What We Do in Shadows

What We Do In the Shadows (2014) is a mockumentary about four vampires sharing a flat in contemporary Wellington, New Zealand:

1. Viago (Taika Waititi, who also wrote and directed), a Byronesque partyboy.

2. Vladislav (Jemaine Clement), a sexually voracious Dracula.

3. Deacon (Jonathan Brugh, left), a newby (only 183 years old).

4. Petyr (Ben Fransham), an 8,000 year old inarticulate Nosferatu.

They are old-school vampires who vaporize in sunlight, have no reflection, and dislike crucifixes, but they have modern problems, like problems over chores, squabbles with friends and slaves, and how to meet potential victims in the increasingly tech-driven world of modern New Zealand.

Vladislav (left) butts heads with a shrewish female ex-lover, and another re-unites with his long-lost girlfriend.  There are no identifiably gay characters.  I counted at least one homophobic slur.  Yet there is a strong gay subtext in the struggles of four men living together.

Particularly with the newly-vampirized Nick (Cori Gonzalez-Macuer), who displays no heterosexual interest, before or after, and who "comes out" as a vampire to his best friend Stu (Stu Rutherford) in scene full of gay symbolism.

Vampires think of humans as either slaves or prey, so human-vampire friendships are scandalous.  Yet when Stu starts hanging out with the vampires, they all come to love him.  Then Stu comes as Nick's date to a vampire-zombie-witch masquerade ball, and they risk their lives to save him from becoming an appetizer.

None of the cast is apparently gay, although in interviews they often compare vampires to gay people, who also must "walk in shadows," hidden from a persecuting world.

In 2014?  Really?

Still, a perfect little vehicle for getting your mind off the roar of Christmas.

"The Crazies": A Gay-Free Hollywood Iowa

In order to get my mind off Christmas, last night I watched The Crazies (2010), which at least has nothing to do with egg nog, wrapping paper, or Saint Nick.

That's the only good thing I can say about it.

Picture it: a small town in Iowa as only Hollywood can imagine it, where everyone drives tractors and goes to the dime store downtown, where all the women are young blond supermodels and all the men are middle aged, bald, and scuzzy-looking, except for the young, hot sheriff, (Tim Olyphant) who happens to be married to the young blond supermodel town doctor.

Really, really married.  I mean, wedding rings gleaming in every single shot, "I love you" every five seconds, announcements to everybody in earshot about how they can't live without each other.

The young blond supermodel wife is barely pregnant, not showing yet, but they have already furnished an elaborate nursery, so eager are they to demonstrate that they have reproduced.

Got it?

Ok, here's what happens: at an idyllic small-town high school baseball team, one of the middle aged, bald, scuzzy looking men pulls out a shotgun.  Another middle aged, bald, scuzzy looking man kills his young blond supermodel wife and son.  More people turn into homicidal maniacs, but mostly off-camera.

Just as the Sheriff and the Doctor figure out that a virus has infected the town water supply, the military marches in, blocks off the town, and separates the sick and the well.  The well are taken to the bus station to be sent to Cedar Rapids, and the sick to isolation. The Doctor is identified as sick, along with most of the young blond supermodel wives, while the Sheriff and most of the bald middle-aged scuzzy-looking guys are identified as well.

But the Sheriff can't live without his wife, remember?  After roiling with condemnation at a friend who doesn't love his wife adequately, he breaks into the isolation facility and breaks out the Doctor.  They join up with the Deputy (Joe Anderson) and the Deputy's girlfriend, and try to escape.

After some trials and tribulations, including a murder attempt in the nursery, the Girlfriend dies, the Deputy sacrifices himself to save the married couple, and the Sheriff and the Deputy rush out of town just as the military drops an atom bomb on it.

You're probably wondering about the gay content.

None.  Zilch.  Zero.  Everybody is heterosexual -- this is Hollywood Iowa, after all -- but, apparently, only two are heterosexual enough to escape together.

No beefcake either.  These shirtless shots are from elsewhere.

Boy, do I hate this movie.

It's a remake of a 1973 George Romero stinker, with the location changed from Pennsylvania to Iowa, and a new cast of young blond supermodels and bald middle-aged scuzzy-looking men added.

And an endless paeon to heterosexual marriage.

Noah Fleiss: 1990s Child Star Homophobia

Gay teens in the 1990s liked teenage Noah Fleiss for the beefcake: he appeared in his underwear in nearly every movie, often in the midst of autoerotic activity.

They disliked him for his roles as troubled, wounded, and abused kids in depressing, usually homophobic movies.

Josh and S.A.M. (1993).  Concerned about "accusations" that he is gay, Josh (Jacob Tierney) concocts a wild scheme to prove his straightness, including convincing his brother Sam (Noah Fleiss) that he is a cyborg (S.A.M.).

It's not a comedy.


Chasing the Dragon (1996): A woman becomes addicted to heroin, and her son suffers.

Bad Day on the Block (1997): A deranged firefighter terrorizes his family, including his son.

Joe the King (1999): An abused kid commits crime and slips in and out of reality (left)

Things You Can Tell Just By Looking at Her (2000).  A woman is shocked to discover that her son  is sexually active (top photo)

Double Parked (2000): A mother is concerned when her asthmatic son (Fleiss) becomes friends with the son of her abusive ex-husband.

Storytelling (2001): Brady (Fleiss) worries about the gay rumors concerning his older brother Scooby (Mark Livingston).

Brick (2005): While searching for his missing girlfriend, Brandon encounters the sleazy, gay-vague drug dealer Tugger (Fleiss, left).

Ok, but has he done any gay-positive roles?

Two of them:

The Favor (2001):  straight teen Steve (Fleiss) agrees to buy gay porn for his closeted friend Boomer (Jared Hillman).

The Laramie Project (2002): he plays Shannon, one of the friends of homophobic killer Aaron McKinley, who thinks it's all a big joke.

The Naked Ghost of Hylton Castle: A Gay Murder Mystery

Hylton Castle in Sunderland, near the Scottish border, is closed now, but for centuries staff and visitors reported seeing a naked teenage boy wandering the hallways.

When they approached him, he moaned "I'm cauld"(cold),  and vanished.

Dubbed "The Cauld Lad of Hylton," the ghost had a helpful side.  He lit fires that had gone out, and tidied rooms that had been left in disarray.

But he also had a mischievous side.  He would slam doors, knock books over, blow candles out, and move objects around.

Besides, what could be scarier than a naked teenager complaining about the cold?

According to legend, the ghost was Robert Skelton, a stableboy in the employ of the young Baron Robert Hyland during the age of Shakespeare.  On the morning of July 3rd, 1609, he overslept and didn't have the Baron's horse ready for a trip.  The enraged Baron killed him.

Some versions say that he chopped the boy's head off; others, that he stabbed him with a pitchfork, or hit him with a riding crop. 

Historical records do mention that a Robert Hylton was tried for the murder of Robert Skelton in the fall of 1609.  He claimed that the murder was an accident, and was pardoned by James I.

But the 20-year old Hylton wasn't the Baron yet.  His older brother, Henry, was.

In English Fairy Tales (1890), the famous anthology by Joseph Jacobs, the Cauld Lad is turned into a monster.

Most modern illustrations make him human, but  much younger than a real stableboy of the era, and not nearly as naked.

This leads us to a question:  Ghosts usually appear in the outfit they died in.  Why was Robert Skelton naked?

Elizabethans didn't sleep naked, even in the summer time.   Unless they had thrown off their clothes in the heat of passion.

So Robert Skelton must have been having sex on the night of July 2nd.  Who was is partner?

Some legends give him a forbidden romance with the Baron's daughter, but in 1609 Robert was too young to have a teenage daughter.



Robert Hylton himself, then?  But why would Hylton then be surprised at Skelton's oversleeping?


Maybe his brother,  24-year old Baron Henry Hylton? Shortly after the murder, Henry went to live with his cousin Nathaniel Hylton, and stayed for 30 years. He never consummated his arranged marriage.  He was characterized as reclusive, eccentric, and "mad."

Picture it: Robert finds his older brother and the stableboy in the midst of a sexual encounter and, outraged at the breach of etiquette, grabs a pitchfork.  Robert is able to use his social position to get a pardon.  Henry never recovers.

And Robert Skelton wanders the hallways, moaning "I'm cauld..."

See also: The Gay Ghost of Davenport House.

Tom Cruise: All the Wrong Moves

If I were to compile a list of the gay community's biggest enemies, it would include the usual suspects, the preachers who want gays killed, the politicians who want them classified as subhuman, the producers who litter their movies or tv programs with offensive stereotypes.  But near the top of the list, I would place an actor who hasn't said or done any of those things: Tom Cruise.

In 40 movies over a period of 30 years, we find few, if any offensive stereotypes.  In innumerable public appearances, we find few, if any complaints that gay people are plotting the destruction of civilization.  Yet by suing anyone who suggests that he might be gay -- for huge sums -- Tom Cruise continually broadcasts the message that gay people are unspeakably vile.  He is not merely correcting misinformation, he is defending himself against allegations that he is a monster.

Was there ever a time when gay people could find even a moment of hope in any of his vehicles?

Not in the gay-free Mission: Impossible franchise.  Not in his alien-fighting family man in War of the Worlds (2005), heterosexual lives in ruins in Magnolia (1999), or "show me the money" Jerry Maguire (1996).  

But before that, there are many gay subtexts:

Interview with the Vampire (1994): the vampire Lestat (Tom Cruise) bites Louis (Brad Pitt), and they form an alternate family.

Days of Thunder (1990): race car drivers Cole (Tom Cruise) and Rowdy (Michael Rooker) move from enemies to buddies.

Cocktail (1988): novice bartender Brian buddy-bonds with his mentor, bartending pro Doug (Bryan Brown).

The Color of Money (1986): novice pool hustler Vincent (Tom Cruise) buddy-bonds with his mentor, pool hustler pro Fast Eddie (Paul Newman).

Top Gun (1986): a homoromance between air force pilots Maverick (Tom Cruise) and Goose (Anthony Edwards).

All the Right Moves (1983): up and coming football player Stefen (Tom Cruise) buddy-bonds with his mentor, coach Nickerson (Craig T. Nelson).

What happened after 1994 to end Tom Cruise's buddy-bonding roles and transform him into an enemy?  His marriage to Nicole Kidman?  His conversion to the Church of Scientology?  His friendship with John Travolta (who is also quick to "defend" himself against allegations)?

His first lawsuit for a "gay allegation" came in 1996.  Maybe he suddenly realized that gay people existed, that subtexts were possible.

Get Your Beefcake on Route 66

Speaking of buddy-bonding tv,  Route 66 (1960-64) was before my time and never rerun, so I've only seen a few clips on youtube, but older Boomers tell me that it was one of the gay-friendly lights of the early 1960s.

It starred clean-cut Yale undergrad  Tod (29 year old Martin Milner, who had just appeared in a loincloth in the risque Private Lives of Adam and Eve).  Tod -- not Todd -- and his boyfriend traveled around in a blue 1960 Chevy Corvette "in search of America," like Jack Kerouac before them.

His first boyfriend,  Buz (not Buzz -- evidently the producers didn't care for last letters), was a streetwise former juvenile delinquent from Hell's Kitchen, played by 32-year old George Maharis.  A 1973 Playgirl centerfold, Maharis was gay in real life.

After 2 1/2 seasons, Maharis dropped out, citing the grueling schedule and a bout of hepatitis, Tod quickly found a new boyfriend, haunted ex-GI Lincoln (30-year old Glenn Corbett, recently of It's a Man's World). A former Physique Pictorial model, Corbett was bisexual in real life.












They didn't stick to Route 66; they crossed the U.S. and Canada several times, surfing in Southern California, working on a lobster boat in Maine and a ranch in Wyoming, going to Mardi Gras in New Orleans, vacationing in Toronto. As usual in road series, they got involved in the private dramas of people they met along the way.

The buddy-bonding seems rather intense, and virtually none of the episodes involved getting girlfriends. However, there were little else for gay kids to watch:
1. Very few rescues (usually they were taken hostage together).
2. Insufficient beefcake, considering the number of bodybuilders in the cast (these pictures are from other projects).
3. And the series ended with Tod getting married, his youthful spirit -- and his same-sex romance -- giving way to heterosexual destiny.

But sometimes just an intense friendship is enough.

After Route 66, Martin Milner starred in the beefcake-heavy  Gidget, Adam-12 and Swiss Family Robinson (with Willie Aames).  Glenn Corbett starred in The Secret of Boyne Castle and a few Westerns before moving behind the scenes.  George Maharis had guest spots on many tv programs, performed in nightclubs, and pursued a second career as a painter.  

Jason Gedrick

Born in 1965, Jason Gedrick broke into show business with The Heavenly Kid (1985), a comedy in which the nerd (Jason) wins The Girl with a little help from a dead teenager from the 1950s (Lewis Smith).  In the process, he bonds with the teen angel (and exhibits the usual 1980s homophobia), and shows off an implausibly buffed physique.

The actioner Iron Eagle followed (1986): avid video-gamer Doug (Jason) rescues his dad from Islamic terrorists, with a little help from an older pilot (Louis Gossett Jr.), who is distraught over the many kids that he has seen die over the years, and isn't about to watch Doug die, too. More buddy bonding.



Promised Land (1987): Davey (Jason) and Danny (Kiefer Sutherland) pursue an elite-working class friendship through high school and failed marriages.

Teen magazines paid some attention to him, displaying his dark, sultry pout and lean muscles.

Gay teens in the 1980s saw a pattern developing: his characters always had girlfriends but found meaning with guys.

The pattern continued in Rooftops (1989): a homeless teen named T, who lives on rooftops, has a girlfriend, but is also in love with a boy.  When his boyfriend is killed by drug dealers, T vows to use his dance-combat skills to clean up the neighborhood.









The pattern continued in Backdraft (1991), with Kurt Russell, and Crossing the Bridge (1992), with Josh Charles.

And we saw more of Jason's body in the nude shower scene.

I lost track of Jason in the 1990s.  He apparently moved into television, playing a college boy in Class of 96 (1993), a Hollywood star accused of killing a teenage girl in Murder One (1995-96), and an ex-con trying to go straight in EZ Streets (1996-97), plus significant roles Desperate Housewives, Luck, Necessary Roughness, and Dexter.  I haven't seen any of them.

But in 2007, for old time's sake, I saw Jason in  Kings of South Beach (2007).  He plays Chris Troiano, a New Yorker who moves to Miami to escape the Mafia and start a new life.  He opens a nightclub and takes bouncer Andy (Donnie Wahlberg) under his wing.

Andy is actually an undercover cop who must choose between his love for Chris and his job.

There is a palpable chemistry between Andy and Chris which almost moves from subtext to text.

The Top 10 Beefcake Sights of Brno

This post has moved to Small Town Beefcake

Shock-headed Peter: Castration and Gay Panic in a German Children's Story

When I was in Germany a few years ago, my friend Doc took me to a restaurant called the Struwwelpeter Apfelweinwirtschaft (The Slovenly Peter Apple Wine Tavern).

Its logo was a boy with wild blond hair and long sharp nails like Edward Scissorhands.

Nearby there was a statue of the same boy, along with some other children.

"You've never heard of Struwwelpeter?" Doc asked.  "He's a national hero, like Bart Simpson in America!"









Turns out that all German schoolchildren read Der Struwwelpeter, written and illustrated by Heinrich Hoffmann (1809-1894), about children who misbehave and get their comeuppance -- usually a violent retribution.

A girl who plays with matches burns to death.
Kaspar, who won't eat his soup, wastes away and dies.
Hans, whose "head is always in the clouds," falls into a river.
Robert, who goes outside in a storm, blows away.

Hoffmann was a psychiatrist, though he lived before Freud's discovery of the unconscious, and many of his stories have been analyzed for their psychosexual undertones

The most obvious gay connection is in the story of Konrad, der Daumenlutscher (the Thumb-Sucker).  

Though his mother warns him to not suck his thumb, Konrad persists in the bad habit.  Then he encounters the Tailor with the Scissors (in modern versions, the monstrous Scissor-Man), who cuts both of his thumbs off.  

Oral fixation, symbolic castration, gay anxiety, and a 19th-century Freddie Kruger!

The stories have been translated into several languages.  They were adapted into a 1955 movie (available on youtube), an operetta (1992) and a musical (1998).  

In 2010, Richard Mansfield filmed an explicitly homoerotic shadow-puppet version,  of the Daumenlutscher story, "Suck-a-Thumb." It made the rounds of the gay film festivals.

In an even more explicitly gay sequel, Konrad is sent to a psychiatric hospital for a brutal "cure."

Don't worry, that's a door handle, not what you're thinking.

Bible Beefcake

When I was a kid, our church forbade any books except the Bible and authorized Nazarene books.  My parents were more lenient, permitting comic books and Scholastic Book Club selections, but the Bible had an advantage -- you could read it anywhere, during choir practice or Sunday school or a screaming hellfire sermon, and the adults would pay no attention -- or they would think you were especially devout, as you got your quota of beefcake, bonding, and sex.  Not to mention violence.

1. Beefcake.  David looks like a veritable Conan the Barbarian, wearing only a loincloth, wielding a magic sword as he stands over the slain Goliath.  And who knew that Cain assaulted Abel by kicking him in the crotch while they were both naked?

2. Bonding.  David and Jonathan had a love "surpassing the love of women."  That is, their homoromance far surpassed hetero-romance.  If only David didn't insist on bring Goliath's head along on their dates.  And why did Joseph reject women's advances to spend all of his time schmoozing with the Pharaoh ? 

3. Sex.  After the Flood, Noah was lying around drunk when his son Ham "uncovered his nakedness."  But to "uncover" someone's "nakedness" means doing more than sneaking a quick peek, and God got so upset over the incest that He decreed that Ham and all of his descendants (the Africans) should be slaves.  The Biblical support of slavery caused the first chip in the edifice of my fundamentalism.

Fast-forward a few thousand years to the New Testament, and Philip the Apostle sees an Ethiopian eunuch on the road, invites him to spend the night in his tent, and in the morning baptizes him.  Eunuchs are castrated, unable to have sex with women.  So who do they have sex with?  Just ask Philip.  

See also: The Sacrifice of Isaac.

The Wiz: Gay Manhattan in the 1970s

Dorothy is a 24-year old kindergarten teacher  living with her Aunt Em and Uncle Henry in 1978 Harlem, New York.  They were happy to raise her, but now they're dropping broad hints: "You're grown up, practically middle aged.  Move out!"

But Dorothy is paralyzed by fear.  She's never been south of 125th Street, which means that she's never been to the Museum of Modern Art, about a mile away, or the Empire State Building, or to the gay village of Chelsea.  Like everyone in America in the 1970s, she has heard horrible things about Manhattan: skyrocketing crime, economic decline, a failing infrastructure.  It's a cesspool of corruption, misery, and perversion.  There are gay people there.

Then she follows her dog Toto out into a snowstorm, and gets lost in Manhattan -- which she calls Oz.

She encounters raw racism -- taxis invariably refuse to take her fare -- and  many of the urban evils that 1970s critics bemoaned: graffiti, prostitutes, gangs, drugs, gay people.

But she still visits sites that are both beautiful and powerful -- the New York Public Library, the World Trade Center, Cony Island, and the glittering emerald fantasy of Park Avenue.


She makes more friends than she ever had before in her life: a Tin Man, a Scarecrow (played by Michael Jackson), a Lion.

And she is surrounded by beefcake.  Cute "numbers runners."  Munckins frozen in graffiti.  Sweat-shop workers who escape their masks and uniforms to reveal muscular bodies, naked except for jockstraps. Many, if not most, are gay-coded.

In the end she defeats the evil Evilene, debunks the shyster Wizard, and goes back home to Harlem.

But she is no longer afraid. She knows now that for all its dangers, squalor, and decay, Manhattan is a beautiful, magical place, where you can find friends, where difference is accepted, where you can be free to be who you are.  Where being gay is ok.

The Wiz is not a great movie.  It's way too long, the acting is awful, and paralyzing fear is not the best attribute for a heroine -- Dorothy has none of the resourcefulness of her counterpart in the Baum books, none of the courage of the Judy Garland version. One gets the impression that she should be talking to a therapist rather than going on a heroic quest.

But I liked the fantasy versions of New York landmarks, the soul-inspired score, the black/urban adaption of  the all-white Oz of Frank L. Baum and Judy Garland.  The utter-lack of hetero-romance. The beefcake.

And the gay symbolism.

When I saw The Wiz in the fall of 1978, during my freshman year in college, I had visited 17 U.S. states and 5 foreign countries, but still, my world felt as constrained as Dorothy's.  Faced with constant heterosexist pronouncements about my future wife and kids, I felt, like Michael Jackson's Scarecrow, that:

You can't win, you can't break even
And you can't get out of the game

The Wiz suggested that home might be a "good place" after all.  All you needed was a copy of the Gayellow Pages.

15 Simple Rules for Cruising Straight Guys

In West Hollywood many people believed that there was no such thing as a straight man.  Exclusive same-sex desire was a universal of human experience. Men who called themselves straight were just too weak or cowardly to resist the heterosexist chant of "what girl do you like?  what girl do you like? what girl do you like?"

Today we know that some men are, in fact, heterosexual, with no conscious same-sex attraction.

But others, a much larger proportion of the male population, are heterosexual with occasional glimmers of same-sex attraction, strong enough for them to want a man in their bed, but only occasionally amid their endless pursuits of the feminine.

And still others are heterosexual, but willing to "settle" for a man if no woman is available.

The last two categories are open for cruising, and in small towns with a limited gay population, tremendously increase your chances of success.  But you have to be careful.  Cruising a straight man requires a whole new set of skills, and a whole new set of rules:

1. Cruise online. Straight men rarely go to gay venues, lest they be seen, and in public places they are always with women or with straight male friends who don't "know."

2. Find out how straight he is.  How occasional is his interest in men?  If he meets guys once a month or less, ok.  If he's always seeking out guys, then he's a traitor, enjoying all of the privileges that come with heterosexual identity, hoping to enjoy sexual freedom while letting "real" gay people do all the work of fighting homophobic injustice.  He's a pathetic loser.  Move on.

3. Find out how homophobic he is.  Many straight guys with occasional same-sex interests overcompensate by denigrating gay people, especially those who are open.  "I don't shout it from the housetops!" he yells.  "Marching in parades, broadcasting your sexual preferences!"  Move on.

4. Skip the first-timers.  "I've never done this before.  I've thought about it, but I've never had the nerve..."  Yeah, right.  He's been saying that for the last five years, enjoying the thought of a same-sex liaison, but always losing his nerve.  And if he does actually show up, there's no way the reality can live up to his fantasy.

5. Arrange for a daytime meeting, at your place.  Chances are these will be required anyway, since he's busy with women at night, and there are people at his place who "can't find out."

6. But not for "right now."  Anybody willing to come over "right now," without finding out a little bit about where he's going and who he's meeting, is bound to be a dud.

7. A face photo is a must.  Not necessarily to determine his degree of hotness -- it's probably 20 years old, and photoshopped.  To determine his degree of openness.  No face photo: very skittish, probably a no-show.

8. Get contact information.  A last name, a working cell phone number, an email address.  And use it to make sure it's not fake.  It might come in handy later.

9. Give him the geographic layout of your place.  He believes that passersby will see him and infer somehow that he is having a same-sex hookup.  That's ridiculous, of course, but a pedestrian on the street outside your house, or a neighbor in the hallway of your building, could make him bail.  So warn him in advance if it's apartment, if there are other houses close by, if its a well-traveled pedestrian area, and so on.

10. He gets only two chances to show up.  You wait half an hour for him to show up.  Later that day you get an email: "Sorry, the wife asked where I was going" or "Sorry, I saw somebody who looked like somebody I work with."  Set up another meeting -- we all have scheduling problems.  But if he doesn't show up the second time, move on.

11. Have a friend present.  Hopefully you've screened out the straight guys with malicious intent, and the ones who are so skittish that they might freak out over their "sordid act" and attack.  But just in case, have a friend present.

You can also protect yourself by telling your friend about the meeting, and sending him the straight guy's complete contact information.

12. ID all Cute Young Things.  14, 15, and 16 year olds lie about their age and background all the time, and saying "He told me he was 18!" is not an excuse.  If there's any doubt, ask for an ID.

13. Don't be afraid to tell him "stop talking about women."  Straight guys love to talk about women, especially during a same-sex hookup.  It reassures them that they're "really" straight.  They'll tell you all about their wives and girlfriends, discuss the attractiveness of various actresses, ask about your heterosexual dalliances, bemoan the refusal of most women to engage in their favorite sexual activities.

Don't say "Women!  Gross!"  Say something like "This is a men-only zone. For the next hour, we celebrate the masculine!"

14. Don't be afraid to give him a Gay 101 lecture.  A surprising number of straight guys have had no connection whatever to gay history and culture.  They don't know that there are gay organizations.  They don't know about Stonewall.  They are unaware of contemporary battles over workplace discrimination, religious harassment, and marriage equality.  Enlighten him, either during the online chat, or during the meeting.

15. If you see him in public afterwards, let him lead.  Straight guys are often worried that talking to a gay person in public, in any capacity, identifies them as gay.  Or they might not want their wives and straight male friends asking "So, where did you meet him?"  If he says hello first, stop to chat.  If he pretends not to know you, give him your best Attitude.

See also: 15 Rules of Gay Cruising; and 14 Simple Steps for Turning a Straight Guy Gay; and 10 Easy Steps for Getting Any Guy