SWAT: The Son of the Incredible Hulk as a Meh Cop

I never watch cop shows.  After working at the L.A. Police Academy and as a juvenile probation officer, I know that they get procedures all wrong. Plus they exacerbate the belief that the crime rate is very high in the U.S. (when it's at the lowest level in over 20 years), leading to all sorts of expensive, unnecessary policies. like arresting kids for bringing toy soldiers to school and sentencing someone to 20 years in prison for having a marijuana joint in their car.

But when I discovered that Lou Ferrigno Jr., the son of 1970s Incredible Hulk superstar Lou Ferrigno and my "son" Infinite Chazz's hookup, was starring in SWAT (2017-), I watched an episode.

SWAT stands for Special Units and Tactics, the police using military-style weapons and techniques to make arrests.  They became popular during the Tough on Crime Movmenet of the 1980s, when the federal government offered grants for precincts that made a lot of drug busts, so tanks would roll into (black) neighborhoods and officers would swarm into random houses in search of marijuana.

This SWAT team, based in L.A. and led by by-the-books former marine Hondo Harrison (Shemar Moore, top photo) and lone-wolf-plays-by-his-own-rules Street (Alex Russell, left) , has slightly more dangerous foes:

1. Inmates who escaped from a transport, including "psychopath" El Cuchillo (they get psychopaths wrong, too.  Most psychopaths are not violent).

2. An auto-theft ring led by a paranoid psychopath (again?).

3. A hostage situation at a maximum-security prison.

4. A  human trafficking ring.

5. Diamond robbers who are connected to the Israeli mafia.

There are also personal entanglements: dating, romance, affairs, betrayals, and so on.

Lou appears in about half of the episodes as Donovan Rocker, a training instructor.  In Season 2, Mumford (Peter Onorati) retires, and Rocker takes over the team.

I watched the only episode where he's actually listed in the plot synopsis, "Ghosts" (this show loves one-word titles.  Attention span of the intended audience?).  There are three plotlines:

Main Plot: Luca (Kenny Johnson) and his boyfriend Street (above) are at a street festival (a gay pride festival?)  when he sees the Vanity Killer, a "psycho" who played Saw-type games with "pretty people," then was exploded to death two years ago.  The boss insists that he is  just seeing "ghosts," so he investigates himself.

Yawn.  They get serial killers wrong, too, acting like they are the most common type of criminal, responsible for 90% of all murders.  Actually, thrill-type serial killers are very rare, responsible for only about 1% of murders.

I guess Luca and Street are not a gay couple after all.  Luca has kind of a thing going on with Keri, a previous victim who he rescued (on this show, it's always last names for men, first names for women and prettyboys.  That's not sexist at all, right?).

Turns out that the "sicko" faked his own death so he could continue his games.  He has grabbed two new victims, including prettyboy Lance (Paul Black, left).  SWAT storms the house.

Well, that is what you're watching a show called SWAT for, right?

Secondary Plot: Spivey (Louis Fereira), who was fired in the first episode after he shot an unarmed black teenager, is depressed, "bowling alone in Long Beach."  So we should feel sorry for him?  So team captain Hondo, (see above), who has apparently been mentoring the boy, arranges a meeting.  Restorative justice in action!

Third Plot: Jessica (Stephanie Stigman) tries to find out who put the threatening letter in her desk and vandalized her car.  Turn's out it was Rocker's wife, Val.  He was complaining about Cortez's proposal (I don't know why), and she decided to get revenge.

He apologizes, she gets the charges reduced to harassment, the end.

Whoa, he's married to a psycho, and it's resolved in 30 seconds?  Bummer.

Heterosexism:  Not a lot.  Some guys have wives and girlfriends, but no kissing and no sex.

Beefcake:  None.  Hondo is shirtless in the opening credits.  What's the point of all these hunks if they're not going to be stripping down?

Other Scenery:  The street fair, for about 20 seconds.

Gay Characters:  Nothing specified. Lance might be gay.  A lot of buddy-bonding.

My grade: Meh.

See also: The Sons of the Incredible Hulk

Who is the Killer Hunk of "The Dare"?

Ok, you've got my attention.  Let's see what you look like without the weird mask.

Unfortunately, IMDB says that this is a photo of: Giles Alderson, Johnny Grant, and Robert Maaser.  I doubt that.

The movie is The Dare, which was scheduled to appear in December 2019, but I find no evidence of any premiere, and no reviews.  Internet searches are stymied by the similarity with the hororr movie Truth or Dare and the indie gay romance Dare.

All I have is a plot synopsis:  A rare family night for Jay takes a brutal twist when he awakens in a basement with three other prisoners. As their vengeful captor runs riot, Jay engages in a twisted battle to solve the puzzle to his past and save his family's future.

So a mash-up of the Saw movies and I Know What You Did Last Summer.

I thought the killer must be the character named Creedence, but he's played by  Richard Brake.

So the four people in the room?  They each have adult and child versions.

1. Jay: Bart Edwards as an adult, Oliver Cunliffe as a boy.

2.Dominic: Robert Maaser as an adult, Harry Jarvis as a teen.  Buffed, but not "scary buffed," with bulging, spidery veins

3. Adam: Richard Short as an adult, Alexander Biehn as a child.

Richard Short has a nude scene in Vinyl (2016).  Impressive, but not the hunkoid.













4.  Paul: Daniel Schutzman as an adult, George Pillsworth as a child.  Nope.

5. That leaves Giles Alderson, the director, and Johnny Grant, the writer.

So who's the muscle hunk?

I'm guessing Robert Maaser, filmed right after a workout when your muscles swell up,   maybe with some CGI enhancements to make him look more threatening.

You know what that means?

The killer is in the house!

The Three Unwatchable Scenes of "Cats"

On Christmas Day I went to see Cats, the 2019 movie based on stage musical based on some poems by T.S. Eliot.  We were the only ones in the theater.

The previous movie version was awful.  No plot.  Some cats introduce themselves, and one is chosen to ascend to the Heaviside Layer and be reborn.

The new version is awful, too, but not nearly as bad. 

Granted, the cat costumes are grotesque; it takes awhile before you can look at them without shuddering. But what do you expect from human-cat hybrids?

There are only three scenes tthat are actually unwatchable; the others mostly suffer from poor direction that is always focusing on something other than what we want to be looking at.

 And the plot plods along. But at least there’s a plot.

In 1920s London, the Jellicles are a religious cult of housecats and strays who say "Jellicle" about as often as Grindr conversations say "cock."    They meet once a year, when the Jellicle Moon is full, for a Jellicle Ball, where the head Jellicle, Old Deuteronomy, will choose one to ascend to the Heaviside Layer and be reborn.  Cue Logan’s Run: “Renew!  Renew!  Renew!”

Victoria {Francesca Hayward] happens to be abandoned by her humans on the Jellicle Night of the Jellicle Moon of the Jellicle Ball, so she becomes the focus character,invited to wander around and watch the Jellicle Rehearsals: cats  singing and dancing about why they should be chosen:

Unwatchable Scene #1: Jennyanydots (Rebel Wilson) does a horrible risque dance and then displays her trained mice and cockroaches.

Bustopher Jones (James Corden) is fat and elitist.

Mungojerrie (Danny Collins) and his female partner Rumpleteaser are  petty thieves.

Rum Tum Tugger (Jason Derulo,left) is a "curious cat", curious meaning "strange.": he always wants the opposite of what you offer him.

I forget the others; there are a lot.  Victoria views all this under the watchful eye of Munkustrap (Robbie Fairchild, left), who seems to be the cult leader, and Mr. Mistofelees (Laurie Davidson, second photo), a "magical cat" who has a crush on her.

Problem: Macavity (Idris Elba, top photo), the master-criminal, who runs the prostitution and illegal drug trade in the city, and dresses like a stereotypical pimp, wants to be chosen (why?  he's already got a lot of power).  But he loses every year.  So this year he's using his dark magic to kidnap the contestants and tie them up on a barge in the middle of the Thames.  If he's the only contestant, he has to win, right?

They know that the chosen one is going to die, right?

Old Deutoronomy (Judi Dench) rejects him anyway, so he kidnaps her and threatens her. The Jellicles have to discover their inner strength and work together to save her.  They all happily sing and dance and nuzzle.  The end.

Nope.  Out in the shadows stands Grizabella (Jennifer Hudson), a former singing star who became one of Macavity’s prostitutes, ostracized by the Jellicles (rather a judgmental lot).  But Victoria takes pity on her, and invites her to meet Old Deutoronomy.

Unwatchable scene #2: She sings “Memory,” formerly my favorite song from the musical, as a screeching, agonizing bad complaint about how bad her life is.  The “new day” that has begun is not a ray of hope, it is a nightmare.

Surprise, Old Deutoronomy chooses Grizabella to be reborn.  Wait – this “fallen woman” who mopes about, complaining about how awful her life is now, best embodies the Jellicle spirit?

Ok, so she flies up in a chandelier-balloon (to her death!).  The end now?

Nope.  Unwatchable Scene #3: Old Deutoronmy breaks the  fourth wall and instructs us on how to address a cat (“O Cat!”).  We walked out of the theater.

Heterosexism:  None.  Old Deutoromy and Gus the Theater Cat gaze lustfully at each other, and Victoria has a subdued flirtation with Mr. Mefistoffiles – but no fade out kiss.  Cats don’t kiss, they nuzzle.

Gay Characters: Bustopher Jones gets a boyfriend, shown feeding each other in a brief scene.

Beefcake:  Sometimes the physique is visible under the cat costumes.

I  give it a C- C if you keep your eyes closed during the scene with the dancing cockroaches.  All in all, not a bad way to spend Christmas afternoon.  And there were a lot of cute guys at the theate (waiting to see something else).

The Lord of the Rings: Good Beyond Hope

It's one of the iconic stories of my life, told over and over again until it becomes myth.

How, in fifth grade, I stumbled across a copy of The Hobbit in the folklore section of the Denkmann School library, and read for the first time: "In a hole in the ground there lived a hobbit."

I spent the next two days immersed in a new world, Middle Earth,with hobbits, elves, dwarves, goblins, magic swords, giant spiders, a dragon, a gollum,  and a beautiful, evocative map.

And no damsels-in-distress to gum up the works; Middle Earth was occupied entirely by men.

How, two years later, in seventh grade, the Scholastic Book Club offered The Two Towers, blatantly advertised as the "sequel" to The Hobbit.  I ordered it, waited patiently, and when it arrived, rushed home and began to read eagerly.  Aragorn, Boromir, Frodo..who were these people? This was not a sequel at all; it was the second book in a trilogy.  I had been swindled!

How I snuck a ride to the Readmore Book World downtown and bought the rest of the trilogy, and read...well, most of the Fellowship of the Ring.  The Shire scenes, with gay couples Frodo and Sam, Merry and Pippin wending through the Old Forest, fighting off Dark Riders and Barrow-Wights, meeting Tom Bombadil, reaching Rivendell, setting off with a fellowship of nine, including gay couple Legolas and Gimli.  Around the time they reach the Mines of Moria, it bogged down, and I started to skim.

The Two Towers was mostly unreadable, sheer boredom.  I skimmed through everything except for Merry and Pippin among the Ents.

The Return of the King, more of the same, with Frodo and Sam, especially Frodo, suffering for no reason, as if Tolkien delighted in torturing his heroes.  I skimmed through everything until the end, when they return to the Shire to discover that it has been broken up by the Industrial Revolution.

I couldn't bring myself to admit it for many years, but The Lord of the Rings is not a great novel, or even a good novel.  30% of it is torture porn (let's see what other horrible things can happen to Frodo!), and 60% is repetitive, ponderous, and dull.  Everyone has twelve names, everyone's sword has twelve names, and they're always stopping the action to sing.

And talk about anachronisms:  The Shire is 18th century England; one expects to hear the bothersome War of Independence being fought in the Colonies. But outside the Shire, it's the early-Medieval world of the Anglo-Saxon thanes.

Yet still I thought of it as the greatest book ever written.  I pressed it into the hands of my friends as if it were a religious tract.  I revered it as sacred writ.  I began working on my own fantasy world in imitation, with my own elves and dwarves, magic sword, and fabulous maps.

It seems like a paradox.

But the Lord of the Rings wasn't for reading.  It was for gazing at the covers.  The artist, Barbara Remington, had not read or even seen the book before drawing the covers, so she drew from magic and myth.

My favorite was The Two Towers, with its stylized sharp mountains, red sky, and dark flying riders.

It was about reading the cover blurbs, with quotes from Loren Eisley, W. H. Auden, and C.S. Lewis (none of whom I had heard of yet): "Here are beauties which pierce like swords or burn like cold iron; here is a book that will break your heart....good beyond hope."

That line is better than anything in the book itself.

It was about gazing at the maps, and marveling at all of the mysterious places. I particularly liked the edges, the places not mentioned in the books: Rhun, Far Harad, the Ice Bay of Forochel, and Carn Dum ("here was of old the witch-realm of Angmar").

It was about reading the appendixes, with the languages, the indexes, the genealogical charts, and the timelines, with the discussions of what happened to the characters after the War of the Rings ended.

And it was about discovering the fates of the gay couples:

Merry and Pippin lived together for the rest of their lives

Legolas and Gimli crossed to the Elf paradise together

Frodo crossed over alone, while Sam pursued a heteronormative life of marriage and children.  But at the end of his life, he, too crossed over.

Was there ever a book so filled with gay romances?

That's what, in the end, rendered The Lord of the Rings "good beyond hope."

See also: The Lord of the Rings

Who the Heck is Kumail Nanjiani, and Is He Gay?

"Kumail Nanjiana is now ripped as hell, and he is refreshingly honest about it!" my twitter feed exclaims.

Three questions:
1. Who the heck is Kumail Nanjiani?
2. Why is having a nice physique such a big deal?
3. Is he gay, posing with his boyfriend?

1. Who the heck is Kumail Nanjiani?

The twitter link goes to Comicsands, which I can't stand because there are two lines of text per page, hidden amid endless popups and slow-loading videos that scroll down with you.  So I checked wikipedia, just in case this obscure bodybuilder had his own page.

One of the 100 most influential people in the world, according to Time magazine!  Why have I never heard of him?

He was born in  Pakistan in 1978, but didn't show up on screen until a Saturday Night Live episode in 2008.  He had a recurring role on the buddy-lawyer series Franklin and Bash (2011-2014), and after that a lot of guest spots and voice roles: Prismo on Adventure Time, Skip Marouch on Bob's Burgers.

Nothing particularly influential so far.

Kumail's only significant role seems to be in The Big Sick (2017), which he also wrote with his then-wife Emily Gordon.  It's a slightly fictionalized memoir about their romance. dealing with cultural differences and Emily's life-threatening illness.  In the end, she recovers, and they break up.

It sounds awful.  Who wants to watch a movie about a life-threatening illness?  But, depressing or not, it was nominated for an Oscar for best screenplay, and pushed Kumail up into the ranks of the 100 most influential people in the world.

I'm pretty sure I could name 100 actors more influential than the star of one depressing movie, but ok, next question.

2. Why is having a nice physique such a big deal?

Apparently he was rather chunky just a few years ago.  Hitting the gym for the first time when you're over 40 is rather daunting, and Kumail deserves praise for sticking with it long enough to see results.













3. Is he gay, and posing with his boyfriend?

An article in Entertainment Weekly called Emily Gordon Kumail's "former wife," implying that they are divorced or she has died.  But Wikipedia just says that they've been married since 2007.  Which to believe?

He appeared in an episode of the Game of Thrones parody Gay of Thrones, but he doesn't play a gay character: one of the Queer Eye guys gives him a haircut.  That's entertaiment?

Also, Kumail and Emily are currently producing Little America, about the lives of immigrants.  Episode #8 features Rafiq (Haaz Sleiman), a gay refugee from Syria.

I'm going to go with "straight."

A straight guy who starred in a depressing movie and has a nice physique.  Big deal.

By the way, the other guy in the photo is Barry Keoghan, Kumail's costar in the upcoming superhero movie The Eternals.  

This is obviously a photo from a gay romance.  I wonder if he's gay in real life.

Google, here I come.

Tristan Strong Punches a Hole in the Sky

Teen Tristan Strong's father and grandfather were famous boxers who want him to follow the family tradition -- he has the physique for it --but he would really rather do nerd things with his best friend Edward.  They make up stories, which Edward records in a journal.

You've got my attention.  

When Edward dies,Tristan is so distraught that he starts to hallucinate, seeing a green light glowing from the journal.  No one else can see it. His parents send him to Grandpa's farm in Alabama, hoping that a change of scenery will help.

Definite gay subtext!  I'm listening.

On his first night on the farm, a strange doll-like being, the Gum Baby, appears in his room and steals the journal.  Tristan pursues her to a Bottle Tree, and accidentally punches one of the bottles, opening up a hole in the sky.  They fall through into a scalding-hot ocean, pursued by ships made of human bones.  They are rescued by Ayanna, a girl-warrior...

Uh-oh.  The Girl!  I'll just skip ahead to the last chapter to see if they fall in lo--ooo---ove.  

All clear.  Tristan is talking to the Gum Baby and someone named High John (High John the Conquerer Root from African-American voodoo?)

Ayana is piloting a boatload of survivors from a disaster of some sort, including humans and talking animals. Like Brer Fox....

What the heck is going on? 

Tristan is trapped in the Midpass, a world populated by figures from African-American folklore. Such as the old trickster god Brer Rabbit.  And John Henry, the super-muscular 19th century railroader with the powerful...um...hammer.  

His story actually involves convict leasing (African-American men were arrested for the crime of being black and put to work on railroads and in coal mines, basically slavery by another name).

Whoa, heavy.  African-American folklore was born in adversity.  

When Tristan meets John Henry, he has to stop himself from asking to touch  his..um hammer.  

Nudge, nudge, wink, wink.  Is this kid canonically gay?

That would be telling.  It's a nonstop race, with things trying to kill or eat them every moment, to the Warren, a temporary haven against the darkness that threatens to encroach all of the land.  There a council consisting of Brer Rabbit, John Henry, and a lesbian couple from the folktale "The People Could Fly" discuss the Book (which has been lost) and discover that Tristan is...guess what...the Chosen One.  

Tristan has to be the Chosen One, or else he couldn't participate in the adventure. The adults would just say "Wait here where it's safe."

He has to travel to the other side of the world to convince Anansi the Spider to come out of hiding and repair the hole in the sky. But there are complications.  

Of course.  Otherwise be lousy story.

When he meets High John the Conqueror, the ultimate Power, Tristan finds him him obnoxious, irreverent, and arrogant.

Whoa.  Now I know Tristan is canonically gay!  I'll check out the author, Kwami Mbalia.

Ok, but that's another story: he's  "a husband, father, writer, New York Times bestselling author, and pharmaceutical metrologist, in that order."  He grew up in the Midwest, graduated from Howard University, and now lives in North Carolina. This is his debut novel.

Nothing jumps out at me saying "I'm going to make the protagonist of my young adult novel gay."  But you never know....

Filipino Barbarians and their Teen Sidekicks

The Philippines has a huge comic book industry, dating all the way back to the 1920s.  Most are in Tagalog, with some English and Spanish loan words thrown in; a few in the other major languages, such as Ilokano.  If you can't read Tagalog, you can usually figure out what's going on anyway, by looking at the pictures: a lot of beefcake, Filipino man-mountains saving the world.

1. Conan-style barbarian heroes who battle weird monsters, such as Tartaro and Malcan (by contemporary comic artist Arman T. Francisco, who runs a Filipino Komix blog).

2. Semi-nude Tarzan-style jungle heroes, often with teen sidekicks in tow (or else kids themselves), such as  Lawin, a boy raised by eagles, or  "Haring Wupong" (King Cobra), by Francisco V. Coching

 Boy Shabu, a boxer with magical powers written by Vic J. Poblete, appeared in Aliwan comics.

Many comics offer a pleasantly zany mix of history and myth. In this"Aram" comic by Joe Lad Santos, an ancient Greek hero and his teen sidekick use the sword Excalibur to explore the Bermuda Triangle.

The 18th century European adventurer Prince Amante, by Mario Del Mar, became so popular in the 1950s that it was adapted into the first full color feature film in the Philippines, Prinsipe Amante (1950), starring Ben Rubio.

The Great Cock of the Darking Wood, and Other Hunks from "The Magicians"

Back in 2015, I watched half of the first episode of The Magicians, now in its fourth season on Netflix.  Quentin and his childhood friend Julia are invited to apply to Brakebills University, a secret magical academy that's not Hogwarts. 

Quentin is admitted.  He meets various eccentric classmates and teachers, plus he discovers that the fantasy world from his favorite childhood novels, not The Chronicles of Narnia, is real.

Meanwhile Julia fails the exam.  Failed applicants get their memories erased, but in her case the erasure doesn't work (for Reasons)  so she starts learning magic on the downlow in a dream world.  Plus she wants to find out why her brother died at Brakebill five years ago. 

That was enough.  I just didn't have the patience for yet another mythology-heavy, secret-agenda-filled series.  Besides, it was way too heterosexist, with men and women constantly glimmering at each other.

Four seasons later, The Magicians has become as complex as Lost meets Buffy the Vampire Slayer, with endless secret agendas, people who are not what they seem, parallel worlds, poltergeists, dragons, and maguffin piled onto maguffin.  Just listen to this plot synopsis from Season 3:

Elliot and Fen, along with their now-grown child Fray (who is secretly a spy for the Fairy Queen) try to retrieve the First Key from a priest on Alter Island.  Meanwhile Quentin realizes that Emily has the last of Mayakovsky's batteries, but Kady steals it before he can get to it.  Then the Lamprey posseses him.

Whatever happened to The Golden Girls?  Season 3, Episode 5: The girls have to fly to the Bahamas for a funeral, but Rose is afraid of delivering the eulogy, Dorothy is afraid of flying, and Blanche is afraid of bald men.

But if you want to stick with it, The Magicians has been acclaimed as "the queerest show on tv."  Most of the main cast has been revealed as bisexual -- starting in the second season, after the homophobes get invested.  There are same-sex liasions and relationships. 

Personally, I don't have the time for it.  I'll make do with a list of Top 10 Hunks.

1, Hale Appleman (top photo) as Elliot, the world-weary, well-seasoned, hookup-happy upperclassman.  Later he becomes the Monster at the End of the World.

2. Jason Ralph (second photo) as Quentin, the newby who has an unrequited crush on Julia but also falls in love with Alice and Elliott.  Later he becomes The Beast.

3. Arjun Gupta (third photo) as Penny, an upperclassman who becomes Quentin's rival/best bud and later Librarian of the Neithrlands (don't ask).

4. Adam DiMarco (left) as Todd, a miscellaneous student at Brakebills.

5. Arlen Escarpeta as Prince Ess of Loria.

6. Mackenzie Astin as Corrigan, a member of a free trade alliance who is taken over by Reynard the Fox, a trickster god who is searching for his mother, the Greek goddess Persephone. Huh?

7. Jesse Lukan as a miscellaneous hunk who shares Elliot's bed.  Aren't you glad he's not the Mercurian Azaroth who is taken over by Seth the Unyielder?

8. Charles Mesure as Martin Chatwick, one of the kids from the not-Narnia books who became High King of Fillory, then turned evil and started breaking through to Earth in order to cause havoc.

9. Markian Tarasiuk as Prince Micah in the episode where Quentin and Elliot go to a parallel world and grow old together, or else see each other in a parallel world, or else...

10.  Darien Martin as Lunk.  I just like the name "Lunk." 

The cast also includes characters named Tick Pickwick, Bender (not that Bender), Our Lady Underground, the Stone Queen, Santa Claus, Bacchus, Fairy Ambassador, and:

The Great Cock of the Darkling Wood.

That's who I want to invite to my Christmas party.

Why do we still have the H-word?

Every semester I tell my students "The proper terms are gay, lesbian, bisexual, transgender, LGBT, LGBTQ, LGBTQQA, and queer.  The proper terms for same-sex desire or behavior are same-sex, homoerotic, or homoromantic. The H-word is offensive, and may not be used."

Every semester they are shocked.  "Wait...that's offense?  I thought it was what them people liked to be called.  I thought 'gay' was the bad word."

So I ask them:
1. How many gay organizations have "gay" in their title?  Answer: About 5000
2. How many gay organizations have the h-word?  Answer: None.
3. How many festivals and parades are called "Gay Pride."  Answer: Over 300.





4. How many festivals and parades are called h-pride?  Answer: None.

5. In a survey, The Advocate asked "What should we be called?"  How many said gay, lesbian, LGBT, or queer?  Answer: Over 90%

6. How many suggested the h-word?  Answer: None.

The H word brings a history of oppression.  It was used to label LGBT people criminal psychopaths.  It was used to justify why they should go to prison for 20 years to life.  It was used to justify placing them in mental institutions, where they were subjected to lobotomies, electroshock, castration, and forced sterilization.  It was used to justify the belief that they were not human beings at all, but demons and monsters plotting to destroy civilization.

It's still used that way.  Check Amazon.com.  The books with the H word in their titles are mostly written by homophobes to justify a continuing policy of oppression.

In 1969, the Gay Liberation Front and the Gay Activists Alliance said "Enough!  That word will no longer be used!  The proper term is Gay!"  The Mattachine Society and E.M. Forster disapproved, but their objections were quickly silenced.

My question is, why don't heterosexuals know it?

In 1966, the Civil Rights Movement said "The word 'Negro' is offensive.  Do not use it.  The proper term is 'Black.'"  Within two years, all books, magazine articles, and tv broadcasts were saying "Black."

Why did it take a sit-in protest to get the "New York Times" to say "gay"?

Why did it take the American Psychological Association until 2003 to say that the proper term was "gay"?

Why do students still walk into my class every semester thinking that "gay" is bad and the H-word, the word denigrated by gay rights groups since before their parents were born, is ok?

Why I Walked Out on Tony Danza

October 10th, 1978, a Tuesday night.  I'm 17 years old, a freshman at Augustana College, studying in the tv lounge at the student union.  It's crowded with jocks and their girlfriends, Dungeons and Dragons nerds, future Lutheran preachers, and ironic-artsy types. Tuesday is the power night of must-see tv: Happy Days, Laverne and Shirley, Three's Company, Taxi.

I figured "it" out last summer, but I haven't met any gay people yet, and I know nothing about gay life.  Except one thing: no straights must ever know.  At best they will never speak to you again.  More likely they will attack. You will be kicked out of the house, expelled from the college, arrested.

So watching tv in a group presents a problem.  You have to feign disinterest in the hot male actors and pretend to find the "hot chicks" attractive.  If you make a mistake, and accidentally express an interest in an "uggo," it will all be over.

And what about the occasional gay characters? If you seem too interested, act as if you want to hear about "fags," the straights will suspect.  But they wil also suspect if you bellow with outrage ("Why do you care so much? Are you that way?)

You have to express just the right level of disgust: "I don't care what they do in the bedroom, as long as they don't try anything with me."

Happy Days: "Happy days" in the 1950s.  Fonzie, motorcycle hoodlum turned role model, bonds with his ex-girlfriend's son, whose father abandoned him.  No references to gay people, no hot guys, a few murmurs about the hotness of the ex-girlfriend, no big deal.

Laverne and Shirley: More "happy days," with two working girls in 1950s Milwaukee.  Neither is presented as particularly attractive.  They go on a quiz show.   No big deal.

Three's Company:  Jack Tripper (John Ritter) pretends to be gay so the uptight landlord will let him share an apartment with two girls.  Usually not a problem: no actual gay people appear, and when Jack has to "be gay," he swishes and limp-wrists to elicit laughter rather than outrage.   He doesn't even swish in this episode: the gang mistakenly believes that Helen is cheating on her husband.

Taxi:  About a disparate group of drivers for the Sunshine Cab Company in NewYork.  This is only the fifth episode, but it's already a major hit.

Not a problem, except for trying not to sigh over the rock-hard hunkiness of Tony Danza.  This episode centers on Elaine (Marilu Henner), an aspiring artist who doesn't want her snooty friends to know that she drives a cab.

Then....

Elaine's fare (William Bogert) believes that she is deliberately driving the "scenic route," and refuses to pay.  She threatens to claim that he tried to rape her.  He says: "You may have a little trouble getting that story to stick when the police find out I'm the National Secretary for the Gay Liberation Force."

I blink in surprise.  Is there such an organization (no, there wasn't)?  Do gay people have groups, clubs, national organizations?  I thought it was just clandestine bars. 

Suddenly I realize that everyone is laughing. 

Should I laugh, too? Should I make a comment about how New York is full of fairies?  What if he turns out to be a major character in the episode, the owner of the art gallery or something? What if he turns out to be a recurring character in the series?

Should I stay or should I go?

I go.

See also: Taxi