Showing posts with label non-binary. Show all posts
Showing posts with label non-binary. Show all posts

Aug 30, 2026

"Dolly Parton's Heartstrings": The Gay Couple Two Doors Down

 


Dolly Parton, who died in August 2026, was a vocal gay ally, so it's not surprising that "Two Doors Down," an episode of her Netflix series, Dolly Parton's Heartstrings  featured a coming out story for Evangelical audiences.  It won a GLAAD Award in 2020, so let's take a look. 

Intro: Dolly explains that when she wrote the song "Two Doors Down" in 1977, she was on the road a lot, away from her family, but she found a new family with her crew, which was composed of "all kinds of people: different colors, gay, lesbian, transgender, different faiths, but we all loved each other.  Love is love."  

Scene 1: Singing "Two Doors Down," naturally, Ty (Broadway actor Andy Mientus) drives down country roads "to the place I belong" (sorry, wrong song). Switch to Mom busily micro-managing his sister Lee's upcoming wedding, and wondering why she looks so miserable. Could it be...Mom butting in?


Scene 2:
They all arrive at the elegant hotel in the South.  I thought they would be hillbillies, but Mom is loaded!  Mom tells Ty that he's sure to get a lot of attention from the ladies at the wedding, because her Gay is buying his outfit: "that's the one thing gays are good for, right?  Fashion!"  

Estranged Dad (Ray McKinnon) arrives.  Now that's a hillbilly!  He looks like he just finished huntin' possums with Jed Clampett (there actually is a dead deer in the back of his truck).



Scene 3:
Ty discusses his secret with his boyfriend, the uber-swishy Cole (Michael J. Willett), who coincidentally is the wedding planner.  "As you know, Dear, I'm not out to my family, due to Mom's homophobia.  When marriage equality arrived, she said it was the end of the world.  But I'm going to tell them all this weekend." During your sister's wedding? Wouldn't that be stealing the spotlight?

Back story: they are having a long-distance relationship problem. Cole lives in Atlanta, and Ty lives in Athens, 72 miles away.  

Ulp, Cole hides in the closet as Mom comes in.  She discusses the life-threatening Steel Magnolias disease that she had last year, which left her "a sentimental puddle," so she really wants Ty to find a girl.  


Scene 4:
  In the absurdly elegant parlor, Sister and her fiance Digby are discussing their secret: "As you know, Sweetheart, after the wedding we are leaving small-town Atlanta for Los Angeles so I can pursue my acting career.  Don't tell Mom!"  Digby?

Scene 5: Mom and Estranged Dad discuss their secret: "As you know, Dumbbell, we hate each other.  I think you're a country bumpkin, and you think I'm a rich snob.  We're going to get a divorce.  But don' t tell the kids!" Uh-oh, dark secrets all the way down.

Scene 6: Ty comes out to Sister in the stupidest way possible: "Seeing you and Digby so happy has made me realize that I'm happy, too.  So happy that you might say I'm...gay."  

Sister is proud of him for having the courage to come out. Digby?  How did the poor guy survive middle school?  "You can tell Dad, but don't tell Mom.  She'll stick her head in the oven." 

Sister tells Ty her secret about moving.  Whoops, for a wedding present, Mom and Dad bought them a house in Atlanta, so how can they move to L.A.? 


Scene 7: 
 Sister trying on wedding dresses with Ty's boyfriend Cole and her gal pal, Mim Tinkelpaugh (and I thought Digby got bullied a lot!).  

Gal Pal Mim is trying to get with Ty.  Sister explains that he's...um...seeing someone, har har.

Mom comes in to complain about Cousin Renee (Aidan Langford) doing something weird "with her bridesmaid's dress."  Sister explains that they have come out as nonbinary, and prefer the name Ren.  Mom huffs: "More LGBT XYZ nonsense!  You give me one week with her, and I'll straighten her out!"



More after the break.

Jul 15, 2021

"Baba Yaga: Terror of the Dark Forest": Russian Witch Steals Children


The puppy-dog-cute 17-year old Oleg Chugunov (left) stole the show as the naive assistant to loose-canon police detective in Major Grom: Plague Doctor.   So naturally I wanted to know if he starred in any other project available with English subtitles, and if there were any hints of gay identity (they would have to be hints, to accommodate the restrictive Russian media laws). 








Here's one hint: queer-coded purple glasses.

And another: a starring role in Baba Yaga: Terror of the Dark Forest (2020), a horror movie about the mythical witch who kidnaps children.  A review stated that there was a gay subtext. So I ordered it on Vudu.

Scene 1: A dark street in an urban neighborhood.  Egor (Oleg), a young teen, walking alone.  Suddenly a woman approaches and tells him that he's dead.  Surprise!  It was a dream.  He awakens in a sunlit room with his mother at the door.  She criticizes him for reading fairy tales and doing origami (a sensitive, artistic kid -- gay coded!).


He goes down to breakfast.  Dad (Alexey Rozin) asks him to help install a nanny cam.  They argue about "respecting your mother."  But she's his stepmother! Uh-oh, in fairytales stepmothers are always evil.

On the way out, Egor smiles at the baby in its crib.

Mom tries to make breakfast, flubs it, and breaks down: "Alexey, I can't take it anymore!"  Take what?  Egor's resentment?

Scene 2:  Young teen girl on the way home from school.  Uh-oh, love interest!  Bullies attack.  Egor intervenes and gets beat up.   She walks away.  He runs after her, overcome by hetero-horniness: "Hey, you're the Girl of My Dreams! What's your name?"  "Dashka or Dania."  But her stern, scary mother calls her away.  "I thought we agreed: no boyfriends!"

She goes into the house.  Egor stays behind, overcome by emotion.  Dania, Dania, Dania.  Say it loud and there's music playing.  Say it soft and it's almost like praying.  I'll never stop saying Dania.  Do I even need to bother with the rest of this?  But I'm sticking it out, looking for that darn promised gay subtext.

Scene 3:  At home, Egor looks at a lot of photos of Dania on his phone and gushes about how beautiful she is.  He is interrupted by a weird noise:  the new, scary nanny is vacuumming the kitchen floor, as if she doesn't know how modern appliances work.  She criticizes him for spying on people: "You'll grow out of it.  If you grow up, that is," she says, reaching out to him with sharp claws.

Scene 4: Late night.  Egor goes into the baby's room, watching himself on the nanny cam.  Wait -- someone is sitting in the chair, but only visible on the nanny cam!  A lady with claws and a bird-face!  He runs away in a panic.  The door opens -- he throws a basketball to defend himself -- and hits Stepmother!

Scene 5:  Dad reviews the nanny cam, and doesn't see any mysterious bird-woman.   "Look, I understand your anxiety, but your Mom is dead.  It's time to forget her, pretend she never existed.  You have a new mother now."  Harsh!  


Scene 6:
  Anton (Antyon Zhigulin), one of the bullies, is working at the supermarket.  He sees Dania and is so awestricken that he drops a box of tomatoes.  Wow, the Girl of His Dreams, too!  Girlfriend has to swat them away like flies!   His mother, the manager of the store, yells at him for wasting produce: you're useless, you're an idiot, I curse the day you were born...and by the way, don't come home until after 10:00 pm because I'm expecting company.  Two abusive mothers!  Are there any nice women in this movie?

Later, Egor tries to get with Dania, but she rejects him.  Angry, unaware that "no" means "no," he snipes: "If you were nicer, maybe you'd have friends."  

Suddenly the bullies attack.  Egor and Dania run away, into the dark forest right next to the playground.  The bullies follow.  Supermarket Boy Anton trips over some wires, and is grabbed by a scary guy with a knife: "Get out!  If I see you again, I'll cut your head off!"  A deranged hermit living in the woods?  Maybe he's gay-coded.

Meanwhile, Egor and Dania seek refuge in an abandoned building.  It contains a gigantic furnace, which, Dania says, was used to burn people alive during the Stalin regime.  Their souls are still nearby: they call your name, and when you turn around, they steal your face!  (this will become important later).

Suddenly Egor has a video sent to his phone of the nanny cam, with the baby replaced by a doll.  They rush back to his apartment.  The baby is fine.  

But in the morning, the nursery is empty!  Plus Dad and Stepmother are unaware that the baby ever existed; they think the room is empty because they're redecorating.  When he insists that they've forgotten his baby sister, Dad assaults Egor and locks him in his room as punishment.  Egor calls Dania.

Scene 8: Dania getting ready to meet Egor.  Mom intervenes: "You're too beautiful.  Boys are going to try to seduce you,  That's what happened to me, and I got pregnant, and my life ended  in tragedy.  Do you want to have a daughter that you'll hate as much as I hate you?  Forget this Egor and practice your piano!"  Three abusive mothers, maybe four!  What's going on in this town?

Ahh -- the piano teacher is the scary nanny!  She makes Dania practice harder and harder, until she collapses!


Meanwhile, the other bullies tell Supermarket Boy Anton that Scary Guy (Igor Khripunov) has a cabin full of vintage World War II weapons.  He decides to break in and steal some.  

Dad wonders if he was too hard on Egor, beating him up for inventing an imaginary sister.  "You did the right thing, dear," Stepmother cackles.  "Children must know their place."  I'm still waiting for the gay subtext.  Maybe Supermarket Boy Anton has a crush on Egor?

Scene 9:   Egor escapes from his room and tracks down Dania, who acts like she's in a trance.  She keeps saying "She'll come back."  

Supermarket Boy Anton and another bully grab them and take them to Scary Guy's cabin.  They have to go inside and do some recon, in preparation for the weapons theft.  Still waiting.  Why Anton an abusive back story if he's not going to turn into an ally?   In the cabin, Egor hears a baby crying, and there are photos of the Scary Nanny, plus Egor, Dania, and Anton, and lots of other kids.  We've got a perv stalker on our hands, guys! But he stalks boys and girls both, so he's not gay-coded. 

Egor calls them into the cabin to look; the other bully vanishes, so it's just Supermarket Boy Anton.  Whoops, Scary Guy comes back!  They hide; he finds them and attacks; they overpower him and tie him up

Time for some explanations:  Scary Nanny is Scary Guy's wife, who died after their daughter disappeared.  There's always a dead wife in the back story, but I didn't expect it here.  I thought Scary Guy would be gay.  She's been kidnapping kids, who disappear, and every trace that they ever existed vanishes, and people's memories are wiped.  That's what the photos are for -- when one goes blank, it means a child has disappeared.

But who would steal children and erase their existence?  Daria googles it: Baba Yaga, a Slavic witch who occupies the region between the living and the dead.  

Scene 10: Egor and Daria set out to find Baba Yaga and get his baby sister back.  Supermarket Boy Anton wants to join the team.   Egor rejects him: "We don't need you."  Too much competition, dude?  Daria feels sorry for him and lets him join.

I'll stop the scene-by-scene recap there.

Beefcake: No.

Other Sights: A housing development in Russia.

Child Abuse: Always caused by a witch's spell. 

Gay Subtexts: Egor and Supermarket Boy Anton interact only through Daria, whom they are both in love with.  During the climactic battle, Baba Yaga tries to distract Egor by telling him "Your friends have forgotten you," and flashing an image of Daria and Anton cuddling.  Interesting that she doesn't say "your girlfriend" has abandoned you.

Anton and Scary Guy seem to develop some affection for each other.  They rescue each other, and hug, and in the last scene Scary Guy takes Anton's hand and leads him away.  But they have more of a father-son vibe. 


LGBT Inclusion
: Casey Mongillo, who voices Egor in the English-language version, is nonbinary.  Plus Aleks Le, who voices Mikha (Anton), tweets that he can't wait for more LGBTQ inclusive plotlines.  Don't tell anyone in Moscow.

Horror:  Very effective scares and plot twists.

My Grade: B

Jun 9, 2019

Netflix's "Tales of the City": Not Your Grandfather's San Francisco

I thoroughy dislike the Tales of the City series of maudlin angst-ridden melodramatic novels, so watching the Netflix tv series wasn't near the top of my list.  But when I found out that the series was set in 2019, I was curious.  Mary Ann Singleton was in her mid-twenties when she moved to San Francisco in 1976, and got an apartment in the building of "feisty old broad" Anna Madrigal.  43 years later, Mary Ann would be in her 60s, and Anna Madrigal over 100.  How would they handle that?

So I sat down to watch two episodes.

They retconned all of the characters' ages and streamlined the melodramatic plot complications. Now Mary Ann (Laura Linney) moved to San Francisco in the 1990s, met Anna Madrigal and gay man Michael rather than a cast of thousands, married Brian, adopted a daughter, Shawna, and vanished in 1999 to pursue a career in tv journalism.  20 years later, she and her horrible estranged husband return for Anna's 90th birthday party.  Things have changed.

In the San Francisco of the 1970s (or I guess the 1990s), you were gay or straight, mostly straight.  Anna is a transwoman, but it was a deep secret, a big reveal far into the series.  Now San Francisco is a glittering, rainbow-flashing collage of nonchalant gender fluidity and pansexual queerness that make cisgender masculine-presenting gay men like Michael seem quaintly old-fashioned. 

And the old-guard residents of Barbary Lane are mostly there to provide advice and problems for the new generation.

The San Francisco of the novels was as white as a 1950s sitcom.  Now black people exist.   And East Asian, South Asian, Hispanic.  Actually, all of the new generation except Shawna are nonwhite post-racial "um...I guess my ancestors came from...IDK who cares?"

1. Shawna (Ellen Page), now 25 and working as a bartender in an eclectic queer bar, is so traumatized by her mother's disappearance that she can't commit to a relationship, but doesn't mind going out to the back alley for hookups with various gender-fluid people (Ida Best, her laid-back drag queen boss doesn't mind her leaving in mid-shift).  Eventually she starts dating the polyamorous couple Eli (Benjamin Thys) and Inka (Samantha Soule)

2. Wren (Michelle Buteau) is the neighbor/bff of Shawna's dad, Brian (Paul Gross, left, photo from when he was part of the new generation).

Paul is having trouble getting over Mary Ann (after 20 years?).  He has a Tinder full of women who are Mary Ann lookalikes, but he never swipes any of them, so Wren takes matters into her own hands.

3. Ben (Charlie Barnett of Russian Doll) is dating the much older Michael (Murray Bartlett), who no one ever calls Mouse.  He has to deal with the implications that he is a "boy toy," as well as the fact that Michael doesn't understand twentiesh culture.

Michael, meanwhile, finds in Ben a constant reminder of his own mortality.

I've dated a lot of guys 20-30 years younger than me, and never once did I get upset over the fact that they would probably outlive me.

4. Jake (nonbinary actor Garcia) has just transitioned, which bothers his partner Margot (May Hong) because now everyone mistakes them for a heterosexual couple, and what's the point of being queer if no one knows that you're queer? 

Margot also misses being in a lesbian relationship, while Jake, exploring an interest in guys, begins dating Flaco (Juan Castano).

5. Twins Ani (Ashley Park) and Raven (Christopher Larkin, left) are Instagram performance artists who change their identities regularly.

There are many other members of the new generation, some of whom are masculine-presenting, so beefcake is not a problem.  lots of bare chests and bare butts.  The sex scenes are mostly same-sex.

And the things I hate about the novels are mostly absent: no convoluted interconnections, no existential angst, no gloom-and-doom. At least in the new generation.  The old guard has secrets to be revealed.

Still, I'm not sure I find the new generation engaging enough to want to know more about their lives.  Maybe if there are more bare chests and butts.

My grade: B.

See also: Tales of the City, Gay San Francisco, Who Cares?
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