Jun 29, 2026

Researching Adam Christian Clark's celebrity stuff. With a Big Brother, a Chunk, and a lot of arthouse indie angst

 


Link to the not fully clothed photos


The main reason I check out the Celebrity Not-Fully-Clothed subreddit is for  shots of actors I've never heard of in movies I've never heard of.  Like this one, Adam Christian Clark in Newly Single (2017).  

Nice  grin, buddy.  

Next to him we see the back of someone's head and part of their backside.  They have a man's haircut but no torso definition, so I'm not sure if it's a man or a woman.



We also see Adam's backside.  He doesn't have any torso definition, either.

But he's big beneath the belt, so I'll let his backside deficiency slide, and check to see if he's playing a gay character here (or in another movie), or if he's gay in real life.










Bad news: Adam is a director and filmmaker.  He's only acted in three movies:

Stasis (2010), a sci-fi short about a solder in a futuristic dystopia (Reshad Strik. left) who is asked to fight for The Girl.  Adam plays "The Eye."

Face in the Crowd (2013): A woman searches for human connection.  Adam plays one of 17 Faces that she encounters.

And Newly Single (2017).

Well, maybe he's directed some movies with gay content.










Adam's directing career began in 2002, when he was still a student at the USC School of Cinematic Art, and hired for the reality show Big Brother.  He stuck around for Seasons 3-5  (2002-24), then moved on to direct other reality shows, like XTreme Sports Television, Fine Tuned (cars), and Fashion Star (wannabe models from China).

Left: Josh Feinberg, whose stay on Big Brother Season 3 got him a not fully clothed photo spread in Playgirl (on RG Beefcake and Boyfriends)






During ths period, Adam wrote and directed two shorts:

The Editor: A Man I Despise (2008), with chunk Richard Riehle (on RG Beefcake and Boyfriends) as the editor, and characters named Museum Girl #1-3, Waitress, Woman, and Young Woman.

I get the impression that Adam really likes the ladies.

Goodbye Shanghai (2010): Two Western bankers embezzle $14 billion from the U.S. government. They spend their last night in Shanghai partying with girls (lots of girls) before things go wrong. It won a New Media Award.

More after the break




Adam has written and directed three feature films:

The art house indie Caroline and Jackie (2012): two sisters have a terrible night, beginning with Jackie's  birthday party that turns into an intervention, as Caroline and her friends confront her anorexia, drug abuse, and bedroom stuff. With men, of course.  It got mixed reviews.









Newly Single
(2017), the one where he shows us his d*ck, is an "arthouse meta dark comedy" about a director (Adam) trying to get a movie off the ground, while going on several dates for "a harsh takedown of modern dating."  The poster shows a cartoon Adam and three people in in the bedroom, with another two at the foot. All women, including the person with the man's haircut, who now demonstrates that she is a lady.  It must be heteronormative as heck.

It got good reviews.


Diary of a Spy
(2022): An arthouse indie about an unemployed female spy, battling numerous addictions, who takes one last job: she has to romance Camden (Reece Noi), tutor to a Saudi princess, to gain intel. It got bad reviews; nobody wants to see a spy having interminable conversations in shadowy spaces.




Adam's social media is all about the Eternal Feminine.

I spend so much time examining media texts for gay characters, gay subtexts, and queer codes, that it's difficult to imagine people going through their entire lives, every minute of every day, unaware that LGBT  people exist, or aware but not in the least interested, neither an ally nor a homophobe.  "Sure, they exist, and they should have civil rights, but let's get back to what's important in life, the beauty of women."

Is having a big one enough? 








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