Gay Symbolism in Chicago

I went to high school in the midst of the disco era, when everyone was carrying around boom boxes, practicing complicated dance moves, and listening to songs about the night life:
I love the night life, I want to boogie on the disco floor.
Whether you're a brother or whether you're a mother, you're staying alive
I should be dancing

And the groups we listened to were all flash and glitter, with bare chests and bulges, promising crazy nights of sexual excess, flirting with androgyny, asking us to wonder "Could he be gay?"

Except for Chicago, some guys with guitars and drums, wearing regular  shirts and jeans -- no bare chests, no bulges.

No androgyny, all married to women and following sports.

 Their no-nonsense, hetero manly albums (mostly entitled Chicago) had a subdued beat impossible to dance to and lyrics that you actually had to listen to in order to understand, mostly stories about pain and loss.

And, paradoxically, obviously without their intention, full of gay subtexts.  Girls rarely mentioned.  The lost love could be male or female.

April 1975, just after Dan and I broke up, "Old Days":
Take me back to the world gone away
Memories
Seem like yesterday

August 1975, the beginning of my sophomore year at a new high school,  "Brand New Love Affair":

It's no good to be all alone

When you hurt a friend

And you both feel empty

What I'd give to erase the pain

Will we ever make friends

June 1976, just after my date with the King of Sweden, "Another Rainy Day in New York City"

Another rainy day in New York City

Softly sweet, so silently it falls

As crosstown traffic crawls

Memories in my way in New York City,

July 1976, just after my first sexual experience, "If You Leave Me Now"

If you leave me now, you take away the biggest part of me.

September 1977, the beginning of my senior year"Baby, What a Big Surprise"

, Yesterday it seemed to me

My life was nothing more than wasted time

But here today you've softly changed my mind

May 1978, during the angst-filled month before I figured "it" out, "Take Me Back to Chicago"

Take me back to Chicago
Lay my soul to rest
Where my life was free and easy
Remember me at my best

Chuck Connors

Chuck Connors may be forever remembered as the taciturn, loving, and endlessly shirtless Lucas McCain,  Johnny Crawford's dad on The Rifleman, but he had a long career before and after as a screen hunk.  Born in 1920, he started out as a pro ball player -- both baseball and basketball -- before a talent scout spotted him and cast him in Pat and Mike (1952).  Dozens of Westerns, spy movies, and war movies followed, with an occasional comedy thrown in, like the tv series Hey Jeannie (1958) and Love That Jill (1958).

The Rifleman brought him fame, of course, both for his shirtless shots and for the frequency with which he kills bad guys -- two or three per episode.  Fortunately, the kids who grew up on a diet of nonstop violence turned out fine -- the 10 year olds of 1958 grew into the 20-year old anti-war protesters of the Summer of Love.

Immediately after The Rifleman, Chuck moved back to the 20th century to play Porter Ricks in the movie version of the boy-and-pet-dolphin movie Flipper (1963), with Luke Halpin as Sandy; it later became a popular, beefcake heavy tv series.

In the Doris Day comedy Move Over, Darling (1963), Ellen (Doris) is lost at sea and presumed dead, so after five years her husband Nick (James Garner) moves on.  But Ellen resurfaces during his honeymoon.  Hijinks ensue. Chuck plays Steven Burkett, the handsome, athletic, leopard-skin swimsuit-clad man she shared a desert island with for five years.  Nothing happened, however.

Some dramas and Westerns followed, including Synanon (1965), with Alex Cord; Branded (1966-67), about a man unjustly drummed out of the army for cowardice ("what do you do when you're branded, and you know you're a ma-aa-n?"; and Cowboy in Africa (1967-68), which I never saw, but appeared to be about a same-sex couple (Chuck Connors, Tom Nardini) who run a ranch in Kenya and adopt a native boy.  It was based on the movie Africa: Texas Style, starring Hugh O'Brian.

I didn't seem much of Chuck during the 1970s; he appeared mostly in Westerns, which I didn't care for.  But he appeared again in Werewolf (1987-88), which starred hunky Eric (John J. York), a college student bitten by a werewolf; Chuck played evil head werewolf Janos Skorzeny, the object of Eric's quest to free himself from his curse.

Chuck Connors died in 1992.  He was married three times and had four children.  Recently there was a rumor circulating that he did some gay porn during his pro-ball days.  I doubt it; he wasn't part of the Physique Pictorial or Henry Willson crowd, and the footage doesn't really look like him.

But here's a censored full-frontal.  It looks a lot like him.

The uncensored photo is on Tales of West Hollywood.