Throb: How We Watched TV in West Hollywood

The 1980s were extremely homophobic.  If you could manage it, you took refuge in a gay neighborhood, and rarely spoke to a heterosexual.  You absolutely never came out to any heterosexual. If anyone found out accidentally, you could expect, at best, a deer-in-the-headlights stare and a stumbling protest that "I'm...I'm...not gay."  More commonly they would rush off in horror, never to speak to you again.

And you absolutely stayed away from mainstream media.  Newspapers were full of shrieking editorials about how "They're sick!!!!  They're disgusting!  Put them in concentration camps!"

Movies couldn't go five minutes without a homophobic slur.

TV was a little better, generally presenting a world where gay people did not exist.  Still, most programs were incessantly heterosexist, so it was best to keep the tv off.

So in high school and college, I watched eight or nine hours prime-time network tv shows every week, but when I moved to West Hollywood, the number decreased to a non-heterosexist two or three:  

21 Jump Street: Buddy-bonding among undercover cops, including Johnny Depp (left).

Night Court: Buddy-bonding among the denizens of a night court.

Head of the Class: Buddy-bonding among high school overachievers.

 The Golden Girls: Four heterosexual women live together and form an alternative family.

Kate & Allie: Two heterosexual women live together and form an alternative family.

But you had to be careful: even the most "gay friendly" could turn on you at any moment, with a limp-wristed hairdresser swishing in or a visiting relative coming out to horrified gasps and "I just don't get it." 

I don't remember any limp-wristed hairdressers or visiting gay relatives on the workplace comedy Throb (1986-88).

It starred Diana Canova of Soap as Sandy (right), the decidedly unhip newly-divorced 30-something who finds herself a fish-out-of-water in the young, ultra-cool, hipster office of a New Wave record company.

She was heir of Mary Richards of The Mary Tyler Moore Show, and the precursor of the dozen or so women in workplace comedies of the 1990s, such as Caroline in the City and Just Shoot Me.  

Her coworkers included:

1. The boss,  diminuitive go-getter Zach (Jonathan Prince) channeling Michael J. Fox.  Today a writer and producer, Prince was at the height of a brief 1980s acting career: he played Johnny Depp's buddy in the sex comedy Private Resort and Clark Brandon's buddy on Mr. Merlin.

One of the cutest guys on the planet.  

2.  Hip business manager Phil (Richard Cummings, Jr., later to star in Northern Exposure).

3.  Spaced-out former singer Blue, probably based on the Andy Warhol superstar Ultra Violet (Jane Leeves, who would go on to play psychic therapist/housekeeper Daphne on Frasier).

4. Sandy had a 12-year old son at home, played in the first season by future screen hunk Paul Walker, and then by Paul Walker lookalike Sean de Veritch.

I actually don't remember any particular episodes, just the jazzy theme song, some buddy-bonding moments between Sandy and Blue, and the super-cute Jonathan Prince.

But I remember watching, and finding it a moment of freedom from the incessant homophobia of 1980s tv

The Top 10 Hunks of "Crazy Ex-Girlfriend"

All three seasons of Crazy Ex-Girlfriend are up on Netflix, giving us the complete saga of Rebecca Bunch (Rachel Bloom), who runs into her grade-school crush Josh Chan (Vincent Rodriguez III) one day on the street, and drops everything to move to West Covina and stalk him.

It turns out that Rebecca really is crazy; she has Borderline Personality Disorder, characterized by extreme mood swings, impulsivity, obsessions, and relationship problems.  She moves too fast and overreacts violently to rejection or just "let's slow down."  People who suffer from BPD in real life have praised the show for its realistic portrayal, finally "getting mental illness right."

In addition to Rebecca's ongoing pursuit of Josh Chan and other guys whom she believes will make her life perfect, the palette of the show expands to include subplots.  Josh and his posse don't have perfect lives, after all.  Nearly everyone is involved in a toxic parent-child relationship.

It's one of the most diverse casts I've ever seen, and one of the most beefcake-heavy.

1. Josh (above) is riddled with insecurities, indecisive, and rather dimwitted (not quite Joey Tribbiani, but close).  He still lives with his mother, in spite of her entreaties for  him to move out.

2. He works for an over-accommodating boss (Johnny Ray Meeks) and seeks advice from an over-accommodating priest (Rene Gube, left).

3.  Josh (David Hull), who is gay, has a major inferiority complex.  He can't understand why someone as great as Darryl Whitefeather (Pete Gardner) would be interested in him (um...have you looked in a mirror lately?).


By the way, Vincent Rodriguez III is gay in real life, and David Hull is straight.

3. Hector (Erick Lopez) has an unhealthy dependency on his mother.  He's dating Heather, a perpetual student, taking every class at her community college, sometimes twice, afraid to graduate and move to the next stage of her life.













4. Greg (Santino Fontana) dates Rebecca for awhile, then realizes that he's an alcoholic, and goes away to get help.

5. Nathan Plimpton (Scott Michael Foster), Rebecca's boss after Darryl sells the company, is an amoral schemer constantly trying to win his dad's love.

More after the break

"Bullet Train": 11 assassins, Logan Lerman, and queerbaiting on the train from Tokyo to Kyoto. With some nude dudes

Link to the nude dudes

Friday's Movie Night movie was Bullet Train (2022), starring Brad Pitt as a professional assassin assigned to do an "easy" job, grab a briefcase full of money, on the bullet train that travels the 440 km (220 miles) from Tokyo to Kyoto in two hours. He doesn't realize that the train is crowded with other assassins, professional and amateur.

1. The Father, Andrew Koiji, wants revenge on The Prince, a gang lord who had his son thrown off a building.  

2. The Prince is also on the train, but he doesn't recognize her. She forces him to retrieve the money and load it with explosives, to assassinate her estranged father, #6, below.

3.-4. Tangerine and Lemon, Andrew Taylor-Johnson and Brian Tyree Henry, a queerbait couple.  After nearly two hours of the two bickering, being affectionate, and discussing their life together, director David Leitch loses his nerve and makes them brothers.

They have rescued...

5. The Son, Logan Lerman, top photo, from kidnappers, and also retrieved the ransom money that Brad Pitt is supposed to steal.    But the Son is killed, I forget by whom, so....

6. The Son's father, Russian crime lord The White Death, Michael Shannon, shows up to kill Tangerine and Lemon and whoever else he thinks flubbed the job. 

More assassins after the break

Joseph and the Amazing Gay Dreamcoat

I'm not a big fan of musicals, but Joseph and the Amazing Technicolor Dreamcoat (1972) is one of my favorites, for three reasons

Reason #1: The utter absence of a hetero-romantic plot, almost unheard-of in musical theater.

It's a Mod version of the picaresque adventures of Joseph (from the Bible), favorite of his father, given a Coat of Many Colors.

His brothers, jealous, set out to kill him, but have a change of heart and sell him to slave traders instead.  He ends up in Egypt -- depicted as a glittery Las Vegas -- as a slave to sleazy merchant Potiphar.

Potiphar's wife tries unsuccessfully to seduce him -- "I don't believe in free love," he yells in 1960s slang.  Or maybe he doesn't particularly care for girls.  

Falsely accused of attempted rape, Joseph is thrown in prison, where he begins interpreting other prisoners' weird dreams, thus drawing the attention of the Pharaoh (an Elvis-like pop star).   Pharaoh makes Joseph his right-hand man. The brothers arrive, and Joseph toys with them a bit before reconciling.

Reason #2:  Pharaoh likes Joseph -- a lot.  Big gay subtext.

Reason #3: Joseph spends most of the play with the Dream Coat off.  And nearly everything else off.  The Pharaoh usually gets an opportunity to flex.

There have been innumerable revivals, in Britain and the U.S., with Joseph played by James Royce Edwards, Paul Jones, David James-Carroll, Bill Hutton, Mike Holoway, David Cassidy, his brother Patrick Cassidy, Jason Donovan, Lee Mead, and Keith Jacks (top photo).  Former teen idol Donny Osmond starred in the 1999 movie version.

But that's not all.  Joseph is a favorite of high school and college theater departments; apparently there have been 20,000 productions since 1972. So you have a good chance of seeing Stars of Tomorrow performing Joseph and the Pharaoh at a little theater near you.