Teen Angels

A year before they caused a counterculture-establishment standoff with their Smothers Brothers Comedy Hour (1967-70), comic duo Tommy  and Dick Smothers starred in an "I've got a secret" sitcom, The Smothers Brothers Show (1965-66).

Dick, the "straight man," plays a young, hip, self-absorbed bachelor in the Bill Bixby mold.  The paranormal event that jolts him out of his heterosexist stupor is not a crashed spaceship, but a knock on the door: his irreverent, anarchic, "queer" brother Tommy, lost at sea two years ago, has returned as "an apprentice angel," assigned to oversee Dick's life and do good deeds.

The plots involved Tommy's good deeds -- reforming gangsters and juvenile delinquents, helping the homeless, helping a musician change his tune -- and Dick's fruitless attempts to continue his skirt-chasing in instead of accepting a supernatural, well-night omnipotent same-sex bond.

I don't remember much about the series -- I was very, very young at the time -- but I remember Tommy's marvelous nonchalance about gender transgressions. To liven up a nursing home, he puts on old-lady drag and cavorts with the old men.

Fast forward thirty years, and the premise was recast in Teen Angel (1997-98), starring Corbin Allred  (left) as Steve, a young, hip, self-absorbed high schooler in the Michael Cade mold.  Again, a knock on the door: his irreverent, anarchic, "queer' best friend Marty(Mike Damus), who died last year after eating a spoiled hamburger, has returned as "an apprentice angel," assigned to oversee Steve's life and do good deeds.

The plots involved Marty's good deeds -- mostly helping Steve pass tests, get on the wrestling team, get the lead in the school play, and so on.  The sibling relationship gone, Marty and Steve become a more obvious romantic couple; though they both display heterosexual interests, they are obviously devoted to each other.

Again, Marty displays a marvelous nonchalance about gender transgressions.  When Steve likes a  cheerleader named Jessica, Marty senses that she will reject him, so he morphs into Jessica to go on the date.

What can we learn about the social changes between 1965 and 1997:
1. MORE heterosexism.  More tongue-lolling, leering, moaning insistence that boys and girls together are the meaning of life.
2. MORE subtext. More touching, more tenderness, more caring.
3. Humorous gender transgressions are ok, but you still aren't allowed to be gay.

Jason Gedrick

Born in 1965, Jason Gedrick broke into show business with The Heavenly Kid (1985), a comedy in which the nerd (Jason) wins The Girl with a little help from a dead teenager from the 1950s (Lewis Smith).  In the process, he bonds with the teen angel (and exhibits the usual 1980s homophobia), and shows off an implausibly buffed physique.

The actioner Iron Eagle followed (1986): avid video-gamer Doug (Jason) rescues his dad from Islamic terrorists, with a little help from an older pilot (Louis Gossett Jr.), who is distraught over the many kids that he has seen die over the years, and isn't about to watch Doug die, too. More buddy bonding.



Promised Land (1987): Davey (Jason) and Danny (Kiefer Sutherland) pursue an elite-working class friendship through high school and failed marriages.

Teen magazines paid some attention to him, displaying his dark, sultry pout and lean muscles.

Gay teens in the 1980s saw a pattern developing: his characters always had girlfriends but found meaning with guys.

The pattern continued in Rooftops (1989): a homeless teen named T, who lives on rooftops, has a girlfriend, but is also in love with a boy.  When his boyfriend is killed by drug dealers, T vows to use his dance-combat skills to clean up the neighborhood.









The pattern continued in Backdraft (1991), with Kurt Russell, and Crossing the Bridge (1992), with Josh Charles.

And we saw more of Jason's body in the nude shower scene.

I lost track of Jason in the 1990s.  He apparently moved into television, playing a college boy in Class of 96 (1993), a Hollywood star accused of killing a teenage girl in Murder One (1995-96), and an ex-con trying to go straight in EZ Streets (1996-97), plus significant roles Desperate Housewives, Luck, Necessary Roughness, and Dexter.  I haven't seen any of them.

But in 2007, for old time's sake, I saw Jason in  Kings of South Beach (2007).  He plays Chris Troiano, a New Yorker who moves to Miami to escape the Mafia and start a new life.  He opens a nightclub and takes bouncer Andy (Donnie Wahlberg) under his wing.

Andy is actually an undercover cop who must choose between his love for Chris and his job.

There is a palpable chemistry between Andy and Chris which almost moves from subtext to text.