Vice Principals Episode 1.8: The guys try to take out their boss, and there's a horse and some n*de dudes

Link to the uncensored review

Fans suggest that I try Vice Principals (2016-2018), Danny McBride's series about two high school vice principals scheming to take down their principal so they can take her job and enjoy all that fame, power, and wealth. Really? 

 "Best show on television!" "Hilarious!" "McBride is a comedic genius!"

Other fans caution that it's homophobic, racist, and loaded-down with queerbaiting.  

Uh-oh.  I'll watch an episode, just to track the homophobia and queerbaiting.

Scene 1: Gamby (Danny McBride) and Lee (Walton Goggins) have lured Principal Brown into a night of drunken debauchery to discredit her, so they can take over her job.  They leave her passed out in the bathtub of a sleazy hotel, then burn all the evidence linking them to her deviance. 

Does it make you nervous that two white men are going up against a black woman? 

How about that she is named Brown?

How about that there are no African-American teachers at North Jackson High School in Charleston, South Carolina?  

Scene 2:  B Plot: Gamby gives his daughter a horse to make up for taking away her motorcycle. She is angry, and ignores him. 

Later he asks how she likes the horse.  She prefers the motorcycle.  Besides, aren't horses expensive to keep up?  Gamby tells her that he'll be principal soon, so money will be pouring in.  Are principals really rich?  

Scene 3: In the school cafeteria, Ganby and Lee criticize Principal Brown for eating too much. Then they review the footage they shot of drunken debauchery that will destroy her career.   If she doesn't get drunk or have wild s*x on school property, what's the problem?

Ganby can't remember his closer,  "End of the line, Slut!"   He's too distracted by his anguish: The Girl of His Dreams, whom he was dating, is ghosting him.

Scene 4: The guys lure Principal Brown in the woods by claiming that students are sneaking out there to smoke marijuana, and start to confront her with the evidence of her "gin-soaked evening."  But she thanks them for helping her out: "I'm glad you were there...I really appreciate it."   

Ganby tries to say "End of the line, Slut," but can't; she is being too nice.  But Lee, the  more evil of the two, steps in: "We have this here video of you acting all crazy. Your career is over!  We won, bitch!"  

He brags about some of the other things they did to her, like burn down her house, causing her to attack, punching and kicking them.  If you've been waiting your whole life to see a middle-aged black lady and white man in a fist fight, your prayers have been answered.  I find it a bit uncomfortable due to the overlay of institutional racism and patriarchy.  She is a far superior fighter, if that helps.

Finally Lee gets around to the blackmail: step down as principal, or the video goes viral. Hey, isn't that a plot arc of the first season of Righteous Gemstones: give us a million dollars, or we'll post this video of your sex-and-drugs party?

Scene 5:  Lee threw Principal Brown's shoe away, so she has to walk down the rocky trail back to the school semi-barefoot.  She walks to her car in slow motion, gazes longingly at the school, and drives off. 

Cut to the B plot: Ganby watching his daughter ride her horse.  Ray (Shea Whigham, left) drops by.  Wikipedia says that he is the husband of Ganby's ex, whom Ganby hates even though he is a nice guy.  So the daughter's stepfather? 

Ganby is happy that his daughter is "doing what she loves again," "out of death's way."  Call back to an earlier crisis?  

Ray complains that, as stepfather, he'll always be second in the daughter's heart. (Ok, ok, I looked up her name: Janelle.)  "I'm jealous.  Whatever I do, she'll always love you more."  They bond.

More after the break

"Shardlake": Murder in Tudor England, with a limb-different Sherlock Holmes and a lot of queerbaiting

There are three reasons that Shardlake, a four-episode tv series on Hulu, gives me bad vibes.

1. It is set during the reign of Henry VIII.  Maybe in British schools you get lectured on this every year, but all I know about Henry VIII is that he broke away from the Roman Catholic Church, married a lot -- I'm related to Ann Bolyn -- and was played by Jonathan Rhys-Meyers. I'm not sure I'll be able to keep Thomas Cromwell, Thomas Cranmer, William Cecil, and William Paulet straight.

2. Do you know what a "shard" is in America?

3. It stars Sean Bean, who I thought was Mr. Bean, the annoying Borat-like character. Turns out that Sean Bean has no connection to Mr. Bean. He played Boromir in The Lord of the Rings and Ned Stark in Game of Thrones.  Might as well give it a try.

Prologue: Crows cawing at a gloomy looking monastery.  Sinister looking guy goes down the stairs, crosses the courtyard, unlocks a door, and heads down to the basement -- where a knight slices off his head!

Scene 1: Hunky guy with a upper-body limb difference washes, shows a little chest, gets dressed.  He tells an off-camera Matthew, no doubt his boyfriend, that he's "ready for whatever the day brings."

No boyfriend: he's Matthew Shardlake, talking to himself.

Shardlake is played by Arthur Hughes, left, who is limb-different in real life. He has appeared in a lot of Doctor Who movies, starred in the soap The Archers, and played Richard III.

Meanwhile, a young guy gallops across the countryside for five minutes.  You assume that he's going to be a main character, but he delivers a letter and vanishes from the story.  

It's for Lord Cromwell.  Thomas Cromwell, chief minister to Henry VIII from 1534 to 1540, when he was beheaded.   

Bad news: "My representative!  My voice!  This cannot go unpunished!"  They must have murdered his representative in the monastery.

Scene 2:  Shardlake snarls through town.  People jump out of his way and cross themselves in fear. He stops to watch a magical parrot say "God save King Harry," but condemns it as a trick.  Harry is Henry VIII. 

A guy tries to pick him up.  After substantial flirtation, he admits that he's actually summoning him to see Lord Cromwell.  He seems to like-like Shardlake.  Maybe a gay-subtext is brewing.

He's Jack Barak, played by Anthony Boyle, left.

 There's been a murder, "a friend of yours. Poor Lord Singleton." Robin Singleton, fictional, sent by Lord Cromwell to investigate the Monastery of St. Donatus, also fictional.  

Scene 3: Their meeting.  Lord Cromwell is in a mood. Back story: Ann Bolyn was executed a few months ago.  This is the fall of 1536.   He shows Shardlake two skulls of Saint Barbara confiscated from monasteries to demonstrate how monks lie about everything, and has him read the letter revealing the murder.

His assignment: They're going to start closing monasteries, confiscating their wealth, and passing it out to the nobility.  But you can only close them if you can prove that the monks are "papists, thieves, or sodomites."  Aren't monks all Roman Catholics, so papists by definition?  That's what Robin Singleton was researching.  So Shardlake must discover who killed him, hopefully a monk, and get on with the investigation of monastic evil.

Jack is assigned to accompany Shardlake.  Being a misanthrope, he doesn't want any traveling companions, but it's an order from Lord Cromwell. Maybe they'll fall in love.

Scene 6: While snarling through town, Shardlake encounters a tough, who tells him to go into that house and up the stairs, then disappears from the story.  Grr.

He meets with Lord Norfolk, Thomas Howard, the uncle of Ann Bolyn. He's my great-great-great, etc. grandfather!  

An opponent of Lord Cromwell, Norfolk wants to know why Shardlake was cozying up to him.  "I'm to investigate a murder at St. Donatus, and then close the monastery so Lord Cromwell can confiscate its wealth." Norfolk disapproves: "It is theft in the name of God."

Norfolk is played by Peter Firth, left, who showed us his equipment in Equus, but is now 70 and a bit crotchety.

More crotchety guys after the break

Joseph and I hook up in a haunted house

 

Terre Haute, Indiana

One day the July after my first year in grad school in Bloomington, my friend Joseph called: "You up for a road trip this Saturday?"

"Where to?"  I asked, hoping he wanted to go to one of the gay bars in Indianapolis. 

"I gotta go to Terre Haute to pick up some stuff, then drop it off at my parents' house in Broad Ripple [a suburb of Indianapolis]."

"How much stuff?" I asked suspiciously.  I didn't want to be conned into helping him move.

"Not a lot, just a few keepsakes.  My parents are selling my great-aunt Rose's house, and they want me to go get what I want before everything gets packed up and sold."

"Are other guys coming, too?"

"There aren't a lot of guys around Bloomington during the summer, so it will be just you and me."  He paused.  It's a pretty long trip, so we'll probably have to spend the night in Broad Ripple before heading back."

Spend the night!  I know what that meant!

 Joseph was  one of the first gay guys I met in Bloomington: an undergraduate history major, with black curly hair, a baby face, and a lean tan physique.  And short -- Definitely my type!  But he was also very popular, dating Rick the philosophy major, then Mark the optometrist, then a medical student named Manfred (really!), so I never managed to squeeze in.

Obviously I wasn't his first choice, but who cared?  This was my chance to get intimate!

Saturday after lunch we set out for Terre Haute, about 1 1/2 hours away.  Joseph said that he grew up in Broad Ripple, but they drove out to visit his mother's aunt Rose almost every weekend.  He had fond memories of fishing in the Wabash River, drive-in movies, dinner at the Pizza King, and drinking hot chocolate at Christmastime

"Aunt Rose is in a nursing home with dementia," he told me. "She fades in and out.  Some days she's almost normal, and others she thinks it's 1961, and I'm her brother Oscar.  But she can still name all of the U.S. presidents, in order, up to Richard Nixon."

"Did she know about you [being gay] before her dementia?"

"No.  I'm not out anyone in my family, and I sure wasn't going to come out to a hard-core Methodist lady.   She was always worried that I wasn't dating enough.  One of the last things she said to me before her dementia began was 'You shouldn't be so picky, or you'll never find a girl."

Aunt Rose used to be a professor of American history at Indiana State University.  She lived in a big, two-story house in West Terre Haute, just across the Wabash.  It was painted a depressing shade of grey, but it had a wide porch and a big, carefully mown front lawn.

As we walked up to the house, I saw what looked like a face in the attic window.

 "Who's that?"  I asked. 

"Who's who?"

But it was gone.

More after the break

Confusing Children and Angels: Laugh-In

When I was a kid, my  friends and I hated variety shows: Ed Sullivan, Red Skelton, Carol Burnette, Andy Williams, Glen Campbell (left).  They were old, square, has-beens.  And what could be more boring than someone standing in front of a microphone, singing?

But Rowan and Martin's Laugh-In (1968-73) was for us: not exactly variety, or even sketch comedy, but comedic slogans zapped across the screen at lightning speed.

1. Judy Carne yells "Sock it to me!" and gets socked.

2. Rowan and Martin give the "Flying Fickle Finger of Fate" award.

3. Zsa Zsa Gabor gets big  laughs by saying the word "bippy."

4. A Nazi spy peers from the undergrowth ("Verry interesting")

5. A spaced-out Goldie Hawn forgets her line and giggles.

6. Flip Wilson's drag persona Geraldine offers herself to all comers: "What you see is what you get."

7. Pigmeat Martin struts across the stage, jive-talking "Here come da judge!"

8. A dirty old man makes mumbling propositions to a purse-wielding spinster.

9. Gary Owens as a baritone-voiced announcer makes nonsequiter announcements.

10. Jo Anne Worley says "Blow in my ear, and I'll follow you anywhere," and giggles.

Episodes are streaming on Amazon Prime, but today they're unwatchable.  The lightning speed gives me a headache, and the jokes are sophomoric; only children would think it hilarious to say "Look that up in your Funk and Wagnells."  The cast members are just big kids, saying things that sound dirty on the playground.

But between 1968 and 1973, the jokes were bright and fresh, and risque and cool.  Most importantly, they were ours.

No beefcake, except for an occasional hot guest star, like Davy Jones of The Monkees.  
Not much bonding, not even from hosts Dan Rowan and Dick Martin, a comedy team since 1952.
No one ever acknowledged the existence of gay people.

But there was lots of gender nonconformity.  Years later we remembered it fondly, as the first hint of gay potential.

1. Alan Sues played Big Al, a feminine sports announcer who had an obsession with a bell he called his "tinkle."

Gay but never out, Alan Sues also played a fey grown-up Peter Pan on peanut butter commercials.

2. Tiny Tim, who looked like a long-haired Dracula, played the ukelele and sang "Tiptoe through the Tulips" in a fey falsetto.  He proved he was heterosexual by marrying a woman named Miss Vicky on The Tonight Show.














3. Flower child Henry Gibson appeared with a gigantic artificial flower and recited nonsequiter poems.  He was often assumed gay, although he was married to a woman for 40 years.

In his last role of note, Magnolia (1999), he played a cranky older gay man named Thurston Howell (after the millionaire on Gilligan's Islandd), competing with another guy for the attention of hunky Brad the Bartender.  He advises: "It's a dangerous thing to confuse children with angels!"

In those days we often confused children with angels.

"Holiday Exchange": Entitled, elitist A-gays find Christmas magic in an idyllic village in Britain/L.A.

 

Link to the uncensored version

It's not even Halloween yet, but the romcoms are started.  

Darn, they all have such interchangeable titles that I forgot which one I'm reviewing. Oh, right, The Holiday Exchange, on Amazon Prime.  

The icon shows a woman torn between two men, and the blurb is about a guy going on a "holiday exchange" that he found on a gay app, so I suspect some "mistaken for gay" jokes as the guy finds the Girl of His Dreams.

Scene 1: A guy wearing an eye mask and a frilly shirt wakes up -- gay. Close-up of a photo of him and his boyfriend -- gay.  He knocks it over, drinks some booze, and shaves and applies femme moisterizer products -- gay. 

A guy texts: "Wilde, call me back," but he ignores it.  Moisturizer guy is named Wilde, like Oscar?  Gay. He's played by Taylor Frey, top photo, who also wrote the screenplay.

Knock on the door: It's femme fashion designer Chase, Colton Tran, and a woman, with ideas for his wedding outfit: "Your Mom told us that your Big Day was coming."

"Nope, you misunderstood, I'm not getting married, I'm selling my company."

"Oh, well, we have ideas for that, too."

Wilde goes annoyingly over the top complementing Fashion Designer Chase; he is an angel, a shining light, goodness personified; he has created everlasting happiness for literally thousands of people by...um...designing their clothes. 

Back story: Wilde just dumped his boyfriend, Sean.

Scene 2:  An idyllic village, over the top idyllic, Currier & Ives idyllic. 

George tells his business partner Oliver, Rick Cosnett, how they met, confesses to drinking too much, and then lays on the over-effusive praise.  

Oliver is also an angel, goodness personified, spearheading drives that raise billions for charity. He's single-handedly wiped out world hunger.  Don't introduce Oliver to Chase the Fashion Designer, or they'll cancel each other out.  

His problems: he is too busy with his day job as a divorce lawyer, his numerous charities, and taking over Dad's business when he retires to get a boyfriend. Coworker George is in favor of being single. This must be the "mistaken for gay" guy.

Wait -- they specifically state that they live in Los Angeles.  The establishing shot was a New England Currier & Ives village. What the fudge?

Out in the elegant party, Saintly Oliver talks to James, who works in his company.  They hedge around the discussion of why their last date was so awful. So Saintly Oliver and Moisturizer Wilde are both gay?  Who's going to hook up with the lady in the middle of the icon?  

No,  James "can't" get together during the holidays: he'll be seeing family, driving up the coast. Dude's not into you. 

I'm watching with subtitles, so I can't hear the accents, but these people are saying "Happy Christmas" to each other.  Could they live in Britain, but be having an elegant party in L.A.?

More after the break.

A Teenager Doing Pushups on TV

Today you can go online and see 100,000,000 pictures and videos of n*ked bodybuilders and athletes flexing for selfies, and every actor with even minimal musculature takes off his shirt at the drop of a script.

When I was a kid, there was virtually nothing.  An occasional Tarzan movie, an occasional teen idol with an open shirt in a Tiger Beat centerfold.  And that was it.

Seeing a man or boy on tv with his shirt off was so rare -- vanishingly rare -- that every instance is indelibly imprinted in my brain, as unforgettable as my first airplane trip or my first date with a guy.

Greg strips down to go surfing on The Brady Bunch .
Stephen Parr shows off his washboard abs on Mystery Island.
Steve Elliot shaves while wearing only pajama bottoms on Petticoat Junction.

And, sometime in the 1960s, I'm guessing around 1968, a Public Service Announcement for the President's Council on Physical Fitness shows a teenage boy doing pushups.

Shirtless.

Hard delts, thick biceps, beautiful interplay of muscles as he rises and falls, rises and falls.  His face becomes red.  He is smiling.

The narrator tells us that with every pushup, he's "a little bit stronger, a little bit healthier, a little bit happier than before."

Amazing.

I can't find the original PSA, but it was an iconic moment, a moment when I recognized the beauty of the male physique, in spite of the adult insistence that only women liked to look at men.

By the way, pushups are still widely recognized as a good way to maintain core strength.  The recommended number in a minute differs by age and sex.  50-60 year olds are supposed to be able to do at least 25.  I can do 50, which makes me "excellent" for my age group but only "above average" for a 20-year old.

Mike Henry's Tarzan

There were several Tarzans in the 1960s -- Denny Miller's blond beach boy, Ron Ely's lanky environmentalist, Johnny Weissmuller flickering on late-night reruns -- but Mike Henry captured the imagination of the Now Generation.  The former football star and tv cowboy donned a loincloth for Paramount only three times -- in Tarzan and the Valley of Gold (1966), Tarzan and the Great River (1967), and Tarzan and the Jungle Boy (1968).  He had signed up to play Tarzan on tv, but he opted out and continued his career fully clothed.

Why was Mike Henry the iconic 1960s Tarzan?

1. He had a hairy chest.  Previous Tarzans had been muscular, of course, but only Mike Henry was a bear.

2. He got out of Africa.  Fighting the Waziri headhunters and elephant poachers was hackneyed. Mike Henry's Tarzan explored the jungles of Mexico, South America and Southeast Asia.

3. He was well-educated and sophisticated, more James Bond than Noble Savage.  Edgar Rice Burroughs' literary Tarzan was fluent in English and French -- it was Johnny Weissmuller who invented the "Me Tarzan" lingo.  Mike Henry returned to sophisticated Tarzan of the novels, taking his clothes off only when the plot required it (during 9/10ths of the movie).

4. He rescued and bonded with kid sidekicks: Ramel in Valley of Gold and Pepe in The Great River (both played by Manuel Padilla Jr.),  and of course the Jungle Boy (played by Steve Bond). They were too young to be his romantic interests, but gay boys who were about that age themselves certainly fantasized about fading into the sunset with Mike Henry's muscular arm around their shoulders. 

Manuel Padilla Jr. appeared in American Graffiti and Scarface, then retired from acting.  He died in 2008.

Steve Bond continued acting and modeling until his retirement in 2017.

See also: Steve Bond: Tarzan costar turned Playgirl centerfold turned soap opera hunk

Steve Bond: Tarzan boy turned Playgirl model turned soap hunk in the steamy 1970s

Link to the Playgirl photos

The October 1975 issue of Playgirl featured a layout of model/actor Steve Bond.  They quickly became the most famous n*de photos in the world (not counting those of Christopher George)

Not because he was a man-mountain -- no bodybuilder, he had the tight, pleasantly muscled physique of a New Sensitive Man.

Not because of his size beneath the equator, though he was huge.

Because of the contrast.

The last time anyone had seen Steve Bond, the 14-year old Israeli actor, born Schlomo Goldberg, was making his screen debut, in a 1968 Tarzan movie starring Mike Henry.

Seven years makes a big difference.

After one or two more child-actor roles, Steve went back home to Israel, finished high school, and completed his mandatory military service.  Now he was in L.A. again, ready to hit the big time.  The nude photos came at a moment of desperation, when he was flat broke

Unfortunately, posing in your birthday suit was still controversial in 1975, and Steve found it difficult getting the attention of casting directors. During the next decade, he played some street toughs, some sexploitation studs, a Chippendales dancer, and a forest ranger investigating some teen murders (in The Prey, 1984).

Finally, hoping that the photos were long forgotten, he landed one of the defining roles of his career, good old boy Jimmy Lee Holt on General Hospital (1983-87).

No such luck.  In 1985, an eagle-eyed editor at Playgirl discovered the old photos, and reprinted them.  Steve was devastated.  What would happen when the General Hospital producers found out?  Would he be fired? 

Turns out that nothing happened.  Jimmy Lee Holt was too popular to dismiss. The GH producers even commissioned a Speedo poster to show off Steve's assets.

He got profiled in teen magazines and Muscle & Fitness.

More after the break

"Alex Rider": A Teenage James Bond, His Goofy Best Friend, and Exquisite Victorian Stickers

 I have seen the first episode of Alex Rider, about a teenage James Bond.

Scene 1:  Establishing shots of New York.  Scruffy Scary Guy drives to a parking garage, takes out a sinister satchel, and does something scary with a hologram.  Meanwhile Parker (George Sear) is just putting on his tie.  He tells his Dad he's going to an exhibition at the Rubin, but they'll get lunch later.

 Whoops, I thought Parker was the main character.  Turns out it's Dad (Michael, played by Steven Brand).  He cancels his lunch with Parker and appointment with the Senator, and calls someone named Brandt: "I need to talk to you about Parker.  It's urgent."  

Then he steps into an elevator and plunges to his death!

Turns out that Scruffy Scary guy has projected a holographic image of an elevator car onto an empty shaft, in order to kill Michael!  Much easier than shooting him!

Parker looks out the window, smiling.  He was in on it!

Five minutes of commercials.  Since when does a streaming service have commercials?

Scene 2: London.  A ritzy school.  Alex (Otto Farrantm left) and Tom (Brenock O'Connor) have stepped out of a 1980s movie, where teenage boys can think of nothing except girls.

Tom: Girls!  There's a party tonight!  Girls will be there!  We just need Jahit to text us the address.  Girls!

Alex: Girls!  Will the Girl of My Dreams be there?  Girls!

Which seems odd, since Otto Farrant starred as a gay teenager in Spool, and Brenock O'Connor played a teenager whose bully has a secret crush on him in Sing Street.  

The teacher confiscates Tom's phone before they can get the address, so after class Alex does some remarkable acrobatic work to break into school and retrieve it.  He's got the spy skills already!

Unfortunatly, he's caught.

Scene 3: Uncle Ian (Andrew Buchan) is driving Alex home and yelling at him for being a screw-up.  He confiscates Alex's phone and grounds him.

Scene 4: At home, Alex complains to Jack that there's no food in the house.  Not to worry, she got take-out (don't tell your Uncle).  

I don't understand Jack's role in the family: an African woman about Alex's age, responsible for the cooking, so housekeeper?  Adopted sister?  But Uncle Ian consults her about how to deal with Alex, so  his wife?  

At dinner, Uncle Ian watches a news story about Michael's death. "He was...um...a client at...um...the bank where I work."  Dude, I could tell in 30 seconds that you are a spy.  Why hasn't Alex figured it out?

Turns out that Alex knows Michael's son Parker from his youtube prank videos.  He used to be fun-loving and outrageous, until his dad sent him to a special school in France (uh-oh, a Stepford son).

More after the break