See Here, Private Hargrove: To Be Young Was Very Heaven

 When I was an undergraduate at Augustana College, there was a metal book rack in the foyer of the library marked "Take a book, leave a book."  There wasn't usually much of a selection: well-thumbed copies of The Godfather and Love Story,  romance novels, five-year old freshman composition textbooks.  But I found a small red textbook of Medieval Latin and Tarzan the Invincible (one of the later Burroughs novels).  One damp, cloudy Saturday afternoon during my senior year, there was nothing but an ancient, yellow-paged paperback, See Here, Private Hargrove.  

Army life during World War II?  Dreary!  But I was heading for a 5-hour shift at the Student Union Snack Bar, which was always deserted on Saturday nights, and I needed something to read.  So I exchanged it for The Dispossessed, by Ursula K. LeGuin. 

I had a slight sore throat, a sort of lump that made swallowing difficult -- in the COVID era it would be inconceivable to go to work while sick, but back in the 1980s, unless you were dying, you went.  The Snack Bar was a desolate square space with about ten round white tables and a gleaming counter up front. I was the only one working.  We sold hamburgers, french fries, sandwiches, chips, sodas, and some desserts.

 From the cash register I could see the glass wall with doors leading outside, now dark and stormy with rain; the banks of mailboxes to the left, and Adam's Bookstore to the right.   From 5 to 10 pm, I had maybe ten customers.  I had dinner at my post -- a hamburger, french fries, and a carton of milk. 

 But mostly I read See Here, Private Hargrove.  It was a collection of humorous anecdotes, originally published in the Charlotte, North Carolina News, about Marion Hargrove's life as a private at Fort Bragg in 1940 and 1941: "The Boy Across the Table...",  "A Soldier Stuck His Hand....", "I Grinned Weakly...": chores, drills, bellowing sergeants, trips into town to go to movies.  The sort of thing that was popular during the Vietnam War: No Time for Sergeants, Gomer Pyle, Hogan's Heroes (not quite the same, but close enough).

I've done some research since.  The novel was made into a movie in 1944, starring Robert Walker (1918-1951). best known for the gay-subtext Hitchcock thriller Strangers on a Train (1951). He was married twice and had four children, so I doubt that he was gay in real life.

I haven't seen the movie, but according to IMDB, Private Hargrove gets a girlfriend (played by Donna Reed, future 1950s housewife on The Donna Reed Show) and a best buddy (played by gay actor Keenan Wynn).  So there may be some buddy-bonding.

Robert Walker's son, Robert Walker, Jr (1940-2019)., played the boy raised by aliens, Charlie X, on a 1966 episode of Star Trek.  He had three wives and seven children.  Probably not gay.

Marion Hargrove (1919-2003) went on to write two more novels, plus magazine articles and television scripts.  His credits include I Spy, The Name of the Game, and The Waltons.  His humorous account of trying to get a couch for the studio office was published in The Playboy Book of Humor and Satire (1965).  He had two wives and six children, so probably not gay.

Today, I have replaced the small paperback with a hardbound copy -- just to have, not to read -- I don't want any new memories to develop.  I want to see the book on its shelf and flash back to that night -- the sore throat,  the hamburger and carton of milk, gazing out through the glass windows into a rainstorm, all of it.  Bliss was it in that dawn to be alive, but to be young was very heaven.

See also: Boots: A gay teen and his straight buddy join the Marines. In 1990. With other gay characters and all the beefcake you could hope for

Arabic and Class Rings: Cruising at West Point during my junior year in high school

Billy Howle: A serious actor, crazy cute, who shows his stuff a lot. Do you need anything else? With bonus Tommy Knight

Link to the n*de dudes

I've reviewed two tv series starring British actor Billy Howle (not Howlie), and two things about him stand out:

1. He is crazy cute.  What we used to call dreamy, the sort of guy who elicits fantasies of holding hands in the moonlight rather than going downtown.

 

2. Speaking of going downtown, he is not shy about showing his stuff on screen.

I always ask two questions in these profiles.

1. Is he gay in real life?

Billy has no social media presence, but various interviews note that he is in a long-term relationship with a lady.  He could be bi or gay-and-closeted, but for now we'll call him straight. 

2. Has he played any gay characters?

This one will take some research.  We'll start with his bio.  

Billy was born in Stoke-on-Trent in the Midlands, about an hour from Birmingham, son of a college professor and a "schoolteacher."  He graduated from the Bristol Old Vic Theater School in 2013.  His theatrical credits include:

The Ibsen play Ghosts (2015), which is about religion, free love, and incest, not about ghosts.  We had to read Ibsen in college.  Ugh.

Eugene O'Neill's A Long Day's Journey into Night (2016).  We had to read O'Neill, too.  Double ugh.

Hamlet (2022).  Maybe a gay subtext between the Prince and Mercutio.

Dear Octopus (2024), which is about a large, suffocating family, not an octopus.  At least it's not Ionesco.

John Osborne's Look Back in Anger (2024) about marital problems.

No significant gay content, I'm afraid, and pretentiousness as the summum bonum.  

Next, Billy's on-screen roles.  He has 21 acting credits on the IMDB.  A  mostly pretentious lot, with only one science fiction movie and not a whiff of comedy.  I'll check the projects that I've reviewed already, those listed as "known for," and those with n*de scenes.

Already Reviewed:

The Perfect Couple (2024).  When the Maid of Honor is murdered on the night before the wedding, everyone is a suspect, including the Bride and Groom.  Billy plays the Groom's brother, who has a girlfriend. 

Under the Banner of Heaven (2022). Lapsed Mormon Allen (Billy) is accused of murdering his wife, but he says that his fundamentalist family did it to punish her for wanting a career and being uppity. 

More after the break

The Gay Men of Roy Crane's Adventure Comics

When I was a kid, a cute teenage boy rode by on his bicycle every morning about 6:00 am and threw a tightly-bound copy of the Rock Island Argus onto our porch.

It had to stay in pristine condition, untouched, until after dinner, when Mom got around to reading it -- and doing the crossword puzzle. Some of my favorite memories involve the family gathered around the tv while Mom called out crossword puzzle clues.

"Star of Casablanca, five letters, begins with an I."

"Vegetable related to the carrot, seven letters.  I have R and P."

"Greek god, nine letters, begins with a H"

Dad got the paper next.  By the time the kids' turns came around, it was nearly bedtime.  I still instinctively associate newspapers and bedtime.

I skipped the news, editorials, and sports (except when there was a picture of a cute athlete) to read "Lifestyle", with movie reviews and tv listings and events going on in town, and the comics page.

The Moline Dispatch, from the town next door, got all of the good comics: Peanuts, BC, The Wizard of Id, Doonesbury.  I didn't realize it at the time, but the Argus got mostly dinosaurs limping through their senescence, with costumes, language, and themes that delighted Grandma forty years ago.

I just thought they were bizarre.

Still, they were sometimes good for beefcake.

Alley Oop, a muscular cave man transported to the modern era through a plot device lost to history.

Prince Valiant, a knight in King Arthur's court transported to pre-Columbian North America.

Out Our Way, a single panel strip reminiscing about the joys of the Great Depression, mostly involving n*de boys.

Or gay subtexts, in two comic sstrips by Roy Crane.

Captain Easy seemed to involve the swashbuckling adventures of a pair of boyfriends, the taciturn, muscular Easy and the cheerful, eyeglassed Wash.

Neither looked twice at a woman.

But when Wash Tubbs first appeared on the comics page in1924, the creation of cartoonist Roy Crane,  he fell in love with every woman in sight: "Gosh! Wotta bon-bon!  Wotta tomato!"

In 1929, he hooked up with Captain Easy, who soon took over the strip and changed the focus from humor to adventure.  Wash tagged along, gazing lustfully at semi-clad ladies as comic relief for 40 years.   I was just reading during a period of quiescence.

More after the break

Miss Peregrine's Home for Heterosexual Children

After he is bullied by some mean kids, 16-year old drugstore employee Jake (Asa Butterfield) received a telephone call from his raging, delusional grandpa, Abe Portman (Terence Stamp).

His deadbeat father, who doesn't have a job, can't get off work, so his boss drives him over. 

It's mid-afternoon when they leave but the middle of the night when they arrive, although in other scenes Abe lives close enough for Jake to bicycle over. 

Have you had enough inconsistencies yet?  Good-- we're just getting started.

They find Grandpa dead, with his eyes gouged out.  But he lives long enough to tell Jake to go to the Home.

Flashback to Grandpa babysitting the 5- and 10-year old Jake, and telling him about his childhood.  He lived in Poland before World War II, where there were "monsters" about, so his parents sent him to Miss Peregrine's Home for Peculiar Children, on an island off the coast of Wales, where he would be safe.

Ok, I get it.  Grandpa was Jewish.  Repeat:  Jewish. It's a perfectly legitimate word.  Why is everyone afraid to say it?

The Peculiar Children all had bizarro powers:
1. Emma was lighter than air.
2. Olive could start fires by touching things.
3. Fiona could make plants grow.
4. Millard was invisible.
5. Hugh (Milo Parker, left) was full of bees.
6. Horace (Hayden Keeler-Stone, below) could project his dreams onto a screen, like a movie (how did he ever discover that one?).

Abe left the home in 1941 to join the army, but he stayed in contact with the Headmistress, Miss Peregrine. 

Back to the present: Jake tells the whole story to his therapist, who suggest that the Peculiar Children were actually mentally ill or physically disabled or something.  Since Miss Peregrine is still alive -- she would be well over 100 -- why not pop over to Wales and check? 

So Jake and his dimwitted loser Dad drop everything and fly to a tiny village in Wales, where Dad pays some local boys to hang out with the mortified teenager.  They take him to the Home, in ruins since it was bombed by the Nazis in 1941.

Why would the Nazis bomb a children's home in a tiny town in Wales?

By the way, Dad (Chris O'Dowd) is writing a book on birds, and the tiny town has some interesting specimens.  We get the idea that the bird book is a pipe dream, something he is writing endlessly but will never finish. 

He's also amazingly neglectful:  "I see that something is troubling you.  If you want to talk about it, call your therapist.  I'm busy."

No wonder Jake later drops out of the family without a moment's hesitation.

Back to the House: somehow Jake takes a step to the right, and the Home is still there, with Miss Peregrine and the children the same age as they were in 1941  After some shenanigans and missteps, they explain: they're in a time loop, reliving the same day over and over.  Every night, just as the bomb falls, Miss Peregrine resets time 24 hours.

And there are similar time loops all over the world, where other Peculiar Children are kept safe from monsters by reliving the same day over and over.

These time loops are presented as marvelous paradises, but can you imagine how horrible it would be to live 70 years with the same 11 people, never growing up, no movies, no tv, nothing to do all day, every day?  They don't even take classes.  They play, eat giant carrots for dinner, watch Hugh's dreams on a movie screen (here's hoping he doesn't have an erotic dream), and then go outside to watch Miss Peregrine reset time as the bombs fall.

And there are monsters, eyeless creepy things who are  trying to regain their humanity by eating the eyes of Peculiar Children.  I think.

It's all completely muddled and nonsensical, a mishmash of Harry Potter, Lemony Snicket, H. P. Lovecraft, and nonsense.  Plus two -- count 'em -- two hetero romances.

1. The morose teenage Enoch, who hates Jake on sight, finally gets the gumption (after 70 years) to tell Olive that he is in love with her. They walk off hand in hand.

2. Jake falls for Emma, his grandfather's girlfriend.  After the adventure is over and the eyeless monsters subdued, Grandpa Abe (alive again for some reason) tells him "Go to her."  So the 16-year old drops everything, including school and his parents, and rushes to the ship and kisses her. 

Oh, I forgot.  The Peculiar Children raise the Titanic or something.

I don't know what was more annoying, the incessant heterosexism or the fact that the MOVIE MAKES NO SENSE.

By the way, the top photo is the hunky Bryson Powers, who is listed in the credits as "Surfer Boy."  I don't remember anyone surfing in the movie. 

The Top Ten Ways to Dispatch the Young Allies

We fight together through stormy weather.

We're out to lick both crooks and spies!
We won't be stopped and we can't be stopped.
We are the Young Allies!

The Young Allies first appeared as a backup feature in Captain America #8 (1941), and soon spun off into their own 20-issue title (1941-1946).  They were extraordinarily popular during World War II, also appearing in in Complete Comics #2 (1943), Kid Komics #2-#10 (1943-1944), Amazing Comics #1 (1944), and, after the War, in Marvel Mystery Comics #75-83 (1946-47).

The group consisted of Bucky and Toro, the teen sidekicks of Captain America and the Human Torch,  plus four heavily stereotyped non-superheroic teenagers: the working-class stiff Knuckles (Percival Aloysius O'Toole), the swishy rich kid Jeff (Jefferson Worthing Sandervilt), the tubby Tubby (Henry Tinkle), and the minstrel-show reject Whitewash Jones.

Although they were out to "lick both crooks and spies," they mostly fought Nazi and Japanese super-villains.  Almost every cover illustration depicted at least two of the four non-superheros tied up and awaiting a horrifying doom, while Bucky or Toro or both rushed in to save the day.

In their regular titles, Bucky and Toro were constantly being rescued by their adult chums, so I guess they wanted to be the heroes for a change.

Of course, any male-male rescue in a world of men rescuing women is going to have a gay subtext.

Here are the ten most creative ways that super-villains conjured up to dispatch the Young Allies:

1, A tank of carbon monoxide. Wouldn't strangling them work just as well?  Notice that Knuckles is helping, so there will be three heroes, and they can pair off nicely at the end of the story.

2. All four face a stabbing machine.  Notice Adolph Hitler behind the Red Skull.  The covers have no connection to the stories inside, so I have no idea why the four are drawn as middle-aged rather than young teens. Maybe some sort of aging gas?

3. Just Jeff and Tubby this time, getting racked on a "Stretcher" machine run by skeletons in green pants.

4. Here Knuckles is helping Toro and Bucky rescue the other three from guillotines, but it actually looks like the evil Nazi cultists are planning to stab them.  Notice that Knuckles barely misses hitting Bucky in the butt.

5. Tubby and Jeff are facing death by giant octopus.

More after the break.

Fons Ianelli: Photographer of World War II Beefcake

Son of renowned sculptor Alfonso Ianelli, Fons Ianelli (1917-1988) grew up in Chicago, and opened a photographic studio in 1940.

I don't know if it's Ianelli or Iannelli -- it's spelled both ways in books and on websites.

During World War II, Fons worked for the Navy Aviation Photography Unit during World War II, charged with photographing the daily lives of the sailors.

Mostly he photographed strikingly beautiful men, often half-naked.

After the war, he continued to photograph everyday life, especially places where the American Dream of endless prosperity had fallen short, such as a well-received study of Kentucky coal miners.   He still managed to find strikingly beautiful men.

He also did physique photography, such as a series about bodybuilder John Grimek.  It was a private session, never published.

Yes, Grimek was nude.









Fons worked on cinema verite in the 1950s, filming Emergency Ward and The Young Fighter,  about a boxer who has decided to give up the ring.

He was a renowned photojournalist, with stories in McCall’s, Life, Fortune, Collier’s, and The Saturday Evening Post.

I don't know if he was gay or not, but according to his obituary, he was survived by a son.

The Human Torch and Toro: Gay Subtexts in World War II Comics

I never had much time for Marvel Comics, but there's something to be said for the Human Torch, a blazing, naked humanoid who bursts onto the scene to rescue his rather buffed (and also flammable) teenage sidekick.

In his first incarnation, premiering in Marvel Comics #1 (1939), he was an android villain who burst into flame whenever he was exposed to air.  But he quickly learned to control his flaming, reformed, and became a superhero, single-handedly ending World War II by assassinating Hitler.

After the war he joined the New York City police force under the alter ego name Jim Hammond.

In Human Torch Comics #2 (fall 1940), the Torch encounters a teenage boy named Toro, who is impervious to fire.  The two become the standard 1940s superhero-sidekick romantic partners, with Toro requiring rescue from a horrifying fate on nearly every comic book cover.

I'm not sure what's going on here.  A cage of women and children is being lowered into flames, and Toro is somehow attached to the chain.

The Human Torch and Toro both faded into obscurity after the War.  They were resurrected recently for the dark, ultra-convoluted, and intensely heteronormative plotlines of contemporary Marvel comics.  Apparently Toro marries, then dies, then gets resurrected, but his wife has begun canoodling with the Torch, and...

You're probably more familiar with another Human Torch, this one actually human, named Johnny Storm.  A founding member of the Fantastic Four, he premiered in 1961 with no connection to the World War II android.  He had a heteronormative plotline, with no teen sidekick, and "died" in 2011.

He was played by Chris Evans in two Fantastic Four movies (2005, 2007).  The gay subtexts were completely gone, relics of the distant past.