Zephyr Benson: The Son of the Most Beautiful Teen Idol of the 1980s

What is it like to grow up with a father who was the most beautiful teen idol in the world, the source of gushing romantic fantasies for millions of gay boys and straight girls?

Of course, I'm talking about Robby Benson, teen idol of the late 1970s and 1980s.  He appeared in some movies, but really, he was too beautiful to be a major star -- everyone was so busy swooning and sighing to pay attention to the plot.

He had a physique and a basket, too, but who noticed?  We were busy imagining what it would be like to walk hand-in-hand with Robby through the rain, and share a brief, chaste kiss.

Oh, I hear laughter in the rain,
Walking hand in hand with the one I love

Sorry, I had a Neil Sedaka moment.What was I writing about, again?

Right, Robby's kids.  It seems that Robby managed to find someone strong enough to come within five feet of him without swooning (Karla DeVito), so he married her...um...sorry, just imagining their wedding...kissing Robby Benson! ...and they had two kids, a girl named Lyric (born 1983), and a boy named Zephyr (born 1992).

Zephyr lacks the drop-dead gorgeousness of his father: his long, oval face is rather a turn-off.  But he does have dreamy blue eyes. 

He has the same slim, tight physique as his father, but not so tightly muscled.

He's an aspiring actor with 7 credits listed on the imdb, including more than one gay character.

His magnum opus to date is Straight Outta Tomkins (2015), which he wrote, produced, directed, and starred in.  It's about a teenager who falls in with a drug dealer, and mistakes the mercenary attention for a real emotional connection.

Plus he tweets his support of marriage equality.  What else could you want in the son of the most beautiful teen idol in the world?

Karol Krauser, the First Superman

The first Superman cartoons appeared in 1941, only three years after the Man of Steel first appeared in Action Comics.  They were produced by the Fleischer Studio, which also gave us Betty Boop and Popeye.  The Fleischers liked to work with real models, rotoscoping their movements to guide the animators, but for many years the model for the 17 Superman cartoons was unknown.

He turns out to be Karol Krauser, real name Karol Piwoworczyk, a young bodybuilder and wrestler.  The Superman website and wikipedia give few other details, but I managed to find some newspaper articles about him.

He was born in Krakow, Poland in 1912, attended the Polish Cadet School in Gniezne and the University of Krakow, and then worked as a physical education instructor at the Zwiazek Strzelecki, Polish military academy.

 At the beginning of World War II, he moved to New York and became a professional wrestler, dubbed the "Polish Apollo."   His first recorded match is in Bridgeport, Connecticut, on February 24, 1939.  By 1941, a newpaper article calls him the "popular Polish heavyweight champion.




He worked as a model for the Fleischers in 1939 and 1940, posing whenever they needed a muscleman, as in the Superman cartoons.

In 1945, Karol married female wrestler Zosia or Zoska Burska.   The best man at his wedding was none other than Stan Laurel of the comedy team Laurel and Hardy.

Most professional wrestlers retire in their 30s, but in 1953, at age 42, Karol and Edward Bogucki began a tag-team act as the Mad Russians, Karol and Ivan Kalmikoff.  During the Cold War, they became popular villains, winning several NWA competitions.

In 1962, Karol split from  Ivan and teamed up with Eric Pomeroy, billed as Stan or Igor Kalmikoff.  They appeared in several matches.

Karol died of a heart attack on September 12, 1964, after a match in Salt Lake City.

"Heartstopper": A sweet, innocent story of boys in love

 

Heartstopper, on Netflix, is a British teen drama based on a graphic novel by Alice Oseman, about two high school boys in love.  I hope it won't be like the "boys in love" movies of my generation, all angst and loneliness.  

Scene 1: School bell.  Artsy split screens of an ecstatic teen walking down the halls.  Tinsel is coming down, so it's after winter break.  He sends a text to Ben, no doubt his boyfriend: "Can't wait to see you," and heads to the deserted library for their rendezvous.  But Ben snuffs him off.  Uh-oh, I smell a breakup.  The headmaster announces that there will be new students in all the form groups (classes).  Foreshadowing! 

The boy, named Charlie Spring (Joe Locke), registering for classes.  The teacher (Alan Turkington, top) assigns him to Hamlet House, with Nicholas (Kit Connor, left).  He's in Year 11, a year older than Charlie, and a star rugby player.  "Ugh!  Sounds awful.  I hate him al...ready....um...wow, he's hot!"  They have a shy falling-in-love conversation while animated leaves swirl around them.  I associate falling leaves with mortality, death, and decay...do they mean something else in Britain?  

Scene 2:  Exterior shot of the Truman School -- not at all impressive, no ivy or Doric columns in sight.  Charlie heads to the music room to see boyfriend Ben (Sebastian Croft, left).  They ask about each other's Christmases, and smooch.  Wait -- didn't they see each other or at least text during the holidays?  Apparently not.  Ben is in the closet: "Don't tell anyone about this!"  

Deeply closeted: when they pass in the hall, Charlie says "Hi," and Closeted Ben freaks out: "Why are you talking to me?  I don't know you."  If you don't want people to think you are dating, try a nonchalant return "Hi."

Meanwhile Charlie and Rugby Star Nick are doing cute things like trying to get through the door at the same time and accidentally splattering paint on each other.

Scene 3:  Lunch outside -- in January!  It looks freezing.  Charlie is with his buds, Isaac (Tobie Donovan) and Tao (William Gao).  A fourth member of their clique, Elle, has transferred to an all-girl school after coming out as transgender.  They discuss who to invite to take her place.  

Charlie: "How about Nick?"  

Tao: "No, he's a Golden Boy and we're outcasts.  He'd never go for it.  Besides, he's friends with all of your old bullies."

Charlie: "He's different.  He's...nice."  Don't you mean hot?

Scene 4:  Higgs Girls' School.  Elle at lunch.  She gets a text from Tao discussing Charlie's obsession with the Rugby Star.   "What?  No!  He always goes after these unattainable Greek Gods, and then when they reject him, he's crushed!"    

Pan out: Elle is occupying a table by herself.  Everyone is ignoring her at the new school.

Scene 5: Legs get off a bus. Oh, it's Charlie.  Why that weird entrance?  And I thought this was a boarding school.  If he lives at home, why was he put in Hamlet House?  

Charlie has a make-out session with Closeted Ben in the deserted library, and then goes to the art room to hide from his friends during lunch.  The teacher wants to know why.  "Because my boyfriend pretends not to know me in public."  Teacher suggests talking to his friends.  "No, they wouldn't understand.  They're straight."  Then talk to Ben about your feelings.  

Scene 6: Heading across campus to discuss his feelings, , Charlie sees Closeted Ben...kissing a girl.  Charlie is just a little bit of downlow side action!  Dump him, right in front of the girlfriend!  Instead, Charlie just sends a breakup text without saying why.  

Scene 7: Charlie eating corn flakes.  Sister wants to know what's wrong.  "I broke up with my boyfriend." "Was he a knob?"  "Yes."  So this isn't a boarding school.  

On the bus, they discuss the kind of guy Charlie wants: "Somebody who's nice...and kind...and tall....."  And hung to his knees....sorry.  Although these are high schoolers, no one seems to have any sexual thoughts.  It's all about holding hands and kissing.  

When the bus arrives, Charlie brushes the condensation from the rain-soaked window and sees...Nick.  A little too much symbolism there, innit?

Scene 8:  In gym class, Charlie runs around the outdoor track.  He's much faster than anyone else in the class.  Rugby Star Nick notices and thinks he'd be a good rugby player. 

He stops by Charlie's locker to ask him to join the team.  Charlie imagines that he's confessing his love, again with the swirling leaves.  "Aren't I too small and weak for rugby?"  "No, it's just a school team, not the pros.  Being scrawny isn't a problem."  

Scene 9:  Charlie's friends think the idea is dumb.  "You're going to get battered by giant, moronic rugby lads just to impress a guy!"  

At the door to the locker room, Charlie overhears the players complaining about Rugby Star Nick's invitation: "Ok, he's nice, but we want to win.  Does he even like sports?  He's gay!"  When he comes in, they stop, embarrassed, and begin undressing (no beefcake).

Scene 10: Rugby practice.  The other guys are ten times bigger and wider than Charlie, but Nick says there's no problem.  "Just try to tackle me."  He does.

Montage of Charlie entering the locker room (no beefcake) and being bad at rugby.  When he finally catches a ball, the guys all cheer and hug him. Due to Nick's one-on-one coachng, he gets better, and is accepted by the team. Why is Nick so adamant about helping Charlie?  No doubt he's interested, but not ready to admit it.

Eventually Charlie's regular friends feel abandoned. Elle stops by the school and looks concerned.

Scene 10: Closeted Ben alone the music room, being sinister.  He texts Charlie to meet him after rugby practice.  Rugby Star Nick sees him going that direction and is suspicious.  

At their meeting, Ben gets it all wrong: "You're afraid of us getting caught."  But Charlie notes that he's out to everyone!  They argue.  Ben yells that Charlie is too ugly to get anyone full time, so he'd better settle for a downlow boyfriend.  Charlie still rejects him.  Ben begins a sexual assault -- well, kissing him against his will -- but Nick intervenes and saves the day.  Ben skulks off.  

Charlie and Nick walk out together and say goodbye.  

Scene 11: Nick's Mum is driving him home.  I thought he was walking?  He stares into space.  Meanwhile, at the bus stop, Charlie tries to figure out how to text him a "thank you."

In the car, Nick gets Charlie's text: "Thank you x."  He is startled.  Then he smiles, and animated birds fly around his head. No leaves?  The end.

Beefcake: None.  The actors playing Nick and Charlie are just 18, young enough to be real high schoolers.  

Other Sights:  None.  Maybe I'm just used to the baroque palaces and glass-and-steel megaplexes that pass for high schools in other teen dramas, but the Truman School is surprisingly banal.

Heterosexism:  None.  It's an all-boy's school.  There is no locker room talk about girls.  I understand that Tao will start dating Elle, which is heterosexual but still LGBTQ.  

My Grade:  This is a sweet, innocent drama, with no major crises, no paranormal, no dark secrets, and not much of interest to anyone over age 18.  I'm actually more invested in Elle's problems at her new school than in Nick and Charlie's inevitable romance.  

Joe Canoli's canoli: frontal nudity and erotic promise from the groovy 1960s

 

Link to the nude photos

Readers were asking about Joe Canoli, one of the random hunks in the Season 2 Gemstone Memes. 

Walter Kudzincz, born in 1925, began photographing his well-hung buddies and boyfriends, establishing a catalog of guys in skimpy outfits pretending to be cowboys, pirates, or gladiators, trying to avoid being overtly homoerotic, as was required by the strict censorship and intense homophobia of 1950s society.    You could get them via mail order, or in "fitness" magazines like Physique Pictorial and Tomorrow's Man.  

In 1952 Walt met Jim Stryker, an 18-year old recent high school graduate, pranking his friend by urinating on him from a tree branch.  Stryker became his friend, lover, and the top-selling model in the gay male subculture for the next ten years.

In 1962, the U.S. Supreme Court ruled that male nudity was not necessarily obscene, and in 1965, magazines began printing frontal nudity, allowing Walt to challenge the "chaste," closeted gay models of the earlier generation.  It was the era of the psychedelics revolution, the sexual revolution, the youth counterculture, and the more open, out gay subcultures that would culminate in Stonewall and the Gay Rights Movement.  The modern gay man was willing to admit that he liked to look at cocks as well as muscles.

So Walt's Champion Studio models got naked.  Sometimes their photos were campy and cool, brightly colored, "mod," groovy.  Sometimes they made fun of the posing-strap cowboys and football players of the uptight 1950s.  Sometimes they were unabashedly erotic.  

I'm covering a lot about the life of Walt Kudzincz because I have found almost nothing about Joe Canoli.  The earliest photo I could find, a black-and-white with rear nudity, comes from between 1962 and 1965. 

More after the break