Midnight Gospel: A gay teenager in the afterlife

Pendleton Ward's Midnight Gospel, on Netflix, is advertised as an adult Adventure Time.  There are certainly similarities in animation style and tone, but Clancy is no Finn.  Or Jake.

An amiable young man with pink skin and anime-eyes, shirtless, usually wearing a purple wizard's hat, Clancy (Duncan Trussell) lives in self-imposed exile in a virtual world called the Ribbon. We don't learn why, although there are a few hints:

His friends and older brother call to say how much they miss him. 

He encounters abusive fathers everywhere.

One friend ominously warns Clancy that someone is coming to kill him. .

His sister calls and begs him to come home, and he angrily hangs up.

He orders a pie online, but when it arrives, it is horribly decayed.

His mother visits, and we learn that she is dying of cancer.  She takes him through his whole life, from birth to death, and then he gives birth to her and goes through her life, from birth to death again.

I'm guessing that Clancy is dead, or else is so traumatized by abuse and his mom's imminent death that he has retreated into an inner world.  Clancy himself doesn't seem to know which it is.  

He passes the time by visiting various virtual worlds and interviewing the inhabitants for his "spacecast" (like a podcast, but beamed into space).  The dialogue consists primarily of the interviews, laconic late-night-talk-show discussions of conspiracy theories and wacko holistic healing techniques.  Meanwhile, on screen, Clancy and his friends are having bizarre, trippy adventures. 

For instance, he visits a world overrun by zombies, and must help the President of the U.S. escape from a besieged White House.  Meanwhile they discuss the merits of medicinal marijuana (for cancer patients, Clancy?). 

In a Medieval world, he helps a warrior re-animate her murdered boyfriend, and learns about forgiveness.  

In another episode, Clancy interviews Death  (he's not a ghost: his avatar is made of cream).  She talks about how the funeral industry makes us spend thousands of dollars to embalm our dead loved ones and make them look nice, when it is absolutely unnecessary: corpses are usually safe, and if you have the funeral within a few days, they won't decay enough to notice.  Death advocates washing and dressing your dead loved one at home, as a way of saying goodbye. 

Meanwhile, they travel across a weird Bosch-inspired landscape, fighting various monsters, including ghouls who jump out of mirrors. Death tells him that they are Regrets, and he can vanquish them by forgiving himself.  The Archangel Michael and a chubby demon join the team.

Watch with the sound turned off, and again with dialogue only, and you get two completely different shows.

I've never made it through an entire episode without fast-forwarding.  The interviews are bizarre, and we never get a sense that Clancy needs to hear them in order to move on.   We really don't learn much about what he wants or needs.

But we do learn something very important. Clancy experiences sexual desire -- he tries to visit a planet of orgies (and water slides) -- but he is not interested in women.  He never gets a girlfriend, or expresses an interest in getting one.  However, he does buddy bond with several of the male being he interviews, and all of the friends who call him are male.  

My verdict:  Clancy is gay.

See also: Adventure Time

Two questions about Paul Mescal: Does he appear in anything good? And is it ok to post dick pics?

  

Link to NSFW version

Paul Mescal was born in Maynooth, Ireland, about 30 minutes west of Dublin.  He graduated from Trinity College in 2017, and went to work in the theater, getting roles in The Great Gatsby, The Plough and the Stars, A Midsummer Night's Dream, A Streetcar Named Desire and A Portrait of the Artist as a Young Man. 

 In 2020 he broke into television with a starring role in Normal People, about two Trinity College undergrads in love.

Wait -- why are they "normal people"?  Do they have some marginalized trait, like being autistic? Reading the description, it doesn't sound like it. Marianne is rich and outspoken, Paul an A-list athlete. Sounds like "Love Story." The only conflict I can see is that they both have friends who would oppose the match, so they have to keep it a secret.  I guess "normal" just means being heterosexual, as opposed to gay.

Apparently the two have a lot of sex, with long scenes of them being languid in each other's arms afterwards, so if you can find some way to crop the girl out, you can get a lot of dick pics. 

But wait -- Buzzfeed News tells us that "Paul Mescal just called out a woman who made him "really angry" by telling him she'd seen him naked and saved a nude screenshot." 

The woman approached him in a bar and said: "I didn’t think the show was any good, but I saw your willy and I have a photo!”

His response: “Truly gross. What is a person supposed to reply to something like that?  That's fucking rude!"

I can understand his reaction: you haven't seen the actor naked, you've seen the character he is portraying.  Besides, even if you did see someone's dick without an invitation, like in the urinals or the locker room, why would you brag to them about it?  It would be like saying "I'm stalking you."

But he brings up a question: is seeing an actor's penis on screen substantially different from seeing his face, or his bare chest?  The aesthetic appeal of the actor's face and physique adds to our enjoyment of the movie, in some cases quite a lot.  But does the penis move the scene away from the aesthetic into the erotic?  And is that inappropriate?

I don't think so.  An actor's work can be enjoyed on many levels.  Faces and physiques can be quite erotic, and a penis has aesthetic appeal.  Viewers can enjoy an image in many ways, for what it reveals about the character, for its placement in the narrative, for its symbolic value, because it is beautiful, or because it is hot. Especially with the girl cropped out.

Next question: Does Paul star in anything good? That is, with gay characters, gay subtexts, or an intriguing premise, and minimal red flags like terminal illness.

Normal People is out.  I'm turned off by the implication that being heterosexual is "normal," so being gay is "abnormal."  Besides, it's just a collegiate romance.  We've seen hundreds of them.  

According to the IMDB, Paul next appeared in four episodes of The Deceived, 2020: A university student falls in love with her prof, who may have killed his wife.  Paul's character is in love with her. Looking for gay content, I found a reference to a subplot on a discussion board, but nothing about it appears in reviews. Nope.

The Lost Daughter, 2021: A university professor on holiday in Greece remembers being a "selfish and unnatural" mother who had an affair and abandoned her family.  Yuck.

More after the break

"A Million Little Things": A Million Little Tearjerkers, One Gay Kid

 

A Million Little Things appeared on my Hulu recommendations, so I started researching, and discovered that I reviewed it two years ago:

"They say that friendship isn't a big thing -- it's a million little things."  I never heard that saying until it was used as the title of a tv series on Hulu about a group of elite, entitled, self-absorbed young adults "dealing with life's curveballs."  

So, is A Million Little Things a Friends clone?  Remember: Your job's a joke, you're broke, your love life's DOA.   

Nope. The episode synopses reveal angst, pain, and trauma ad nauseam.  This is a major tearjerker!

Let's see how many terrible things happen to the friends.

1. Jon (Ron Livingston) starts the chain of angst by killing himself in the first scene.  Trying to determine his motive fuels some of the plot. Well, there's some shady business deals, and a woman he had an affair with, who shows up with a teenage son in tow.

And his daughter, Sophie, is sexually abused by her music teacher.

 His widow, #2. Delilah, was having an affair, and got pregnant by: 

3. Eddie (David Giutoni, top), an aspiring musician and recovering alcoholic, is cheating on #4: his wife Katherine, a lawyer.

Jon and Delilah's son Danny (Chance Hurstfield) is gay, and a drama club kid (of course).  For a change of pace, his biggest angst is worrying that his first kiss will be with a girl on stage (he's been cast as Danny in Grease) instead of with a boy.

#5. Rome (Romany Malco, left), an aspiring filmmaker, is suffering from drug addiction.  He is dating Gina, who is suffering from financial woes. 

Rome's wife, #6 Regina, is traumatized by being sexually assaulted by her uncle Neill at age 12, so she tracks him down, but he dies before she can confront him. Her mother is also a victim.  

#7 Gary (James Roday), a breast cancer survivor, is dating fellow cancer survivor #8 Maggie, whose cancer returns and gives her six months to live.  She dumps him because she doesn't want a boyfriend at her deathbed

Later, Gary starts dating Floriana, a soldier suffering from PTSD.

Maggie, by the way, has brother, Chad, who died in a car crash due to DUI.  Eric (Jason Ritter) shows up, claiming to have Chad's transplanted heart, but he actually has his sister's.  She died in the car crash, too.

Keeping track?  I counted 18 tearjerkers.  And I skipped over some of the boring "stalled music career" and "can't get a bank loan to open my ritzy restaurant" woes

The 10 Most Depressing Christmas Songs

November is my favorite month.  The air is brisk and cool but not too cold for jogging, it gets dark at a normal hour, tv and the theater are going strong.  Even though there's my birthday and Thanksgiving to celebrate, it's still relaxed and easygoing.

Then suddenly it's December, cold and dark all the time, people scatter, the campus is deserted, you have 1000 papers to grade, and you spend two weeks running around at breakneck speed buying and wrapping presents, putting up decorations and a tree, addressing cards, planning and going to about 1000 parties, getting sugar overload.  Then you get on an overcrowded airplane to spend two more weeks doing it all over again back home with the relatives.

All the while you're expected to be deliriously happy.  If you lose that robotic grin for an instant, you're ostracized as a Scrooge and a Grinch.

To facilitate your delirious happiness, you are subjected to a constant barrage of music specific to the season.  The problem is, most Christmas songs are not happy.  They're wistful, nostalgic, mourning lost youth and long-gone friends, or else bemoaning the fact that time is passing, we're all getting old and going to die soon. 

How are you supposed to be joyful when all of the songs you hear are about loss and despair?

Here's a list of the worst offenders.

1. White Christmas.  "Just like the ones I used to know."  A bittersweet look at Christmas past, in our long-gone childhood, before global warming, with a slow, lugubrious melody that makes you want to cry.

2. The Christmas Song ("Chestnuts roasting on an open fire").  Humorous lyrics with a wistful, sad melody.  Talk about mixed signals!  Mel Torme, who is Jewish, wrote this on the beach in Florida.  There was no Jack Frost nipping at his nose.

3. The Little Drummer Boy.  There are actually no lyrics to this song, or just a few.  Mostly it's nonstop onomatopoeia ("rum tum tum"), and a slow, wistful melody.

4. Home for the Holidays.  You've got to be kidding.  When you see your relatives only once a year, they're strangers, and they've suddenly gotten a lot older, thus reminding you of your own inevitable progression toward death.  Oh, wait, the singer isn't really going home for the holidays; it's just a masochistic fantasy.

5. Holly Jolly Christmas.  Horrible heterosexist lyrics.

6. Good King Wenceslaus.  A beggar freezing to death finds his way through the snow by following the king's footprints.  All with a horrible ponderous melody.

7. We Three Kings.  The third king brings myrh: "bitter perfume, breathes a life of gathering doom."  You got that right.

8. We Need a Little Christmas.  Life is hard.  We've grown a little older, grown a little colder.  Holly and mistletoe won't help.  I heard this for the first time on an episode of The Facts of Life 30 years ago.

9. Blue Christmas.  Goes without saying.

And the worst of the worst:

10. Have Yourself a Merry...well, you know.  About the swift passage of time and the inevitability of death.  Judy Garland refused to sing the first version -- it was too depressing even for the Queen of Sad Songs.

60 Movies I Will Never See (Or Saw and Regretted)

There are 6 basic emotions, 1 positive (happiness), 3 negative (sadness, anger, and disgust), and 2 which could be either (surprise, fear)  The function of a movie, book, song, or other work of art is to elicit positive emotions, to make the audience feel better after viewing than they did before.

So I don't understand movies that deliberately elicit sadness, anger, or disgust.  Why would anyone want to watch something that makes you feel bad?  Don't you get enough bad feelings in real life?

Here are 60 movies that I will never see, or that I saw and regretted.

No dying of long, slow, debilitating diseases.  With scenes of yelling at doctors, reconciling with estranged relatives, sobbing, sobbing, sobbing, and holding hands on death beds.

1. Terms of Endearment (1983). Shirley Maclain's daugher dies of cancer.

2. Beaches (1988).  No one surfing or swimming, just Bette Midler singing and crying.

3. Steel Magnolias (1989).  Women face tragedy in the South.

4. My Girl (1991).  Boy falls in love with a dying girl.

5. Lorenzo's Oil (1992).  Family tries to cure their dying son.

6. Stepmom (1998). Hugging and dying.

7. Here on Earth (2000).  Boy's girlfriend dies.

8. Bridge to Terabithia (2007). With Josh Hutcherson (top, recent photo). They fool you into thinking it's a fantasy movie, like Harry Potter.  It's actually about a boy befriending a dying girl.

9. Moulin Rouge (2008).  Fortunately, I walked out because it was so awful long before the deathbed scene.

10. The Fault in Our Stars (2014).  A support group for people dying of cancer.

Especially no dying-of-AIDS.  Yelling at doctors, reconciling with estranged relatives, sobbing, sobbing, and so on, but with homophobia.  Lovely way to spend an evening.

11. An Early Frost (1985).  Guy dies of AIDS.

12. Parting Glances (1986).  Guy dies of AIDS.

13. Longtime Companion (1989). Guy dies of AIDS.

14. Philadelphia (1993).  I was forced to watch this, but kept my nose in a book the whole time.  Guy faces discrimination because he's dying of AIDS.

15. And the Band Played On (1993). The government refuses to acknowledge that people are dying of AIDS.

16. The Cure (1995).  Guy dies of AIDS.

17. It's My Party (1996, left).  AIDS and suicide!  Fun!

No Holocaust as entertainment.  Um... 6,000,000 people died. How can that be turned into two hours of fun?

18.  Sophie's Choice (1982).  She has to choose which of her kids to kill, and later gets a couple of boyfriends.

19. Schindler's List (1993). He helps some people escape from the Holocaust.

20. Life is Beautiful (1997).  Set in a concentration camp. Are they kidding?

21. The Boy in the Striped Pajamas (2009).  More concentration camp hijinks.

No main characters dying, period. Who had th bright idea of killing off the protagonists in car accidents, gunshots to the head, or zombie bites?  Why would I want to get invested in a character, only to have them die?

22. Easy Rider (1969).  I saw this, not realizing that everybody dies, and the movie is ruined.

23. Butch Cassidy and the Sundance Kid (1969),  What's the point of a homoerotic buddy "comedy" if they're just going to die at the end?

24. Thelma and Louis (1991).  I watched this, too.  No one told me that they go over a cliff.

25. Titanic (1997). I was conned into seeing the musical.  Hint: they all drown.

26. The Perfect Storm (2000).  They all drown.

27. Children of Men (2006). Everybody is dying.

28. Pan's Labyrinth (2006).  Girl is dying.

29. Into the Wild (2007).  He starves to death!

30. 28 Weeks Later (2007).  Zombie movies are supposed to have survivors!

31. Burn After Reading This (2008).  I went into this thinking it was a comedy, and walked out when Brad Pitt's comic relief character suddenly was shot to death.

32. Apollo 18 (2011).  Dying astronauts.


No inmates on death row.  You know they're going to die from the beginning.  Why bother to watch?
 33. The Executioner's Song (1982).
34. Dead Man Walking (1995)
35. The Green Mile (1999)

No war.  War is one of the biggest tragedies of life, not a source of entertainment!  If the movie is about humorous hijinks far from the combat zone, ok.  But angst-ridden, somber music, people dying of bullet holes -- no way!  I don't care if the whole platoon struts around naked.
36. Platoon (1986)
37. Full Metal Jacket (1987)
38. Saving Private Ryan (1998)
39. We Were Soldiers (2002)

No ends of the world.  Nuclear holocaust, giant meteor, whatever.  Even worse than the main characters dying, the end of everybody and everything, the most depressing thing imaginable.

40. Dr. Strangelove (1965). Why would you yell "yahoo" while plummeting to your death on the back of a nuclear bomb? I actually saw this, under the impression that it was a "comedy."  It's not.

41. Miracle Mile (1988).  I actually saw this without realizing that the world ends -- until it was too late, and I was trapped there with a date.

42. 2012 (2009).  A flood kills everybody on Earth, except for two hetero couples.

43. Cabin in the Woods (2012). I thought it would be a standard horror movie, with survivors at the end, not "the old gods awaken and start the Apocalypse," and everybody dies.

44. Seeking a Friend for the End of the World (2012).  A "comedy" about a man and a woman (of course) falling in love just before an asteroid kills everybody on Earth.

45. This is the End (2013).  I actually watched this.  Everybody dies,but some of them go to heaven.

No LGBT people dealing with homophobia.  Getting yelled at, rejected, beat up, experiencing angst, and dying.

46. Get Real (1998).  I saw this, thinking it would be ok because no one dies.  Horrible!

47. Boys Don't Cry (1999). Transman is killed.

48. The Laramie Project (2002).  A movie about a real-life horrific hate crime!  Just the thing to brighten your day.

49. Brokeback Mountain (2005). Bisexual cowboys facing homophobia and dying.  No way!

No horrifying handicaps.  I don't care if they overcome adversity and find love, having a handicap is by definition bad, so no movie about it can be good.

50.  The Miracle Worker (1962). I got grossed out by the passage in the book where the child Helen Keller doesn't eat at the table, she just goes from plate to plate and grabs whatever she wants.

51. Johnny Got His Gun (1971).  A blind, deaf, and dumb quadriplegic?

52. Tommy (1975).  A blind, deaf, and dumb boy, plus homophobia.  I turned off the DVD and zapped it back to Netflix.

53. The Elephant Man (1980).

54. Mask (1985).  I don't know what it's about, but it sounds gross.

55. My Left Foot (1989). This one sounded even more gross.

56. The Sessions (2012).  A man living in an iron lung decides to have sex.  Gross.

No movies where the plot summary itself makes me nauseous.

57. Harold and Maude (1971).  I saw this one.  Sickening romance between a teenage boy and an 80-year old lady.  No, I don't think it's at all hypocritical that I'm 60 years old and dating twinks. Plus she commits suicide because she loves life so much.  Huh?

58. Pink Flamingos (1972).  Seen it.  According to John Waters, they offered Divine a substitute, but no, she wanted to really eat the dog poop.

59. Birdy (1984).  A traumatized Vietnam vet thinks he can fly.  My stomach is queasy just thining about it, gay subtext or not.

60. The Curious Case of Benjamin Button (2008).  He ages backwards!  Can you think of anything more disgusting?  I couldn't even sit through the trailers.

See also: 10 Gay Movies  I Hated.

The History of Peter Pan Nightmares

Peter Pan has a long, sinister, and disturbing history.  He began in the grieving imagination of 8-year old J.M. Barrie, when his brother David died in a skating accident the day before his 14th birthday -- tragic, but at least a dead boy would stay a boy forever.  

He took shape in Barrie's early novels about dead and dying boys, Better Dead (1888) and Sentimental Tommy (1896), and in stories Barrie told to the five Llewelyn-Davies boys, whom he met while walking his St.Bernard in Kensington Gardens in 1897.  

And when his wife, actress Mary Ansell, left him for a mere boy, 24 year old Gilbert Cannan, in 1908 (by the way, Cannan published a novel called Peter Homunculus in 1909).

There is no indication that Barrie had any pederastic intentions with the Llewelyn boys.  Boys and men mingled without suspicion in those days.  In the stories, however, Captain Hook has an arguably homoerotic love-hate relationship with the Dead Boy Peter.  When one considers that Barrie's Captain Hook and Daddy were played by the same actor, one wonders about the elder Barrie, a strict,conservative Calvinist.

The baby who leapt from his tram in Kensington Gardens and lived in trees like a bird (that is, died) first appeared as a named character in J.M. Barrie's very Victorian childhood-equals-death novel The Little White Bird (1902).  

Next came a stage play, Peter Pan, Or the Boy Who Wouldn't Grow Up (1904), based on the pantomime tradition, which is why Peter Pan and the Lost Boys were all played by women, and there was a dying fairy (the Edwardians loved long, slow, sentimental death scenes as much as we love things blowing up).  

George du Marier, uncle to the Llewelyn Davies boys, played both Captain Hook and the Darling kids' father.  Hints of child abuse, anyone?

Next Barrie adapted the stage play into a novel,  Peter Pan and Wendy(1911).   Both play and novel became sensations, especially during World War I, with so  many boys dying in the trenches of Europe -- but they were forever young.

And adaptations began: news plays, movies, novels, cartoons, stories, songs, statues, with the dead boy becoming more playful, less sinister to keep up with the changing times.  

My favorite is Malcolm, the evil Peter Pan of Once Upon a Time (Robbie Kay, shown with some of his Lost Boys in the top photo).  

My least favorite is the 2003 movie version,  with a barely-pubescent Jeremy Sumpter in a pedo-dream costume, and a hetero-romance "girls are the meaning of life" conclusion.

A 1954 Broadway musical Peter Pan stayed true to its pantomime roots by casting a woman as the Dead Boy, and an older woman at that: 40-year old Mary Martin, who had previously starred in Annie Get Your Gun and South Pacific.  Cyrill Richard played both Captain Hook and George Darling  for more Freudian nightmares.  Although it was the exuberant 1950s, some other disturbing elements were retained:

1. The family is called "Darling," which is ridiculous.

2. The nanny is a dog in a nanny's cap played by a man.

3. Wendy sews Peter's shadow onto his feet. Imagine how painful that would be!

4. Blackmailing the audience to clap in order to keep a fairy from dying.

5. Amputation, mutilation, bombing, death, and near-death everywhere you turn.  Fun!
6. Growing up means dying.

Nevertheless, Neverland returned to Broadway in 1979, 1990, 1991, and 1998 (with Peter Pan played by Sandy Duncan and Cathy Rigby). 

The entire cast except for the children reprised their roles for a 1960 tv version -- restaged, so you were actually watching and hearing a stage show. This version was rebroadcast in 1963, 1966, 1973, 1989, and 1991. 

Photo: Kent Fletcher, who played Michael in 1960, forever a child in his only other film role, The Lord of the Flies (1963).

I think I saw part of 1966 rebroadcast.  I would have been 5 or 5 1/2 years old, too young for bizarre dog-human hybrids, shadows sewn onto bare flesh, murderous pirate-fathers, dying fairies, and growing up as the equivalent of death.  Since then Peter Pan has often appeared in my nightmares.