David Cassidy

The oldest of a show biz family (his brothers are Shaun, Patrick, and Ryan), David Cassidy got his start on The Partridge Family (1970-74), about a family of pop singers who tour the country in a psychedelic bus (Danny Bonaduce played his younger brother). It aired on Friday nights in a block of gay teen "Must See TV," including The Brady Bunch, Room 222, and The Odd Couple.

His character, Keith Partridge, was interested in girls, but never portrayed as a absurdly girl-crazy, like most teenagers on prime-time in the 1970s. And, although pop superstars were presumably dream dates for every girl on earth, Keith frequently encountered girls who disliked pop music, who had never heard of his group, or who simply did not find him attractive. This self-deferential parody, a teen idol who can’t get a date, destabilized the myth of universal heterosexual desire; if some girls are not attracted to Keith, perhaps some boys are.

In “Days of Acne and Roses” (November 1971), Keith teaches a shy delivery boy named Wendell (Jay Ripley) how to date girls. He demonstrates the “yawn, stretch, and arm around” maneuver on Wendell, and then pretends to be a girl so that Wendell can practice his pick-up lines. Keith is remarkably unself-conscious about the physical contact and the mock flirtation, and he is not the least worried about someone overhearing and thinking that he is gay. When most of his fellow television teens recoiled in heart-pounding terror at a buddy’s touch, Keith’s nonchalance seems aggressively gay-friendly.

The teen magazines went wild with shirtless, swimsuit, and towel-shots, revealing David's slim, androgynous body, but in this case they were justified in praising his talent: his music was good.

And gay-friendly.  Songs credited to The Partridge Family (studio musicians except for David and his mother, Shirley Jones) almost entirely eliminated the incessant “girl!” that deadened most bubblegum pop lyrics in the 1970s. In the emblematic “I Think I Love You,” David awakens to the disturbing realization that he is in love:

I just decided to myself, I'd hide it from myself
And never talk about it, and [so I] didn't go and shout it
When you walked in to the room.

Why does he “never talk about it”? Heterosexual teenagers in love do nothing but talk about it. In 1971 I concluded that there must be something more to “a love there is no cure for,” perhaps a love that dares not speak its name.

David’s solo numbers also eliminate almost all gender-specific pronoun or refrainsof “girl!”  For instance in“Where is the Morning,” he laments a failed hookup that could be with either a boy or a girl:

I can’t sleep tonight. I found someone.
You smiled at me and said you were free. And I was alone.

Would you meet me again? 

My friend Derek claimed to have dated him, but David doesn't mention any same-sex relationships in his memoirs, C’mon, Get Happy (1994).

He does graciously acknowledges his appeal to gay boys: “I had a pretty strong gay following. I kind of liked it. Gay publications ran pictures of me; I was named gay pinup of the year by one. I’d get fan letters from gay guys saying things like ‘I can tell by the look in your eyes that you’re one of us.’”

And in a sense, he was “one of us,” an ally, demonstrating that same-sex desire was not only possible, but valid and worthwhile.

David spent most of his later career in Las Vegas, where he wrote songs and performed for audiences of both men and women.  He died in 2017

See also: Derek and the Pop Star.

"Country Comfort": Is seeing Ricardo Hurtado, Eddie Cibrian, and Eric Balfour worth the pain?

 

Ricardo Hurtado, best known for starring in Nickelodeon's School of Rock, has a perfect combination of face and physique.  I would definitely be asking him out -- if we were both single and he didn't include Bible verses on his Instagram.  Quoting the Bible doesn't necessarily mean that he hates gay people, but I'm not risking it.    

He hasn't had many tv or movie roles recently, so if I want to see him perform as an adult, it will have to be GlichTechs, Malibu Rescue: The Next Wave, or Country Comfort.

We'll start off with Country Comfort, which must mean something like "cold comfort." (something that is supposed to encourage you, but actually makes you feel worse).

Link to NSFW version.

Scene 1:  A rainy night in a small town.  We pan past a church (see, we're religious) to a middle class house.  

There's a knock on the door.  Tuck (Ricardo!) answers: it's Bailey (Katherine McPhee), a young woman with black hair wearing a black cowboy hat.  He gawks at her gorgeousness and says "Looks like they sent the right woman to do the job."  Did he call for a prostitute?

Bailey thinks she has been mistaken for a prostitute, and starts to bolt, but Tuck explains that he thought she was from the nanny agency. (He makes gross sexual come-ons to all of his nannies?  And why does he need a nanny at age 21?)

No, she's not a nanny.  Her truck broke down, her phone died, and she wants to use theirs.  But Tuck is so horny for her that he trots out his siblings for introductions: two little girls, 12-year old Dylan, and Brody (Jamie Martin Mann, left).  Wait -- he's 17 (20 now), and way too old for a nanny.  

While all three of the boys gaze at Bailey with unbrindled lust, Tuck explain that their mom died two years ago, and they've gone through 10 nannies since (do  they get tired of the sleazy come-ons and quit?)   

But Baily likes their sleazy come-ons: "You think I'm hot?  You have no idea how much that means to me!"  Two of those boys are jail bait, lady. 

Finally Dad, a middle-aged cowboy, arrives, accompanied by his blond bimbette child-hating girlfriend Summer.   (wait -- if they didn't need a babysitter while Dad was out, why do they need a nanny?  To, like, restore their joie de vivre, like Fran Fine and Charles in Charge?).  He's Beau (Eddie Cibrian, who played lots of lifeguards and teen hunks back in the day).

Beau asks: "Why are you so early for your nanny interview?" (Wait -- he's just getting back from a date, so it must be after 10 pm.  Why did they schedule an interview in the middle of the night?  Oh, right, the sex...)

Then: "If you're not the new nanny, what are you doing here?" Baily explains:

Scene 2:  Flashback to earlier that evening.  Bailey and her boyfriend Boone (Eric Balfour) are singing at a honky tonk, with a record producer listening.  We hear her entire song: "Dream baby got me dreaming sweet dreams the whole day long."  Ugh!  That's terrible!. And are they supposed to stare at each other instead of the audience through the whole song?

The record producer hates it, naturally. So Boone replaces Bailey with a boobalicious bimbette (yeah, that will fix those atrocious lyrics), and Bailey angrily breaks up with him.  Since they live together, she has no place to stay (um...a friend's house?  A hotel?  Let her stay there until she finds a place?).  She starts driving aimlessly.  Then her truck conks out right outside the home of a family that needs a nanny.  Well, it worked for Fran Fine.

Boone is played by Eric Balfour (left), who played many hunkoids back in the day.

Scene 3: Dad offers to call Bailey an Uber (to take her where?  She's driving aimlessly, remember?).  At that moment there's a tornado alarm, so everyone rushes to the basement.   Beau jokes about the last nine nannies being buried there (whoa, creepy! If I was Baily, I'd take my chances with the tornado.)  But Bailey is too overwhelmed by the love and togetherness of this family to be scared.  

Hey, there are musical instruments in the basement.  Could the family be...coincidence of coincidence -- country-western singers?   

Yep -- they join her for an impromptu song: "When Will I Be Loved."  The kids know all the words to a song that last charted in 1975?

One of the girls -- Cassidy -- gets upset because her mom was a singer, and this is bringing up old memories.  Beau tells her to get over herself.  Great parenting, Beau -- why not let the girl be sad?

Now Tuck is upset -- since their Mom died they haven't been allowed to touch their instruments.  Why not?  This family gets more and more screwed up.  Fortunately, Bailey has come to the rescue. 

Scene 4: Cassidy runs out into the storm.  Bailey follows her into the barn and apologizes for the "singin'" (of course it's singin', not singing).  I fast-forward through their heart-to heart, which no doubt solves the psychological trauma that no therapist has been able to handle.  And no doubt Mom will never be mentioned again.

Scene 5: Morning.  I fast-forward through this scene, too.  Obviously Bailey will agree to become the nanny, get the Partridge Family band back together, and start dating Beau.  And the ex-boyfriend will be around in some capacity.

Beefcake: Probably.

Gay Characters: Are you kidding?

Teens Out of a 1980s Sex Comedy: 2

Creepy Lines: 7

Absurd Coincidences: Too many to count.

Bible Verse that Ricardo Quotes; Hebrews 11:12: "No discipline seems pleasant at the time, but painful.  Later on, it produces a harvest of righteousness and peace for those who have been trained by it."

Is seeing Ricardo Hurtado worth the pain of Country Comfort?: Heck, no.

There are some frontal and rear photos of Eric Balfour and a bulge shot of Eddie Cibrian on Righteous Gemstones Beefcake and Boyfriends

Barry Williams/Greg Brady

Of the three boys in the iconic 1970s blended-family sitcom The Brady Bunch (1969-74), Christopher Knight (Peter, middle) grew into a bodybuilder with a spectacular physique, and Mike Lookinland (Bobby, right) grew into a hunk who could fill out a pair of tight jeans.


But Barry Williams (Greg, left) was hot right then, every Friday night during the 1972-73 school year, when you were working on your algebra homework and reading Donald Duck comic books.

He had a face -- dreamy, cool, goofy, handsome all at the same time.  And a killer body. He didn't display it often, but those few episodes where Greg drops his shirt or tries surfing in Hawaii are forever etched into the brains of heterosexual girls and gay boys of the Boomer generation.

 He didn't get as many gay subtexts as his brother Peter -- in fact, every other episode seemed to be about Greg liking some girl -- but sometimes beefcake is more than enough.

Born in 1954, Barry Williams burst onto the television scene in 1968, with appearances on The FBI, Lancer, That Girl, Gomer Pyle, Mod Squad -- you name it.

For the next two decades, he would be busy with The Brady Bunch and its various sequels and spin-offs: a Saturday morning cartoon (1972-73), The Brady Bunch Variety Hour (1976-77), The Brady Girls Get Married (1981), A Very Brady Christmas (1988), The Bradys (1990).  But he still had time for guest shots, on Three's Company, Murder She Wrote, Highway to Heaven, and even General Hospital.  

And live theater, in Pippin (1975).

He's also done his share of stunt casting:

In 2002, he boxed with former Partridge Family kid Danny Bonaduce (Danny won).

On an episode of That 70s Show (2006), Barry and his tv brother Christopher Knight played a gay couple who move in next to the 1970s Formans.  They got a big audience reaction from their on-camera kiss.

In Bigfoot (2012) Barry and Danny played a folk singer and music promoter, respectively, who go on the offensive after Bigfoot invades a rock festival.

See also: Christopher Knight/Peter Brady; and The Brady Bunch Dad

Danny Bonaduce

Keith (David Cassidy) was the fave rave of The Partridge Family (1970-74), the Boomer sitcom about a family of pop stars driving around on a psychedelic bus.  But Danny (right) had a following among the younger gay kids.  Played by the carrot-top, freckle-faced Danny Bonaduce, he was a fast-talking operator who kept trying to get the family into bigger and better gigs.

Here's a "Where's Waldo" scene of Danny immersed in a sea of interracial hunks when he is drafted by mistake.

Boomers with fond memories of Danny Partridge are shocked by Danny Bonaduce today, craggy, gravelly-voiced, a shock jock, celebrity wrestler, and general rabble rouser with multiple arrests on his record (including an arrest for assaulting a transvestite prostitute)  Plus a shockingly muscular physique.

The shock may come from low exposure Danny had during his adolescence and young adulthood, so we seemed to jump directly from freckle-faced operator to craggy and gravelly.

But he wasn't entirely under the radar during the 1970s.  The teenager had guest spots on Shazam!, Fantasy Island, Chips, California Fever, and Eight is Enough, and performed in Murder on Flight 501 (1975), the buddy-bonding movie Corvette Summer (1978) with Mark Hamill, and the sexploitation H.O.T.S. (1979).  By 1980, however, Former Child Star Syndrome had taken its toll, leading Danny to drug addiction and a period of homelessness.

He began re-inventing himself in the early 2000s, with a radio career, a reality tv series, and lots of well-publicized celebrity stunts (in 2003, for instance, he boxed fellow teen idol Barry Williams)..  He's not exactly gay-friendly, but then he doesn't seem to be friendly to anyone in particular.