Showing posts with label jazz. Show all posts
Showing posts with label jazz. Show all posts

Jan 6, 2026

Craig Hundley: Angel-Headed Hipster plays with the Big Boys

In the Star Trek episode "And the Children Shall Lead" (1967), which Leonard Nimoy rates as the worst of the original series, an alien "angel"  brainwashes a group of children into taking control of the Enterprise.  

Craig  Hundley is the lanky redhead in the weird striped smock -- about a foot taller than the others, way too old to play their "chasing each other" game, looking heavily embarrassed.

No wonder -- the others were between 7 and 10 years old, and Craig was 13.



In case you were wondering, they were; Pamela Ferdin, the first voice of Lucy in Peanuts movies.
Cesar Belli, son of Melvin Belli (the alien)
Brian Tochi, who went on to Revenge of the Nerds and the Police Academy movies.
Mark Don Brown
Brian Tochi
Melvin Caesar Belli















Here he takes over the bridge.  I was sure that Chekhov and Sulu (Walter Koenig, George Takei) were boyfriends.














Craig recently reunited with George at the L.A. Opera, and thanked him for "being an advocate for so many important causes."  The word is "gay," buddy.

More after the break

Aug 12, 2022

Bix Beiderbecke: First Gay Jazz Musician

If you grew up in the Quad Cities, you couldn't help but hear about Davenport, Iowa native Bix Beiderbecke (1903-1931).  We listened to him in music class, and researched him in Mr. Manary's American history class.  Scott, the cornetist who died, was a fan.

There was a  Bix Beiderbecke Jazz Festival every year.  There was a bust of him in Leclair Park in Davenport. (My Grandma Davis wasn't from Rock Island, but she had some of his records.)

 But no one told us, or no one knew, that he was gay.

Beiderbecke was one of the pioneers of jazz, playing and composing for the cornet and piano. He performed with the legendary Paul Whiteman's Band in New York. He influenced Hoagy Carmichael, Bing Crosby, and the "cool jazz" of the 1950s.  But he had a tortured personal life, became an alcoholic, and died of pneumonia brought on by exhaustion in 1931, only 28 years old.




His first biographies, and the teachers in Rock Island, never suggested for a moment that he might be gay.  

But in Remembering Bix: A Memoir of the Jazz Age (2000), Ralph Berton writes that Berton's brother Eugene, a gay opera singer, took Bix  to a gay sex party in 1920s New York.  Bix kept exclaiming "Iowa has nothing like this!"

In Bix: The Definitive Biography of a Jazz Legend (2005), by Jean-Pierre Lion, Eugene and Bix have a brief romantic escapade.  But, Eugene complains, "It meant absolutely nothing to him. His attitude toward sex, with men or women, was 'What the hell?'"




What women?  His biographies try to pair him up with this or that woman, but with limited success and lots of conjecture.  But it's not hard to find Bix talking to men, working with men, spending his life with men.  His roommates include Eddie Lang,  a young Bing Crosby, and gay musician Jimmy McPartland (left, with his future wife Marian, who knew that he was gay and didn't care).

Of course, the "accusation" has some jazz fans up in arms.  Even more than country-western music, the world of jazz is known for its homophobia.  There have been some lesbian jazz singers, but very, very few gay men, and even fewer open gay men, especially in instrumental "pure" jazz, where macho men in smoky rooms refer to non-aggressive musical styles as "faggy."


 "I don't even know one jazz musician who is [gay]," Dizzy Gillespie said.

I know one.

Dec 29, 2013

The Triplets of Belleville: Jazz-Age Lesbians and the Androgynous M

In the animated Triplets of Belleville (2003), professional bicyclist Champion is kidnapped during the Tour de France, so his grandmother, Madame Souza, goes off to search for him.

In the bustling city of Belleville, she encounters the Triplets, a famous jazz act of the 1930s now fallen on bad times.   They eke out a living as a novelty "acoustic" band, making music with a refrigerator, vacuum cleaner, and newspaper.  Madame Souza joins the act with a bicycle wheel, and eventually they become successful again.



Oh, and they rescue Champion in a colorful chase sequence.  The movie ends much too abruptly, with the now elderly Champion reminiscing about the adventure.

There is very little dialogue.  The characters are drawn grotesquely, so there's no beefcake.  So what's the gay connection?

1. No one expresses the slightest heterosexual interest, ever.




2. The Triplets, who have been living and working together for 70 years, can be read as a lesbian family rather than blood relatives.

3. Flashbacks show them performing in a Jazz Age nightclub, along with gay and bisexual icons like Josephine Baker, Glenn Gould, and Hoagy Carmichael.

4. Androgynous singer Mathieu Chedid, known as M, recorded a music video of the song "Belleville Rendez-vous."

He tells a psychiatrist about various ways to spend the last years of his life: in Singapore eating petit-fours, in Katmandu playing a "dou," and most significantly, in Acapulco, dancing with a gigolo ( a male prostitute).  

The English lyrics closet the verse to "dancing cheek-to-cheek."

But then he decides that he wants to be "wicked, twisted, swinging," like a Triplet of Belleville.

This irks the psychiatrist, who straitjackets him and gives him a tranquilizer injection.  That's the fate of those who try to escape gender and sexual confomity, like the Triplets of Belleville.

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