Mar 10, 2016
Carl Sandburg's Two Gay References
Although he does look nice naked.
It seems that every English, language arts, writing, and history teacher from third grade through college foisted Sandburg upon us.
Chicago Poems! Cornhuskers! Smoke and Steel! Slabs of the Sunburned West! The People, Yes!
He was a two-bit Walt Whitman wannabe, with none of Whitman's homoeroticism.
When Sandburg mentions a man, it's only to pair him with a woman.
A Polish boy is out with his best girl; they marry next month; to-night they are throwing you kisses.
Each morning as I move through this river of young- woman life I feel a wonder about where it is all going, so many with a peach bloom of young years on them and laughter of red lips and memories in their eyes of dances the night before and plays and walks.
This wouldn't be so bad, except that he expects his intended audience to agree. All beauty is feminine beauty, the Eternal Feminine is everybody's goal in life.
It's about Sandburg growing up in Galesburg,with no interest in male friendship, just devotion to family, the thrill of the feminine, and heterosexual sex.
He liked to imagine heterosexual sex. Even when it was between his mother and father:
They were a couple and their coupling was both earthy and sacramental to them. There were at times smiles exchanged between them that at the moment I didn't understand but later read as having the secret meanings of lovers who had pleasured each other last night.
Do heterosexuals usually spend a lot of time imagining their parents having sex?
But the very worst was Rootabaga Stories, American fairy tales with an Edward Lear twist that were foisted on us in 3rd grade.
The titles didn't make sense:
"The Story of Blixie Bimber and the Power of the Gold Buckskin Whincher"
"How the Hat Ashes Shovel Helped Snoo Foo"
"Only the Fire-Born Understand Blue."
And once you got past the title, you got endless hetero-romance between men and women, boys and girls, and gender-polarized inanimate objects.
The only gay potential anywhere in Sandburg's work is in his 4-volume biography of Abraham Lincoln. In The War Years (1926), he writes that Lincoln's relationship with Joshua Speed had "a streak of lavender, and spots soft as May violets."
And maybe in the poem "Planked Whitefish," in which a "demon driver" named Horace Wild tells Sandburg about an experience in World War I in Ypres (site of a major battle): a Canadian soldier nailed to a wall with bayonets, his sex organs cut off and shoved into his mouth. The sight made him a pacifist.
Not exactly a gay-positive image.
See also: Gather the Faces of Men