Dick, the "straight man," plays a young, hip, self-absorbed bachelor in the Bill Bixby mold. The paranormal event that jolts him out of his heterosexist stupor is not a crashed spaceship, but a knock on the door: his irreverent, anarchic, "queer" brother Tommy, lost at sea two years ago, has returned as "an apprentice angel," assigned to oversee Dick's life and do good deeds.
I don't remember much about the series -- I was very, very young at the time -- but I remember Tommy's marvelous nonchalance about gender transgressions. To liven up a nursing home, he puts on old-lady drag and cavorts with the old men.
Michael Cade mold. Again, a knock on the door: his irreverent, anarchic, "queer' best friend Marty(Mike Damus), who died last year after eating a spoiled hamburger, has returned as "an apprentice angel," assigned to oversee Steve's life and do good deeds.
The plots involved Marty's good deeds -- mostly helping Steve pass tests, get on the wrestling team, get the lead in the school play, and so on. The sibling relationship gone, Marty and Steve become a more obvious romantic couple; though they both display heterosexual interests, they are obviously devoted to each other.
What can we learn about the social changes between 1965 and 1997:
1. MORE heterosexism. More tongue-lolling, leering, moaning insistence that boys and girls together are the meaning of life.
2. MORE subtext. More touching, more tenderness, more caring.
3. Humorous gender transgressions are ok, but you still aren't allowed to be gay.