Chrononauts: Sometimes Buddy-Bonding Is Not Enough

This is why I don't read science fiction anymore.

Amazon was aggressively pushing the graphic novel Chrononauts at me.   It's about a big, buffed, square-jawed scientist named Corbin Quinn, who gets lost in time, and his big, buffed buddy, Danny Reilly, goes out looking for him.  Sort of a Time Tunnel thing.

I read the reviews very carefully.  "Jaw-dropping!" "Magnificent!" "Breaktaking!" "Big and fun!"

"A bromance for the ages!"

I searched for the authors, Mark Millar and Sean Gordon Murphy, with the keyword "gay."  Mark Millar included gay characters in his comic books The Authority and Jupiter's Circle, and celebrated the Supreme Court decision on marriage equality by offering fans free downloads.

Ok.  I clicked on "buy."  Chrononauts arrived yesterday.

Quinn and Reilly are indeed bromantic partners.  They are constantly hugging and putting their arms around each other's waists and shoulders.  They rescue each other from danger.  When one exclaims "Leave me and escape while you can!" the other refuses.  "I won't go without you!"  They call each other "companions,"

But they are also heterosexual.  Boy oh boy, are they heterosexual!

Why do they want to go on the time travel mission?  Scientific curiosity?  Adventure?  No - girls: "You'll be banging every co-ed from here to Timbuktu."

Meanwhile Reilly is in love with a woman, and Quinn has an estranged wife.  He wants to stay unstuck in time because he has nothing to live for in the present: "No wife, no family."  But to assuage his pain, he's been dating women from a dozen time periods, including Marilyn Monroe.  He needs a chart to keep track of them all.

At the end of the story, Quinn uses his time travel ability to go back and be a better husband, so when he returns to the present, she and their child are waiting for them:   Unfortunately, when Reilly proposes to his girlfriend, she is already married due to time distortion.

Girls, girls, girls, as the goal of every journey!

Heterosexual romance as the meaning of life!

I did all the research I could, and still got caught in a firestorm of frenzied heterosexism.

I don't read science fiction anymore.

See also: Time Tunnel.

"The Crazies": A Gay-Free Hollywood Iowa

In order to get my mind off Christmas, last night I watched The Crazies (2010), which at least has nothing to do with egg nog, wrapping paper, or Saint Nick.

That's the only good thing I can say about it.

Picture it: a small town in Iowa as only Hollywood can imagine it, where everyone drives tractors and goes to the dime store downtown, where all the women are young blond supermodels and all the men are middle aged, bald, and scuzzy-looking, except for the young, hot sheriff, (Tim Olyphant) who happens to be married to the young blond supermodel town doctor.

Really, really married.  I mean, wedding rings gleaming in every single shot, "I love you" every five seconds, announcements to everybody in earshot about how they can't live without each other.

The young blond supermodel wife is barely pregnant, not showing yet, but they have already furnished an elaborate nursery, so eager are they to demonstrate that they have reproduced.

Got it?

Ok, here's what happens: at an idyllic small-town high school baseball team, one of the middle aged, bald, scuzzy looking men pulls out a shotgun.  Another middle aged, bald, scuzzy looking man kills his young blond supermodel wife and son.  More people turn into homicidal maniacs, but mostly off-camera.

Just as the Sheriff and the Doctor figure out that a virus has infected the town water supply, the military marches in, blocks off the town, and separates the sick and the well.  The well are taken to the bus station to be sent to Cedar Rapids, and the sick to isolation. The Doctor is identified as sick, along with most of the young blond supermodel wives, while the Sheriff and most of the bald middle-aged scuzzy-looking guys are identified as well.

But the Sheriff can't live without his wife, remember?  After roiling with condemnation at a friend who doesn't love his wife adequately, he breaks into the isolation facility and breaks out the Doctor.  They join up with the Deputy (Joe Anderson) and the Deputy's girlfriend, and try to escape.

After some trials and tribulations, including a murder attempt in the nursery, the Girlfriend dies, the Deputy sacrifices himself to save the married couple, and the Sheriff and the Deputy rush out of town just as the military drops an atom bomb on it.

You're probably wondering about the gay content.

None.  Zilch.  Zero.  Everybody is heterosexual -- this is Hollywood Iowa, after all -- but, apparently, only two are heterosexual enough to escape together.

No beefcake either.  These shirtless shots are from elsewhere.

Boy, do I hate this movie.

It's a remake of a 1973 George Romero stinker, with the location changed from Pennsylvania to Iowa, and a new cast of young blond supermodels and bald middle-aged scuzzy-looking men added.

And an endless paeon to heterosexual marriage.

Noah Fleiss: 1990s Child Star Homophobia

Gay teens in the 1990s liked teenage Noah Fleiss for the beefcake: he appeared in his underwear in nearly every movie, often in the midst of autoerotic activity.

They disliked him for his roles as troubled, wounded, and abused kids in depressing, usually homophobic movies.

Josh and S.A.M. (1993).  Concerned about "accusations" that he is gay, Josh (Jacob Tierney) concocts a wild scheme to prove his straightness, including convincing his brother Sam (Noah Fleiss) that he is a cyborg (S.A.M.).

It's not a comedy.


Chasing the Dragon (1996): A woman becomes addicted to heroin, and her son suffers.

Bad Day on the Block (1997): A deranged firefighter terrorizes his family, including his son.

Joe the King (1999): An abused kid commits crime and slips in and out of reality (left)

Things You Can Tell Just By Looking at Her (2000).  A woman is shocked to discover that her son  is sexually active (top photo)

Double Parked (2000): A mother is concerned when her asthmatic son (Fleiss) becomes friends with the son of her abusive ex-husband.

Storytelling (2001): Brady (Fleiss) worries about the gay rumors concerning his older brother Scooby (Mark Livingston).

Brick (2005): While searching for his missing girlfriend, Brandon encounters the sleazy, gay-vague drug dealer Tugger (Fleiss, left).

Ok, but has he done any gay-positive roles?

Two of them:

The Favor (2001):  straight teen Steve (Fleiss) agrees to buy gay porn for his closeted friend Boomer (Jared Hillman).

The Laramie Project (2002): he plays Shannon, one of the friends of homophobic killer Aaron McKinley, who thinks it's all a big joke.

Tom Cruise: All the Wrong Moves

If I were to compile a list of the gay community's biggest enemies, it would include the usual suspects, the preachers who want gays killed, the politicians who want them classified as subhuman, the producers who litter their movies or tv programs with offensive stereotypes.  But near the top of the list, I would place an actor who hasn't said or done any of those things: Tom Cruise.

In 40 movies over a period of 30 years, we find few, if any offensive stereotypes.  In innumerable public appearances, we find few, if any complaints that gay people are plotting the destruction of civilization.  Yet by suing anyone who suggests that he might be gay -- for huge sums -- Tom Cruise continually broadcasts the message that gay people are unspeakably vile.  He is not merely correcting misinformation, he is defending himself against allegations that he is a monster.

Was there ever a time when gay people could find even a moment of hope in any of his vehicles?

Not in the gay-free Mission: Impossible franchise.  Not in his alien-fighting family man in War of the Worlds (2005), heterosexual lives in ruins in Magnolia (1999), or "show me the money" Jerry Maguire (1996).  

But before that, there are many gay subtexts:

Interview with the Vampire (1994): the vampire Lestat (Tom Cruise) bites Louis (Brad Pitt), and they form an alternate family.

Days of Thunder (1990): race car drivers Cole (Tom Cruise) and Rowdy (Michael Rooker) move from enemies to buddies.

Cocktail (1988): novice bartender Brian buddy-bonds with his mentor, bartending pro Doug (Bryan Brown).

The Color of Money (1986): novice pool hustler Vincent (Tom Cruise) buddy-bonds with his mentor, pool hustler pro Fast Eddie (Paul Newman).

Top Gun (1986): a homoromance between air force pilots Maverick (Tom Cruise) and Goose (Anthony Edwards).

All the Right Moves (1983): up and coming football player Stefen (Tom Cruise) buddy-bonds with his mentor, coach Nickerson (Craig T. Nelson).

What happened after 1994 to end Tom Cruise's buddy-bonding roles and transform him into an enemy?  His marriage to Nicole Kidman?  His conversion to the Church of Scientology?  His friendship with John Travolta (who is also quick to "defend" himself against allegations)?

His first lawsuit for a "gay allegation" came in 1996.  Maybe he suddenly realized that gay people existed, that subtexts were possible.