Baby Reindeer -- why do British tv series often have titles that sound memorable, but you actually forget instantly because they are just nonsense words? Remember Drop the Dead Donkey? Anyhow, it's a thriller about a male comedian being stalked by a deranged female fan, which causes problems with his girlfriend. So far it's heterosexuals all the way down, but listen to the Episode 4 blurb: "As Donny reports Martha (his stalker) to the police, it triggers the memory of a traumatic experience he had with a man he met at the Edinburgh Fringe Festival years before."
Ulp, surely we're not going to learn that all gay men are sexual predators out to seduce or assault hapless straight guys. I thought that myth faded into oblivion back in the 1970s. I'd better review the episode.
Scene 1: Looking very haggard, wild-eyed, sleazy, like a drug addict in search of a fix, Donny (Richard Gad) bursts into the police station to report his stalker. He wonders why he can't tell the cop about Martha groping him and attacking his girlfriend, or about her history of arrests? He's suddenly reliving a traumatic event that happened at the Edinburgh Fringe Festival in 2011.
Scene 2: Nice establishing shots of Edinburgh and the Fringe Festival, "one of the greatest celebrations of art and culture on the planet." Donny has to perform comedy at a pub with no stage, just standing in front of three or four people who didn't know he was coming. And his act is dreadful: he prances around in a dress and fright wig, then announces "My mother died today." Then he explains that it's incongruous, so it's funny.
Ok, so "I got circumcized today" -- pulling out gigantic scissors. "See, I'm saying I have a big penis. It's funny." Did this guy even workshop his material?
Scene 3: The pubkeeper gives him an admission card to the Luna Bar -- fell out of someone's wallet. He goes, hoping to schmooze with the Fringe Festival elites. Still looking haggard, wild-eyed, and sleazy. Maybe he could, like, wear a nice shirt? He latches onto a guy who was on the writing staff of the fringe movie Cottonmouth, and invites him to his show, "LOL on Cancer". Nope, not interested.
A bearded bear, Darrien (Tom Goodman-Hill), approaches. They diss the Cottonmouth guy and wish they could slip poison in this drink. Turns out that Darrien actually wrote the script -- the Cottonmouth snob was his assistant! They're standing very close together. Is this a hookup? Was Donny bi, back before he found true hetero-love?
Scene 4: Darrien comes to his show, listens to his ridiculous jokes and performance bits, and offers to give him some pointers.
Montage of Darrien's tips, like "Make eye contact," and the pub gradually fills up as people like the performance. Donny tells us that he went out with Darrien every night to a private club (not gay). So, are we supposed to conclude that they're dating? Why not just say so, or have them kiss?
We do learn that Darrien is a "polyamorous pansexual." Um...polyamorous means that you have more than one permanent romantic partner.
Scene 5: Darrien pushes Donny into the pub bathroom, stands kissing-close, and asks "Are you ready?" Donny: "Ready for anything." Sounds like he's up for some snogging. But it's not sex, it's cocaine.
Then Darrien returns to London, and stops contacting Donny. "It felt strange."
Scene 6: When the festival ends, Donny goes to acting class at Oxford. We see some of their ridiculous exercises: be a flame; mimic an ape. He gets a girlfriend, but he misses Darrien. So are you interested in him, or not? Then out of nowhere Darrien calls and asks him to collaborate on a project.
Scene 7: Donny arrives at Darrien's elite flat, gets a tour, and shows his script: about a lawyer who decides to become a pro wrestler at age 50, and is torn between two worlds. Darrien is not impressed, but humors him. I'm guessing we're supposed to be reading them as straight buddies.
Darrien asks if he wants to get really high, and gives him MDMA and GHB. Hey GHB is a date rape drug! But if you want to have sex with him, why not just ask?
More homophobia after the break





