Link to the n*de dudes
Wonder Man (2026) has two contradictory premise descriptions. On Disney Plus, it's about "two actors at opposite ends of their careers" (Yahya Abdul-Mateen, Ben Kingsley), so we're expecting a wry comedy-drama about show business, like Entourage.
Plus Ben is gay in real life, Yahya displayed his d*ck in Watchmen (on RG Beefcake and Boyfriends), and both have played gay characters, so there's bound to be some representation. And maybe some d*cks.
Scene 1: A low-budget 1960s style superhero movie, with the caped crusader Wonder Man (Dane Larson) having a poorly-choreographed fight with some evil aliens. Pull back to reveal a bored dad and fascinated son, Young Simon (Kameron J. Meadows).
Cut to the grown-up Simon (Yahya) marking up a script, then doing shuddering and squealing warm-ups. The production assistant (Talha Ehtasham) fetches him, and they walk across the entire studio, in a call-back to those backstage movies of the Golden Age of Hollywood.
They reach a university classroom set on American Horror Story. The director describes the scene: Classes are over, and Professor Harpin (Simon) is packing up his desk, when Laura enters. They discuss the Aztec God of Death. Then Laura turns into a monster and bites his head off.
Simon offers more and more nitpicking suggestions: "If I'm jealous of Laura getting tenure, should I be friendly? Shouldn't I be packing up a copy of Aztec Thought and Culture instead of Aztec Civilization?" He researched the Aztecs for one line in a cheesy movie? The director and gaffer get more and more annoyed, and finally cut the character. Your own fault, buddy.
Scene 2: Establishing shots of the Hollywood Sign, highway traffic jams (I remember those!) and people waiting in a long line to audition. Simon returns to his apartment to find guys moving everything out. His girlfriend is dumping him, and taking her stuff. Hetero identity established at minute 9:40. She explains that he is emotionally distant. As she leaves, the building shakes. Earthquake, or is Simon getting superpowers?
Scene 3: Simon goes to see Midnight Cowboy (1969), with Jon Voight as a gay-ish hustler. Getting some tips for your new career, buddy?
Simon recognizes him as Trevor, who played The Mandarin ten years ago, and Edgar Allan Poe in the 1970s.
Scene 4: They watch the movie, and are impressed by the gay-subtext romance between Jon Voight and Dustin Hoffman. "Touching... moving...powerful." Afterwards, Simon annoys Trevor with his nitpicking trivia about the film; he would rather talk about Schlesinger's production of Timon of Athens.
Trevor has to leave, as he is auditioning for Wonder Man. Simon's favorite movie as a kid!
More after the break
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