving WizTech” (2008), the evil Ronald Longcape (Chad Duell) flirts with Alex in order to steal her powers.  He admits that he wasn’t actually interested in Alex, any of the Russo wizards would do, but she seemed more gullible.  Therefore he would have been perfectly willing to flirt with Justin or Max.

And that's not even counting the constant gender-shifting and transvestism.

As stated earlier, every character expresses heterosexual interest, and not one is Wearing a Sign. Therefore they are all heterosexual.  Therefore gay people do not exist.  Is that clearly understood?

The story of my date with one of the stars is on Tales of West Hollywood.

Zits: A Comic Strip for Anyone Dating Twinks

He's big, awkward, clumsy, and gawky, with weird tattoos and piercings.

He sleeps till noon.

He is constantly texting, tweeting, and posting on social media, but he refuses to hold a face-to-face conversation.  When you ask "How was your day?", you get a blank stare.

He leaves his clothes scattered all over the floor, dumps wet towels all over the bathroom, and God forbid he ever washes a dish.

He is physically incapable of showing up for anything on time.

He is constantly criticizing your wardrobe, musical tastes, pop culture references, and knowledge of technology.

He has pizza and ice cream for breakfast, and never gains an ounce.

He wants sex thirty time a day.

Jim Borgman and Jerry Scott's comic strip Zits depicts 15-year old Jeremy Duncan from the parents' point of view,  depicting adolescence in all of its geeky, gawky, messy, self-obsessed glory.

But if you're dating teenagers or twinks, it will ring absolutely true.

 I can see Jeremy every time I try to get a twink date or hookup to look up from his smartphone now and then, or when I order a salad while he gets the triple-bacon cheeseburger.






Jeremy has a coterie of friends, including best bud Hector, bohemian Pierce, and girlfriend Sarah, but most of the jokes involve generation-gap squabbles with Mom and Dad.

There are also jokes about being middle-aged, balding, and clueless, to give the teenagers something to laugh at.

There are only two differences between the 21-year old still snoring in my bed at 11:30 am and Jeremy Duncan:

1. Jeremy is not attractive.  Actually, there's no beefcake in the strip at all. Sometimes the cartoonist pays attention to feminine breast and curves, but the men are all stylized and nondescript, meant to be funny-looking rather than hot.

2. Jeremy is heterosexual.  Way, way, way heterosexual, in that annoying "girl-crazy" fashion.  Heterosexism is the rule in Zits: "All boys, without exception, long for girls."

And that annoying casual homophobia: the touch of another man, even your dear friend, is repugnant, as this 2014 strip tells us in emphatic terms.






A gay character named Billy appeared in a few strips in 2006, identifying himself as gay, but expressing an interest in "hot girls."  He vanished, due to Jim Borgman's squeamishness over "seeing the 6:00 news in a comic strip."  Later, Borgman backtracked, saying that he was "proud" of the continuity.

Billy appeared again, just once, in 2012.  Jeremy advises, "Give it time, dude. They're from a different generation, so it takes them time to catch up."

Sarah asks "Are Billy's parents upset that he's gay?"  No, Jeremy says, "We're talking about phone apps."