Gemstones Season 1 Finale: Judy and Kelvin start to heal, Scotty joins the family, and we say goodbye with some random d*cks

Link to the Season Finale D*cks

Showrunner Danny McBride has stated that he wants every season of his programs to tell a complete story: no callbacks to previous seasons, and no cliffhangers.  By the finale, every plotline has been resolved and every character development arc has been concluded.  He also hates downbeat endings, so the season finale tells us that "they lived happily ever after"  

The Season 1 primary plot featured Gideon betraying the family, first by blackmailing Jesse over the tape of his wild party, then by planning to steal the Easter offerings from the church, plus betraying Scotty by not acknowledgeing their romantic bond.  Secondary plots involved Eli butting heads with Rev. Seasons over his church expansion, and Kelvin and Judy dealing with obstacles in their relationships.  The finale ties all of the plotlines into a single theme: forgiveness.

Back in Freeman's Gap :  Church. In his sermon, Eli describes his visit to Aimee-Leigh's childhood home, where he interacted with her spirit.  Cut to a flashback of the siblings collecting the money that Baby Billy and Tiffany stole from Scotty's van.

He continues: "We move through this world, crossing paths with friends, family...and I believe that the goal of all that colliding is to make us appreciate one another, to find empathy." Shots of Martin, Mandy (Chad's wife), and Chad, sitting far away from her. 

Rev. Seasons is redeemed: Cut to a flashback of Rev. Seasons  (Dermot Mulroney) working in a hardware store (Baptist churches are autonomous, so if one closes you don't automatically get placed elsewhere). Eli offers him a job as pastor of the satellite church that Baby Billy abandoned. Rev. Seasons was a secondary Big Bad, but Eli stole his flock, so we are not sure who needs forgiveness more.

"If you're not rooting for your enemy's salvation, you are not in line with what the Spirit wants."  Shots of Dot Nancy and her parents, BJ, Keefe (working security again), Martin's wife, a couple I don't recognize, and Jesse's crew (Matthew, Gregory, and Levi).  Notice that BJ and Keefe are linked, structurally presented as the partners of Judy and Kelvin.  They won't begin sitting together until Season 3. 

Scotty is redeemed: "Aimee-Leigh knew this. That's why she wanted to help, no matter what."  Shot of the spirit of Aimee-Leigh sitting in the congregation, glowing in ethereal light, with Scotty beside her. 

He looks more bemused than happy, surprised that he has been forgiven, wondering how he came to be sitting here, after all the pain he caused Gideon and the Gemstone family.  Remember that both BJ and Keefe had to suffer symbolic deaths before they could unite with their partners.  Did Scotty, in death, become Gideon's partner?  

Maybe, in spite of his machinations, posturing, criticism, and threats, in spite of the hints of abuse, this is what Scotty wanted all along.  After all, the goal of the two schemes was to draw Gideon away from his family so they could spend their lives together. Maybe he couldn't admit it to himself, so it came out in random bursts, like calling Gideon "cute," taking him out on dates, and finally admitting, just before his death, that "you broke my heart."  Aimee Leigh helped him understand what he needed, what he wanted, and she has made him a Gemstone.

Baby Billy grifts: "For when you forgive other people when they sin against you, your Heavenly Father will forgive you."  Cut to Baby Billy and Tiffany selling their new gimmick, pictures of his trip to heaven. I guess they haven't been redeemed yet. 

More after the break

Michael Seater: The "Life with Derek" guy grows up, gets a boyfriend, and displays a Derek d___

  

Link to the Derek d___

Born in Toronto in 1987, Michael Seater first appeared on screen in Night of the Living (1997), a short about a guy whose father turns into a zombie.  Two years of minor roles followed, and then Michael hit YTV/Nickelodeon gold with The Zack Files (2000-2002)

What gay teenager didn't rush home from school to watch the dreamy Zack(Robert Clark), and his buds Cam and Spencer (Jake Epstein, Michael) face bizarre paranormal events?  Like shoes that make it impossible to stop running, a cereal that makes him age rapidly, or an overdue library book that turns him into Alice in Wonderland. 

He went on to play paranormal investigator Lucas in Strange Days at Blake Holsey High (2002-2006). Noah Reid, later Patrick's boyfriend/husband on Schitt's Creek, played his best buddy Marshall, and he also had a love/hate relationship with school bully Vaughn (Robert Clark again).  They are sucked into a wormhole, turn invisible, repeat the same day over and over.  In my favorite episode, a chemistry accident sends Marshall through the periodic table: he becomes hydrogen, oxygen, neon, and so on.  Meanwhile, his older brother Grant arrives at the school and turns into sodium.  Marshall has changed into chlorine, so they stabilize as salt. Just go with it.

Left: Robert Clark

Next Michael moved into the more traditional teencom Life with Derek (2005-2009): He has a sibling rivalry with his adopted sister Casey (Ashley Leggat) and, in the first season, an intense, passionate, joined-at-the-hip best buddy, Sam (Kit Weyman).  Then it's girls, girls, girls every second of every day.

In Regenesis (2006-2007), Michael plays homeless teenager Owen, who moves in with paranormal investigator David (Peter Outerbridge, left), but ends up mentally damaged after an experimental treatment to cure his drug addiction 

Michael's adult roles have involved fewer subtexts:

18 to Life (2010-2011): newlywed18-year olds move in with their parents.

The "virgin getting laid" comedy Sin Bin (2012).  

The "virgin getting laid before the world ends comedy" Sadie's Last Days on Earth (2016).

In 10 episodes of Bomb Girls, 2013, set during World War II, Michael's bomb engineer Ivan dates closeted lesbian Betty, then Betty's crush Kate, then Nazi spy Helen.  Then he dies in a bomb factory explosion.  No gay male characters.

In The Wedding Planners, which aired for seven episodes in March-May 2020, Michael and his sisters plan weddings.  It doesn't look like any of them featured same-sex couples.

Most recently Michael played a gay-coded villain on The Murdoch Mysteries.  In 2009, gay student James Gillies and his boyfriend murder a professor in a reflection of the Leopold and Loeb case.  In 2023, he returns to torment Murdoch, kidnap The Girl, and survive various lethal stunts.  The show features a gay couple, so it's not just queer villains, but still, one doesn't expect such a blatant stereotype in 2023. 

And in Life with Luca, 2023, he returns to Derek as a grown-up.  He and Casey each have children who replicate the sibling-rivalry of their youth -- Luca is Casey's son.

More after the break

The First TV Tarzan

After doing three Tarzan movies, Mike Henry turned down the opportunity to become the first tv Tarzan, so NBC hired tall, lanky 28-year old Ron Ely (no relation to Rick Ely of The Young Rebels) to play the Lord of the Jungle, and 10-year old Manuel Padilla Jr. as his kid sidekick Jai, and scheduled them on Friday nights in the fall of 1966.  They faced stiff competition from the beefcake-heavy Wild Wild West and the overtly homoerotic Green Hornet and Time Tunnel,  but still they did well.

Comic book and novel tie-ins were ordered, and they were renewed for a second season.

This Tarzan was a crime fighter, battling mercenaries and jewel thieves, tracking down fugitives hiding out in the jungle, making sure that traveling missionaries, scientific expeditions, religious pilgrims, and even circuses got to their destination ok.  There was lots of beefcake, of course, but not a lot of bonding -- Jai was too young, and the jungle was otherwise occupied by male scoundrels and females in need of saving.

Gay kids continued to watch Wild Wild West.

At the end of the second season, Ron Ely, who had been injured dozens of times by the "tame" animals he worked with, called it quits.  The network chopped some of the episodes into movies, and that was the last of Tarzan on tv until 1991.

Ron Ely continued to act on television for many years, and in 1975 he portrayed another legendary hero, Doc Savage, on the big screen.  Later he launched a new career as a writer of hardboiled detective novels.

Manuel Padilla, Jr. continued to play soulful-eyed Hispanic or Indian kids through his teens, in The Flying Nun, Bonanza, Gunsmoke, and American Graffiti.  His last role was in Scarface (1983).  He died in 2009.

Santa Clarita Diet, Episode 1.9: A medieval Serbian book, a gay subtext, daddy-twink pics, and maybe Skyler

  

Link to the n*de photos

I haven't reviewed an episode of Santa Clarita Diet for awhile, mainly because the first episode I watched was kind of gross.  Also, after posting reviews of twelve of Skyler Gisondo's movies, four photo collections, and a lot of stuff on Gideon Gemstone, I'm running out of pictures of Skyler with his shirt off. 

The premise: Suburban housewife Sheila has become a zombie.  She's fully sentient, but she lacks impulse control, is unusually horny, and has to eat human flesh.  While looking for a cure, her annoyingly amoral family helps her find victims. Skyler plays the guy who knows their secret, next-door neighbor Eric, who happens to be an expert on zombies.

I'm reviewing Episode 1.9, "The Book," because it involves the search for a medieval Serbian manuscript, and who wouldn't be interested in that? 

Scene 1: While Zombie Sheila bags up human meat for later, Husband Joel (Timothy Olyphant, left) has had a breakthrough: Anton, who owns the Medieval Serbian book that mentions a zombie cure, has finally responded to his emails and texts. He can meet them at a paranormal conference in Oxnard today.

But then a cop appears with daughter Abby, who was arrested for runing a stop sign in a motorcycle with no plates or VIN number, wearing a jacket saying "Pussy Magnet."  Hey, the "Pussy Magnet" is legal. The girl likes what she likes.

Abby is obviously in psychological pain from dealing with the zombie situation, so Sheila will spend the day with her.  Husband Joel can go to the paranormal conference with ally Eric. 

I'll review the two plotlines separately.

Mother-Daughter Bonding

Scene 1: Zombie Sheila and Abby return the motorcycle of a guy she killed to his brother, Lonnie (Alex Scuby), who runs a chop shop out of a storage locker. He took Abby's money but didn't fix her bike, so she wants her money back.  Wait, I thoiugh it belonged to the dead guy? Were there two bikes?

Lonnie tells them that his brother was a "stupid fucking idiot" who ripped people off, so they're out of luck.  He closes the garage-door and won't let them in. He's not responsbile for his brother's debts, ladies.

Left: Alex Scuby has appeared in a porno about two older-younger gay couples who swap partners.

Scene 2: In their storage locker, which is the size of a small apartment, Sheila and Daughter Abby look for something to use to get the money back from Lonnie.  There's teargas that Abby stole from Eric's stepfather before Dad killed him, but Sheila wants to teach Abby a life-lesson and use a non-violent solution: how about Raffi, that annoyingly repetitive kids' singer?  What makes you think Lonnie is still in there?

Scene 3: Hours  of playing and singing along to Raffi later, they give up, but Lonnie yells from inside "Turn Raffi back on!" They decide to tear gas him instead, but when they drop the tear gas canister down the vent, it hits the wrong storage locker!  Two innocent guys rush out.

Scene 4: Abby wants to know why Mom  Sheila is so dead-set, so to speak, on teaching her life lessons.  She explains that she is slowly decomposing, so she won't be around much longer, and has to make sure Abby will be ok.  Aww.

The Paranormal Conference

Scene 1: When Dad Joel arrives to pick up Eric, his mom announces "You have a gentleman caller."   Gay joke, har har.  Embarrassed, Eric tells her to not make everything sexual.    

He asks for advice on how to pack a hoodie, and claims to be upset over Joel murdering his stepfather with a shovel, but he's joking: the guy was an asshole. Is this casual attitude toward murder supposed to be humorous?

Scene 2: At the conference, Eric buys a churro-saber, but it's too long to be phallic.  

When Joel is rejected by the first person he talks to, Eric explains: these are all introverts with low self-esteem, and he scares them away by being too aggressive and too handsome: "with those piercing eyes and perfect posture."  So you think he's hot, Eric? 

Scene 3: They find Anton, Derek Waters, talking to a crowd about government conspiracies: During the 1950s, they exploded thousands of nukes over Bikini Atoll in the South Pacific.  In 2012, a man in Florida eats another man's face.  Coincidence?  "If you believe that, I've got a Japanese sex doll to sell you. Unused."  Because he gets so many partners that he doesn't need it?

Nerd Ryan, Ravi Patel, asks about an outbreak of the undead in 19th century Poland.  Yep: Rybik, 1870. Three priests walk into a tavern, and get eaten.

Joel asks about the Medieval Serbian book.  Yep, Pozica, 16th Century.  

More after the break. 

Victor Rivera: Summa cum laude theater arts graduate, LARPer, D&D player, stunt d*ck. With bonus Jesse Eisenberg

 

Link to the stunt d*ck

Have you ever  you started off knowing nothing about a guy except what he had in his pants, and found out about the rest of him later?

Don't answer that.

In Righteous Gemstones Episodes 1.1 and 1.7, a video of Jesse's wild party shows Chad (James Dumont), visible from the belly down, walking to the foreground.  Victor Rivera is James Dumont's body double, actually playing the beneath-the-belt stuff.

So who is Victor Rivera?  I expected a Charleston-area amateur with no acting or minimal acting experience, displaying his stuff as a lark.

But Victor actually graduated from Appalachian State University in 2013, summa cum laude, with a 3.98 GPA, a major in theater and a minor in art.  

After performing in communitiy theater in North Carolina for two years, he moved to Atlanta in  2015  to start his career on screen.

The results: 

23 commercials

A lot of shorts: Safe Words (burglars get more than they bargained for),  Mob Rats (a Mafia informant), Acting Out (theater arts major meets the Girl of His Dreams).

 Guest spots on Swamp Murders, The Uncanny X-Men, Good Girls, and Creepshow

The Tomorrow's Monsters podcast

The tv series D&Me, featuring Victor playing Dungeons & Dragons by himself.

Ten movie roles. The most prominent is Civil War Bearded Guy in Zombieland Double Tap (2019), a sequel to the post-Apocalyptic Zombieland (2009), starring Woody Harrelson, Jesse Eisenberg (left), Luke Wilson, and Thomas Middleditch

. 

Here Victor notes that in one week he saw Zombieland: Double Tap by himself, twith a group of Atlanta friends, in North Carolina with his family, at the Zombieland Scare Zone at a haunted house in Orlando,  back to Atlanta to see it with Peter (a boyfriend?),  then to a Halloween party where he wore a Zombieland costume.

More after the break.

Nick Rutherford: A straight guy who likes to pretend he likes guys. Or is he pretending?

Nicholas Rutherford, Beck Bennett, and Kyle Mooney, formed the sketch comedy group Commedus Interruptus in 2003, while still undergrads at the University of Southern California.  In 2007, they formed the comedy group Good Neighbors, and produced short films like "Is My Roommate Gay?". Later they joined the cast of Saturday Night Live.  

You have also seen Nick on Dream Corps LLC and Adam Devine's House Party

They are all married to women, but they all, and especially Nick, spend a lot of time suggesting that he likes men's physiques and body parts.  

Of course, Tony Cavalero does the same thing, but Nick goes even farther, actively suggesting that he is in love with one or both of his comedy team partners.  Such as Kyle Mooney.

More after the break

Willie Aames: Charles in Charge's Buddy shows his willie, becomes Bibleman and a platinum-selling author

 

Link to the n*de photos

According to his IMBD biography, Willie Aaames is an award winning, Platinum-selling writer and producer/director and a 6-star cruise ship director. How does a book go platinum? But he's best known for showing the world his d*ck

He started appearing on screen at the age of 11, with guest spots in The Courtship of Eddie's Father, The Odd Couple, Adam's Rib, Adam-12, and The Waltons.

A starring role in Swiss Family Robinson (1975-76), which adds paranormal peril to the ill-fated island.

120 episodes of the sappy drama Eight is Enough (1977-81), as Tommy Bradford, the second-to-youngest son,  whose shtick was being absurdly amorous, sneaking into the girls' locker room and so on, until he got his girlfriend pregnant and married her.

This led to the dreadful Zapped! (1982), with the nerd Barney (Scott Baio) getting telekinetic powers, and apparently using them to look up girls' skirts.  Willie played his best friend.

And Charles in Charge (1982-90), as Buddy, the bodybuilding best buddy of the college student turned male nanny.  His scene consisted of "Charles!  There's this party tonight, with GIRLS!!!  We can meet GIRLS!!!,", and Charles responding, "I can't go, I have to stay home and watch these two teenage girls, one of whom is my age, so why she needs a nanny is beyond me."

And Paradise (1982), a knockoff of Blue Lagoon, with none of the scintillating dialogue or intriguing plot (ok, I'm joking.  Blue Lagoon didn't have those things, either.)

But you did get to see Willie's willie, and his bare backside.

More after the break.

David Cassidy

The oldest of a show biz family (his brothers are Shaun, Patrick, and Ryan), David Cassidy got his start on The Partridge Family (1970-74), about a family of pop singers who tour the country in a psychedelic bus (Danny Bonaduce played his younger brother). It aired on Friday nights in a block of gay teen "Must See TV," including The Brady Bunch, Room 222, and The Odd Couple.

His character, Keith Partridge, was interested in girls, but never portrayed as a absurdly girl-crazy, like most teenagers on prime-time in the 1970s. And, although pop superstars were presumably dream dates for every girl on earth, Keith frequently encountered girls who disliked pop music, who had never heard of his group, or who simply did not find him attractive. This self-deferential parody, a teen idol who can’t get a date, destabilized the myth of universal heterosexual desire; if some girls are not attracted to Keith, perhaps some boys are.

In “Days of Acne and Roses” (November 1971), Keith teaches a shy delivery boy named Wendell (Jay Ripley) how to date girls. He demonstrates the “yawn, stretch, and arm around” maneuver on Wendell, and then pretends to be a girl so that Wendell can practice his pick-up lines. Keith is remarkably unself-conscious about the physical contact and the mock flirtation, and he is not the least worried about someone overhearing and thinking that he is gay. When most of his fellow television teens recoiled in heart-pounding terror at a buddy’s touch, Keith’s nonchalance seems aggressively gay-friendly.

The teen magazines went wild with shirtless, swimsuit, and towel-shots, revealing David's slim, androgynous body, but in this case they were justified in praising his talent: his music was good.

And gay-friendly.  Songs credited to The Partridge Family (studio musicians except for David and his mother, Shirley Jones) almost entirely eliminated the incessant “girl!” that deadened most bubblegum pop lyrics in the 1970s. In the emblematic “I Think I Love You,” David awakens to the disturbing realization that he is in love:

I just decided to myself, I'd hide it from myself
And never talk about it, and [so I] didn't go and shout it
When you walked in to the room.

Why does he “never talk about it”? Heterosexual teenagers in love do nothing but talk about it. In 1971 I concluded that there must be something more to “a love there is no cure for,” perhaps a love that dares not speak its name.

David’s solo numbers also eliminate almost all gender-specific pronoun or refrainsof “girl!”  For instance in“Where is the Morning,” he laments a failed hookup that could be with either a boy or a girl:

I can’t sleep tonight. I found someone.
You smiled at me and said you were free. And I was alone.

Would you meet me again? 

My friend Derek claimed to have dated him, but David doesn't mention any same-sex relationships in his memoirs, C’mon, Get Happy (1994).

He does graciously acknowledges his appeal to gay boys: “I had a pretty strong gay following. I kind of liked it. Gay publications ran pictures of me; I was named gay pinup of the year by one. I’d get fan letters from gay guys saying things like ‘I can tell by the look in your eyes that you’re one of us.’”

And in a sense, he was “one of us,” an ally, demonstrating that same-sex desire was not only possible, but valid and worthwhile.

David spent most of his later career in Las Vegas, where he wrote songs and performed for audiences of both men and women.  He died in 2017

See also: Derek and the Pop Star.

"It Ends with Us": Not a post-Apocalyptic thriller, a drama about a lady with clunk rings and a hunk named Atlas

    

Link to the n*de photos

It Ends With Us showed up in my Netflix recommendations.  Obviously a post-Apocalyptic movie about the last generation of humanity struggling for survival. The icon shows an elegantly dressed woman talking through her fingers at an elegantly-dressed man, but that must be before society falls apart.

Scene 1: The woman who talks through her fingers in the icon is driving through an autumnal road to a quaint New England town with a sign saying Plethora, Maine.  Maybe the  human race goes extinct due to a vampire outbreak. 

 She stops in front of one of those gigantic "middle class" homes, and hugs and cries with the woman inside.  Geez, she's wearing like a gold ring the size of a baseball on each finger. How will she stake vampires that way?

Wait -- according to IMDB, this isn't about vampires.  It's a drama about domestic abuse!  Why such a misleading title, almost identical to The Last of Us, about survivors of a zombie Apocalypse?

I'm still watching.  I never see dramas, so this will be an adventure in snarky comments. And it will be fun to watch a movie produced by, for, and about straight people, like going undercover in a foreign country.

The lady in the house tells the Finger-Talking Woman -- who has the ridiculous name Lily Bloom  -- that this is her father's funeral (thanks for letting her know!), then criticizes her for taking a job out of town, so she couldn't be by his side every second.  Oh, and she informs Lily that she is her mother. She acts so oddly that I thought she was the housekeeper.  Why would the wife of the dead guy say "your father's funeral" instead of using his name?  

Scene 2: Lily Bloom goes up to her room -- huge, cluttered with girly stuff like pictures of fairies and a ballerina music box.  She brought nothing with her when she moved out?

Mom follows her upstairs to say "He really loved you." Yeah, that's what all abusers say.  "At the funeral, you're going to have to say five things that you loved about him."  Um...er...he was...um...

Left: Dad Kevin McKidd, in 1996. 

Time for the funeral, at city hall, super-crowded -- Dad was the mayor, also a husband and a father.  Give him a medal!  Time for Lily's eulogy, but she can't think of anything, so she steps down from the podium.  Murmur, murmur.  

Scene 3: Back in Boston, Lily sits on the roof of a high-rise apartment building, no doubt planning to jump, but The Man of Her Dreams, Ryle (Justin Baldoni, top photo) bursts in, angry, kicking over chairs.  He joins her on the ledge to discuss how much he hates maraschino cherries.  She wants to know if he is upset over "a woman...or a man."  Acknowledging that gay people exist!  But I'll bet that's all the representation we'll see.  

They exchange job information, which I understand is common for straight people in their first meeting:  Florist, neurosurgeon.  Guess which Lily is. 

Their falling-in-love conversation takes up the next seven minutes of screen time, but they don't make a date for later. Are you sure there won't be any vampires?

Scene 4: Adolescent Lily in her bed,putting flowers into a scrap book. Gratuitous leg shot as she gets up, brushes her teeth, writes in her diary, and puts on her starter set of huge, clunky rings -- well, she couldn't write in her diary with them on, could she?  

Looking out the window, she sees a young man sneaking out of the abandoned house next door and sorting through the garbage for food.  

He gets on her bus!  She gazes in Boy-of-Her-Dreams longing.  Lily's going to have two abusive boyfriends? 

It takes about five minutes of screen time for her to arrange a meeting and get his story: "My Mom kicked me out...because..."  You're gay?  Nope: because she doesn't like him interfering with her boyfriends "beating the shit out of her."  They beat him up, too, but he can't mention it because he's macho.

Lily invites him home to shower and change clothes, and watch Ellen.  A lesbian exists in their world.  He stares at her clunker rings; she criticizes the outfit that she gave him.  So, for straight people, is criticism like flirting?

Scene 5: The adult Lily heads toward the store she's leasing for her new flower shop, while Mom tries to discourage her on the phone: she saw on the internet that "45% of all flowers die."  Just 45% ?

As Lily is cleaning out the old stuff, a woman named Alyssa comes in to ask about the "help wanted" sign.  It's leftover from the previous owner, but Lily might need some help soon: "I'm opening a flower shop." 

"Ugh!  Never mind, I hate flower shops.  They're depressing, full of dying things." 

"You're hired!"  So you get a job by criticizing the job.

Montage of the two bonding over cleaning out stuff, painting, and so on.  

Alyssa's husband Marshall (Hasan Minaj) calls  -- darn, I thought she was a lesbian.  He's across the street with her brother, watching the Big Game, but she drafts him into helping out. 

Ulp: Alyssa's brother is -- Ryle the neurosurgeon!  

They gaze at each other for about three minutes of screen time.  Don't straight people, like, talk?  Finally Alyssa and Marshall get tired of it and suggest a double date.  

Cut to a karaoke bar, with Ryle and Lily trying to ignore their mutual attraction -- they're single adults, what's the problem? --  and Alyssa and Marshall aggressively pushing them together -- they've known Lily for like three hours, why do they care?  After about ten minute of screen time, they kiss.

Scene 6: Adolescent Lily on a picnic with the Abused Guy, whose name is Atlas (Alex Neustaedter).  The Greek god who is holding up the world, not the book of maps. 

Left: Atlas

They discuss Lily's Dad beating up her mom.  In other news, Atlas will be joining the Marines, so they can't continue their relationship. 

Scene 7: BFF Alyssa's birthday party, at her gigantic palace, with a living room bigger than a hotel atrium.  Around a thousand people there, all heterosexual couples.  Why does she want to work in a flower shop, again?

Lily runs into Ryle the Neurosurgeon again, and tells him, "Stop flirting with me."  Then they go up to his room. Mixed signals, lady.

Scene 8: In the morning, Lily walks the six miles down to a kitchen big enough to prepare meals for the population of a medium-sized city.  Apprised that she has spent the night, Alyssa cautions that Ryle the Neurosurgeon goes through women like candy mints.  He's ok for a hookup, but if you're looking for a serious relationship, forget it.  Then why were you so aggressively pushing them together?

More after the break

Jeff East: Tom Sawyer's boyfriend, Disney teen, young Superman, n*de fratboy, Pumpkinhead prey

Link to the n*de photos.

If you were  a kid in the 1970s, Sunday night meant either church or The Wonderful World of Disney, countless movies set in the wilderness chopped up into 40-minute segments.  It was dreadful, but at least you got to see a cadre of teenagers personally selected by Walt or Roy Disney to represent "youthful masculinity":  Tommy Kirk, Kurt Russell, Tim Considine, James MacArthur.  

And if you could tell your fundamentalist, "movies are sinful" parents that you were going to the library downtown and sneak into a matinee, you could see Jeff East and Johnny Whitaker playng boyfriends.

Born in 1957 in Kansas City, Jeff had virtually no acting experience when he was chosen from among 1,000 hopefuls in open auditions to play Huck Finn in Tom Sawyer (1973), with Johnny Whitaker as Tom.

They appeared together again in Huckleberry Finn (1974), with a romance that would be impossibly overt today.

Plus they both showed bare chests and backsides, which would never be permitted today.  

Jeff went on three Wonderful World of Disney movies about big animals.  Disney loved animal stars.

Return of the Big Cat (1974): he has to save his sister from a cougar.

The Flight of the Grey Wolf (1975): he tries to re-introduce a wolf into the wild.  Nobody flies.

The Ghost of Cypress Swamp (1977): he has to save his dog from a panther, and runs afoul of a crazy guy.

This was the era of the big name teen idols like Shawn Cassidy, and a guy who fought panthers couldn't compete.  Jeff got very little attention in the teen magazines.

Jeff moved on to his first "adult" role as a college student who participates in a deadly hazing in The Hazing (1977),  also released as The Case of the Campus Corpse to make it seem like a comedy.  

Again he takes everything off -- he spends about half the movie in nothing but a jockstrap.

And he has a painfully intense, gay-subtext romance with his costar, fellow college student Charles Martin Smith.

Charles Martin Smith went on to display his goods in Never Cry Wolf (1983), about a government researcher living with wolves.  

What's with these guys and their wildlife?

More after the break

Gemstones Episode 1.9, Continued: Kelvin goes dark, Keefe goes down, and Captain America saves the day

 

Link to the uncensored version

He's not my boyfriend:  Earlier in the episode, Kelvin reveals that "he's coming apart," certain that his lack of interest in women and recent forays into "darkness" signify that he is the Devil.  The siblings tried to comfort him, but apparently it didn't help: he shows up at the teen group wearing a Goth teddy boy outfit, mascara, pale lipstick, dark glasses, and shiny vinyl pants, and announces "I have transformed myself into something Dark."  He's not Jesus, but a vile creature of sin.  He must leave them.  

But his replacement, Ronald Meyers (Josh Warren), is "pure": chubby, greasy-haired, an assistant manager at the GameStop.  One can't help but conclude that "pure" means "never had s*x," a contrast with Kelvin, who obvioulsy has. 

Kelvin makes a dramatic exit.  Dot Nancy, whom he rescued from Club Sinister, scoffs, as if to say "What an idiot!", and follows. "Is this about your boyfriend?"  Notice that she is not being pejorative; she honestly believes that they are a gay couple.  

Kelvin corrects her:  "Ok, no, he's not my boyfriend. We're just a couple dudes who like to hang out. Why?"  He's being awfully nonchalant -- compare Season 3, where "rumors swirling around" drive him into a panic.  He's already the Dark Lord, a being infused by homoerotic desire, so why get upset over a simple mistake?

Fans who insist that "Kelvin is straight!" often point to this statement, but maybe they're not "boyfriends," partners in a caring, emotionally-fulfilling relationship.  Kelvin believes that Satan is all about s*x, not love, so whatever he feels for Keefe -- whatever he does with Keefe -- must be driven solely by lust.   

That will all change in a moment, when Dot shows him Keefe's instagram page. He has returned to his old job as a performance artist at Club Sinister: "The baby is back!"  and "Haven't I fallen far enough?"  

Responses from fans: "I'm psyched!  I can't wait!"  "We're off to never-never land!" 

Yelling "No, no, no," Kelvin rushes off. Why is he fine with turning into the Dark Lord, but upset when Keefe becomes one of his followers?  Maybe because his transformation was all about wallowing in self-pity, while Keefe's is for real. He is about to be destroyed, spiritually, psychologically, and maybe even physically.

Gideon in Haiti: Before we can find out what happens next with Kelvin and Keefe, we cut to Gideon in Haiti: colorful "third world" shots of goats, a taverna, Gideon  meeting a group of kids, and so on.  The Water 2 Haiti ministry reflects the real Water for Life, which has been sponsoring well digging and irrigation since 1983. 

Jesse tracks Gideon down and asks him to come home. He refuses: he's doing missionary work to expiate his sins, so he can find peace.   Jesse will have to find anothe way to reconcile with Amber.

Check out his reaction when Jesse notes that Scotty has died: eyes wide, mouth agape, trying to restrain a whimper.  Sure, the guy robbed and assaulted him, but he was still Gideon's first boyfriend, and apparently really good in bed.

BJ is Shocked:  Back to the Gemstone Compound, night.  BJ wants to do a grand gesture to get Judy back (you dumped her, remember?), but Brock the Security Guard makes fun of his name and won't let him in (he lived there before the breakup -- wouldn't Brock know him and let him by default?).  

Rejected at the gate, BJ says "It's time to be a man" and finds an isolated place with a fence he can climb over.  We get a good view of the amusement park as he sneaks through.   But the stealth plan doesn't work:  he is surrounded by security guards and tazed, killed in a death-and-resurrection scene.

A Transitive State: Meanwhile, Kelvin is trying a grand gesture of his own (you dumped him, remember?). He arrives at Club Sinister with yet another party going on (or is there always a party in the Satanic realm?)  He pushes through the crowd (and, significantly, shrinks back with audible “Ewww!” at the sight of a n*de lady), and finds Keefe's old friend Daedalus.  

"Keefe is discovering some things about himself," he says. What does Keefe not know about himself?  Surely he knew that he was gay.  

Then: "I transformed him back into the earliest state of his being. He's sinking beneath his reality as we speak.  He's regressing to a transitive state."  I couldn't find an exact meaning for this phrase, but it probably means a state where you can be transformed into a different person.  

Kelvin threatens him: “Take me to him right now! I will f*ck you up!”  

The Isolation Tank after the break

"The Third Day": Jude Law in "The Wicker Man," with scissor goblins, a dead son, and Will Rogers

  

Link to the n*de dudes

The Third Day, on Netflix, had an interesting premise: an island where "you can check out anytime you like, but you can never leave."  The "third day" is when Jesus rose from the dead, so there may be some people coming back to life.  Plus it stars Jude Law, who played gay characters in Wilde (1996) and The Talented Mr. Ripley (1999), so I'm in.

Update:  It's hard to find.  It keeps changing streaming services, from Netflix to Hulu to MAX, as if the universe doesn't want me to see it.  

Scene 1: Sam (Jude Law) stops his car on a deserted road to call a woman: the money is in the office, 40,000 pounds cash.  Don't call the police; don't let Amboy in the house.  He stares into space for a long time, then walks into the woods.  Everything goes blurry.  Is he entering an alternate universe?

He stops at a brook, and lets a small striped shirt float away.  Mourning a dead son.

Scene 2: Suddenly Sam hears a girl yelling at her friend to let go of the rope.  He rushes over just in time for a friend let go and run away.  She is hanging herself!  He cuts her down and asks if she wants to go to the hospital, but she just wants to go home.  

On the way, he gives his back story: he used to work with troubled youth in social services, but now he runs a garden center in London; he's married with two daughters.  Heterosexual identity established, he asks if someone is hurting or scaring her at home, but she won't say.

Weird detail: she asks for water, and then puts salt in it.  Who drinks salt water?  Are her people aliens out of the Cthulhu Mythos?

Home is Osea Island, across a narrow, winding causeway that's only open at low tide.  Very stressful to get across.

Back story: Osea is a real island in Essex, accessible by a causeway at low tide twice a day.  Over the years it has been home to a naval base and a rehab clinic, but now it's privately owned.

They pass a amphitheater, a lot of porta-potties, weird giant figures, and brown-robed goblins attacking townsfolk with scissors.  The Girl says that there are only 93 people living on the island, but this year they are opening their pagan cult festival to outsiders, hoping to turn it in to a music festival and raise some money.  

Hundreds of people driving on that narrow causeway?  They'll be driving right into the ocean.

Scene 3:  The Girl doesn't want to go home to her dad (uh-oh), she wants to go to the pub, where the Martins take her into the kitchen, whisper anxiously, and occasionally peer out at Sam.  He checks for cell phone reception -- none -- and looks at the pictures on the wall.  Why are there three pictures of corpses?

Mr. Martin (Paddy Considine, below) returns and dumps a hasty explanation: "She wasn't trying to hang herself, it was just fooling around like kids do; she's not afraid of her father or anybody on the island; everything is fine.  Thanks for bringing her home, but you should leave -- NOW!"

But Sam has to get in touch with Aday from Scene 1 right away: he's a planning official who will be deciding on whether they can go forward with their plans to build a new center -- this afternoon!

Mr. Martin doesn't like that name -- "African, innit? Lots of African immigrants on the mainland.  Everyone thinks that they cause trouble, but some are ok."  Dude is racist.

After a long, inappropriate story about how he and his wife always wanted kids, but seven pregnancies didn't come to term, Mr. Martin offers to escort Sam to his car so he can LEAVE, NOW!   

Scene 4:  On the way, Mr. Martin reveals that the music festival will coincide with their "Esus and the Sea" ceremony,. Esus was a Celtic war god, but because of the similarity in the names, everyone thinks that the ceremony is about Jesus.

Mr. Martin begins to interrogate Sam: why were you so far from home, on such an important day?   Also, Mrs. Martin recognized you, so you're not here by accident, are you?

Uh-oh, his car is blocked in, they can't find the driver, and the causeway will be closing in about 15 minutes.  Don't they have ferries?

Mr. Martin changes the urgency of his advice to get out. "You'll have to spend the night.  I'll put you in a room at the pub."

"No, I need to get off this island now!"  Sam reveals that the burglars took 40,000 pounds in cash, that they were going to use to bribe Aday! That's sleazy, but not as sleazy as I ithought.  Maybe he's lying.

Martin reaches the obvious conclusion: Aday stole your money.  But why would he steal the money, when they were going to give it to him anyway?

More after the break

The last gasp of Christmas romcoms: Criminal boyfriends, a chubby Santa Claus, a gay Muslim activist, and Justin Hartley

 

  December 25th, so time for one more Christmas romcom before they vanish.  I'm looking for one with a hidden gay character.  Unfortunately, they all look the same: the same magazine-cover man and woman hugging, or sometimes two men gazing at the same woman, with a plot about finding love while saving something. 

1. The icon of The Good Witch of Christmas, 2022, has a woman with two kids, two men who aren't gazing at her, and Santa Claus, so let's give that one a try.

Trailer first: A heterosexual couple asks a gay couple (Tom Arnold, William Baldwin) to take care of their kids while they go Christmas shopping.  Whoops, the hetero couple crashes into Santa Claus, and a goofy witch knocks on the gay couple's door to teach them the meaning of Christmas.  I don't see the connection.

Is there any possibility that the guys are not a gay couple, like brothers or something? I thought the actors were both homophobic. 

I can't find a plot synopsis, so here goes.

Scene 1: The kids are talking about Christmas as Mom and Dad lead them into a horrible industrial building.  "He lives here?"  The apartment is clutted with kitchy stuff and Christmas decorations and a flag with red, orange, white, and blue stripes -- not a U.S. flag.  The guys are arguing about whether they need an escape hatch and whether they should answer the door.

Frank points out that they're not thieves anymore, but Tony counters that they still need a lookout, which has been his job for 15 years. 

The family comes in.  Frank introduces them to Tony, and they call him "Uncle Tony."  But if they've been together 15 years, surely the kids would know them by now.

They make the request.  Tony offers to teach the kids how to hot-wire a car, but Frank insists that they will show them some "old fashioned Christmas cheer."  He puts his arm around Tony's shoulders.

Tony starts telling a story: "One night we're in Vegas, we pick up a couple of  ladies..."

They're heterosexual life partners!  Next!

2. Under the Christmas Tree, 2021, shows two women hugging: Charlie is looking for a tree for the governor, see, and it happens to be in Alma's back yard.  They closet Charlie, but according to the IMDB, she's a woman.   I'll bet they turn into good buddies, but there may be a residual gay guy.

Scene 1:  Establishing shot of snow.  Charlie is inspired, while her partner just wants to go home.  Meanwhile, a short-haired lady is checking on her chicken coop. She names the darn things.

Charlie and her partner follow their drone to the perfect tree: "It's calling us!"  The short-haired lady notices a disturbance in the Force.

Scene 2: At some sort of Christmas shop, the short-haired lady is instructing her staff on how to gift-wrap: be joyous, but do it perfectly.  It should look like Santa  himself wrapped it.  Doesn't he have Elves for that sort of thing?  

She's holding hands with a guy who notes that a new shipment of ornaments arrived, "hand painted by a grad student in Boston."  Maybe maybe he is her father.

Back story: Yep, her dad.  He and Mom are retiring in January, so like in three weeks, and she'll be in charge of the store.  Much call for hand-crafted Christmas tree ornaments in January?  

She has to leave for a taste test with Marie.  So Marie gets a name, but she doesn't.

Meanwhile, Charlie and her partner Rohan (Shawn Ahmed) discuss how perfect the tree is for the Govenor of Maine's Christmas celebration.  

Shawn Ahmed is gay, and grew up in a conservative Bangladeshi Muslim immigrant family in Canada.  In an article in Macleans, he relates that he was in an abusive relationship, and after he broke him with him, threatened to out him to his parents.  So he came out himself. They wanted him to "pray the gay away," then marry a woman to "cure" him, and then just stay in the closet.   He attempted to kill himself, but was saved by a constable who told him about his own background in a conservative Evangelical family.  

He has been honoured by the Webby Awards and World Economic Forum and his work has been featured on the CBC, BBC, NPR, CNN, Mashable, Globe & Mail, and Toronto Star. 

More after the break