And, in spite of a recurring role on Family as the “boyfriend” of aggressively masculine tomboy Buddy (Kristy McNichol), it was impossible to imagine Leif ever sleeping with a girl.
Leif seemed conflicted about how epicene his public persona should be. At first he was adamantly, defiantly girlish, but when fans began complaining that parents wouldn’t allow his pinups because he looked too much like a girl, he adopted a new persona, sullen and inarticulate, and, he hoped, masculine. I
Leif released his first album, entitled Leif Garrett, in the fall of 1977, before he was old enough to drive a car; the cover shows him in a maroon shirt, unbuttoned all the way down to his navel, revealing a smooth, firm, but undefined chest, shoulder-length blond hair, and a round androgynous face. The overt eroticism of the cover art belies the romantic innocence of the tracks, mostly covers of rock classics such as “Johnny B. Goode,” “California Girls,” and “Surfin’ USA.” Nevertheless, several tracks manage to avoid the “girl” filler, making Leif a possible successor to gay-friendly Shaun Cassidy
In Feel the Need, released during the summer of 1978, Leif could almost be a drag queen. Now the songs stray far from the heteronormative “Runaround Sue” to “I Was Made or Dancing” and “Without You,” which omit pronouns and girls’ names.
Leif's teen idol star fell quickly during the 1980s, when glam gave way to cowboy machismo, so he returned to television, with a swishy role in The Outsiders, trying too hard in Cheerleader Camp, and guest spots, sometimes playing himself, on a variety of tv dramas. He continued to tour, as a solo performer and in his new band, Godspeed, performed in Joseph and the Amazing Technicolor Dreamcoat, and in the 2000s, parodied himself in Dickie Roberts, Former Child Star. He even parodied his various arrests and drug problems on The World's Dumbest Criminals.








