"The Third Day": Jude Law in "The Wicker Man," with scissor goblins, a dead son, and Will Rogers

  

Link to the n*de dudes

The Third Day, on Netflix, had an interesting premise: an island where "you can check out anytime you like, but you can never leave."  The "third day" is when Jesus rose from the dead, so there may be some people coming back to life.  Plus it stars Jude Law, who played gay characters in Wilde (1996) and The Talented Mr. Ripley (1999), so I'm in.

Update:  It's hard to find.  It keeps changing streaming services, from Netflix to Hulu to MAX, as if the universe doesn't want me to see it.  

Scene 1: Sam (Jude Law) stops his car on a deserted road to call a woman: the money is in the office, 40,000 pounds cash.  Don't call the police; don't let Amboy in the house.  He stares into space for a long time, then walks into the woods.  Everything goes blurry.  Is he entering an alternate universe?

He stops at a brook, and lets a small striped shirt float away.  Mourning a dead son.

Scene 2: Suddenly Sam hears a girl yelling at her friend to let go of the rope.  He rushes over just in time for a friend let go and run away.  She is hanging herself!  He cuts her down and asks if she wants to go to the hospital, but she just wants to go home.  

On the way, he gives his back story: he used to work with troubled youth in social services, but now he runs a garden center in London; he's married with two daughters.  Heterosexual identity established, he asks if someone is hurting or scaring her at home, but she won't say.

Weird detail: she asks for water, and then puts salt in it.  Who drinks salt water?  Are her people aliens out of the Cthulhu Mythos?

Home is Osea Island, across a narrow, winding causeway that's only open at low tide.  Very stressful to get across.

Back story: Osea is a real island in Essex, accessible by a causeway at low tide twice a day.  Over the years it has been home to a naval base and a rehab clinic, but now it's privately owned.

They pass a amphitheater, a lot of porta-potties, weird giant figures, and brown-robed goblins attacking townsfolk with scissors.  The Girl says that there are only 93 people living on the island, but this year they are opening their pagan cult festival to outsiders, hoping to turn it in to a music festival and raise some money.  

Hundreds of people driving on that narrow causeway?  They'll be driving right into the ocean.

Scene 3:  The Girl doesn't want to go home to her dad (uh-oh), she wants to go to the pub, where the Martins take her into the kitchen, whisper anxiously, and occasionally peer out at Sam.  He checks for cell phone reception -- none -- and looks at the pictures on the wall.  Why are there three pictures of corpses?

Mr. Martin (Paddy Considine, below) returns and dumps a hasty explanation: "She wasn't trying to hang herself, it was just fooling around like kids do; she's not afraid of her father or anybody on the island; everything is fine.  Thanks for bringing her home, but you should leave -- NOW!"

But Sam has to get in touch with Aday from Scene 1 right away: he's a planning official who will be deciding on whether they can go forward with their plans to build a new center -- this afternoon!

Mr. Martin doesn't like that name -- "African, innit? Lots of African immigrants on the mainland.  Everyone thinks that they cause trouble, but some are ok."  Dude is racist.

After a long, inappropriate story about how he and his wife always wanted kids, but seven pregnancies didn't come to term, Mr. Martin offers to escort Sam to his car so he can LEAVE, NOW!   

Scene 4:  On the way, Mr. Martin reveals that the music festival will coincide with their "Esus and the Sea" ceremony,. Esus was a Celtic war god, but because of the similarity in the names, everyone thinks that the ceremony is about Jesus.

Mr. Martin begins to interrogate Sam: why were you so far from home, on such an important day?   Also, Mrs. Martin recognized you, so you're not here by accident, are you?

Uh-oh, his car is blocked in, they can't find the driver, and the causeway will be closing in about 15 minutes.  Don't they have ferries?

Mr. Martin changes the urgency of his advice to get out. "You'll have to spend the night.  I'll put you in a room at the pub."

"No, I need to get off this island now!"  Sam reveals that the burglars took 40,000 pounds in cash, that they were going to use to bribe Aday! That's sleazy, but not as sleazy as I ithought.  Maybe he's lying.

Martin reaches the obvious conclusion: Aday stole your money.  But why would he steal the money, when they were going to give it to him anyway?

More after the break

5 Heterosexist and 5 Gay-Inclusive Christmas Specials

Have you ever noticed that most Christmas specials are annoyingly heterosexist? Here are the worst examples:

1. Mr. Magoo's Christmas Carol (1962): Why is Magoo/Scrooge so miserable?  He was so obsessed with money that he lost Belle, the girl of his dreams.  So he atones by helping a heterosexual nuclear family, Bob Cratchett, wife, daughter, and three sons.

2. Rudolph the Red-Nosed Reindeer (1964):  Ok, it's about accepting difference.  The "misfit toys" are all adopted out, Rudolph uses his glowing red nose to save the day, and Hermey the Elf gets to become a dentist. But Rudolph gets a girlfriend, Clarice ("She thinks I'm cute!") and Hermey dances with a female elf at a party.

In the closing "Holly Jolly Christmas," Burl Ives sings that there's a girl waiting for you (a boy) under the mistletoe: "kiss her once for me."  When a woman sings that song, it becomes "kiss him once for me."

3. Frosty the Snowman (1969): only a subtle a hetero-romantic subtext about a little girl in love with the snowman, but the sequel, Frosty's Winter Wonderland (1976) is all about the snowman finding a wife.

4. Santa Claus is Comin' to Town (1970): a heterosexual love story between the young-adult Santa Claus (then known as Kris Kringle) and the future Mrs. Claus (a teacher named Jessica).  At least Kris (voiced by former teen idol Mickey Rooney) is a cute redhead.

5. The Year without a Santa Claus (1974). Mr.s Claus saves the day.  And heterosexual monogamy.

But not to worry, there are a few inclusive ones.  Here are the best:

1. A Charlie Brown Christmas (1965): a reference to the Little Red-Haired Girl and Lucy's obsession with Schroeder, but otherwise about nurturing and friendship.

2. How the Grinch Stole Christmas (1966): the Grinch is a green-furred outsider who dislikes Christmas, so he and his dog Max set out to ruin the holiday for the residents of Whoville by stealing all of their stuff.  When he discovers that the townsfolk are happy together even without stuff, he relents, returns everything, and joins in the celebration.

No same-sex plotlines, but at least there's no hetero-romance, and few if any heterosexual nuclear families.

3. Olive the Other Reindeer (1999): a dog (Drew Barrymore), a penguin (Joe Pantoleono), and a flea (Peter MacNichol) save Christmas, and no one falls in love with anyone.

4. Billy and Mandy Save Christmas (2005): the cast of The Grim Adventures of Billy and Mandy discover that Santa Claus has been transformed into a vampire. While looking for a cure, the Grim Reaper develops a homoromantic bond with a flamboyantly feminine, gay-coded vampire named Baron Von Ghoulish (voiced by gay actor Malcolm McDowell).  They even sing about how much they like each other.

5. Prep & Landing (2009).  Two high-tech Elves buddy-bond while saving Christmas.

"Welcome to Plathville": Beefcake and body parts of a hardcore fundamentalist family, including Micah the "Boylicious" model

 

Link to the NSFW photos

Welcome to Plathville, originally on TLC but recently streamed to Hulu, is a six-season long reality series about the Plaths: "A strikingly blonde, blue-eyed Quiverfull family with 9 children in Southeastern Georgia, who are very passionate about traditional roles, their courtship rituals, music, God, and domestic life."

Brr.  Sounds too scary.  They must be wildly homophobic, but I imagine that they agreed to appear only if there were no "homosexuals" in the crew, so maybe they won't mention them at all.  Episodes appear to be soap-opera like,  with marital problems, career troubles, treks into secular civilization, and lots of clickbait "dark secrets" and "startling revelations."

The elder Plaths belong to the No Greater Joy Ministries, an out-of-the-box fundamentalist cult that, other than hating homos, teaches that women must always be subservient to men -- working outside the home is a major sin, and will turn her into an evil lesbian.  Plus you must beat your children to ensure their subservience -- if you don't, they'll start to talk back and turn gay.

I'm too squeamish to watch, but I'll check for fundamentalist beefcake.

The parents, Barry and Kim, have broken up and gotten a divorce, which means, of course, that they are both headed for hell. In my childhood church, that would get you kicked out.

Their oldest child, Ethan, left,  married the outsider Olivia, who works as a photographer.  A woman working outside the home!  A shocking revelation!

They got divorced, also.

Ethan and a buddy at the gym.

Daughter Hosanna refused to appear on the show.  She has left the family, moved to Ohio, and married an outsider. A dark secret revealed!

Daughter Moriah visited San Francisco and had sex with her boyfriend Max Kallschmidt, left.  A shocking revelation!

 The younger children are Lydia, Isaac, Amber, Cassidy, and Mercy.  

Micah works as a model, which means he has to work with gay people.  Uh-oh, he's doomed. 

Wait -- a model?  He must have some n*de photos out there somewhere.

More after the break.

The Kid Named Moosie

How could you not like a kid named Moosie?

Born in 1964, Moosie Drier was a force to be reckoned with during the 1970s and 1980s.

1. He appeared everywhere.  He had recurring roles a kid-regular on the hip variety show Laugh-In (1971-73) and as Howard Borden's son on The Bob Newhart Show (1972-77).   Plus guest shots on The Waltons, Adam-12, Police Story, Chips, the A-Team, and Hunter. Plus movies: American Hot Wax, Homeward Bound, Hollywood Knights.

2. He was well-known to kids, due to his string of after-school specials, weekend specials, school break specials, and special treats (short, "relevant" dramas aimed at a preteen or early teen audience).  Unfortunately, though sometimes his characters are gay-vague, more often they are paired with a girl..

 Runaway (1974): a streetwise boy assists a runaway teenage girl.
Hewitt's Just Different (1977): a teenage boy befriends a mentally retarded peer.
 If I'm Lost, How Come I Found You? (1978): a runaway orphan finds a surrogate Dad.
The House at 12 Rose Avenue (1980), with Chris Petersen: a white boy befriends a black family.
Student Court (1985): a student court tries a shoplifter.

3. He was especially well-known to gay kids, because of cute smile, cool hair, and total inability to keep his shirt on.

4. He was well-known to adults because he worked with nearly every comedy legend in the business, including George Burns, Tim Conway, Cloris Leachman, Jay Leno, and Dean Jones. And those he didn't work with, he played: Mickey Rooney in Rainbow (1978).

5. He remains especially well known to gay adults, because of his frequent voice over and dialogue work on gay-friendly projects such as American Beauty (1999) and 40 Days and 40 Nights (2002).

Some of his recent work includes The Book of Life (which sounds like a fundamentalist Christian tract, but is actually a heroic fantasy), The Comeback Kids (about former child stars), and The Fur is Gone (behind the scenes at the Actors Co-Op in Hollywood).

He's also been doing theater, including Tennessee Williams' gay-subtext Cat on a Hot Tin Roof.

Here's a 2016 photo.  He's with Erin Murphy of Bewitched at a Christmas tree decorating benefit for A Minor Consideration.

I don't know if Moosie is gay or not, but there's no wife listed on imdb or wikipedia.