Showing posts with label Kentucky. Show all posts
Showing posts with label Kentucky. Show all posts

Jan 17, 2025

Jason Bradley Jacobs: From a cowboy cruising in the shower to a Kentucky cartoon Adonis to...well, isn't that enough?




Link to the n*de photos

Insurance companies go to great lengths to produce clever commercials, but they rarely venture into the realm of beefcake.  That's why the Eastwood Insurance cowboy was so memorable.

In California in the 1990s, a series of at least 30 tv commercials showed the Cowboy riding up to a befuddled car owner, almost always a man, who was paying too much for car insurance, and "saving the day" with Eastwood's low, low prices.











The best commercials had him in the shower, n*de except for his white cowboy hat, cruising...um, I mean talking about insurance to another guy, who seems more interested in his physique than his insurance policies.

Nudity in unexpected places is always stunning.

Besides, he had quite a smile.


The Cowboy was played by Jason Bradley Jacobs, who has only two acting credits on the IMDB:

A record company executive in Selena, 1997, about the Tejana singer who topped the Latin music charts and sang at the Astrodome.




Maurice Charpentier in The Feast of All Saints, 2001, based on the Anne Rice novel about "the Free People of Colour" in 19th century New Orleans, "a dazzling yet damned class caught between the world of white privilege and black oppression."  Anne Rice -- shouldn't there be vampires?

It stars many recognizable African-American celebrities, including Robert Ri'chard, Ozzie Davis, Ruby Dee, James Earl Jones, Eartha Kitt, Ben Vereen, and Forest Whitaker. 



Jason provided the voice and artists' model for a character in a comic book and animated series, Plowboy in the Cornmeal Universe, created by D.W. Newman.  It is set in the Appalachia of 1978, the era of Jimmy Carter, Hee-Haw, and The Dukes of Hazzard, and emphasizes the "raw physicality and blatant s*xuality."

More after the break

Dec 23, 2023

"Justified": Kentucky cowboy has gay-subtext romance with unhinged thug. Plus bonus nude thugs.

 


I was recommended Justified: City Primeval (2023). a "neo-Western crime drama" that shoves countrified U.S. Marshall Raylan (Timothy Olyphant) into Detroit.  But I haven't seen the original Justified (2010-2015), with Raylan as a marshall in Harlan County, Kentucky.  

I don't usually do crime dramas; I like my entertainment light, comedies or science fiction.  Besides, they hardly ever include gay characters.  But my mother was born in Magoffin County, about 100 miles north of Harlan, and I've visited several times, so maybe the original Justified will be good for nostalgia. 

Link to NSFW version

Scene 1: A rooftop-pool party full of guys cruising bikini babes.  Rylan gave Thomas Buckley, who is an old friend (they ate crab cakes in Managua) until 2:15 to leave the state (Florida does have banishment as a judicial sentence, but I don't think Rylan is a judge).  Big Bad refuses to go, so Rylan shoots him. 

Scene 2: As the coroner takes away the body, Rylan's boss wonders about the legality of shooting Thomas Buckely.  "I gave him a chance to leave.  He didn't take it." Rylan has been shooting a lot of guys, but this one was rich and white, so there's going to be scrutiny.

Cut to a Department of Justice Inquest. "Is it true that you shot a rich white man?"  Rylan, who is now named Dan, shrugs. "He drew his gun on me. Self-defense.  Besides, he deserved to die.  He was evil."

Dan's punishment: Being re-assigned to the wilderness of Eastern Kentucky. "But I'm from there!  I finally escaped!  Please, anything but that!"  Dude, why the cowboy hat?  Kentucky is Appalachia,  You want Montana, 150 years ago.

Scene 3: Dan, who is now named Raylan, arrives in Lexington, a big city with glitz and culture rivaling that of...um, Dayton.  But all we see is the inside of the police station.. The Chief, who is an old friend, has Western movie posters all over his office.   He notes that the Love of Raylan's Life also works here.  So this guy is old friends with everybody?  

Raylan is assigned the case of Boyd Crowther, an old friend who has turned evil.  They're trying to get enough evidence to arrest him -- but no shooting! It's a small town.  People talk."


Scene 4
: Boyd Crother (Walton Goggins) and his Boyfriend (Ryan O'Nan, left) discuss a Date Night activity. Boyfriend wants to blow a federal building under construction. Boyd dismisses it as unfeasible.  Instead he blows up a church in a black neighborhood -- without even checking to see if it is empty. Boyfriend protests.

Cut to Raylan explainng Boyd's back story to the Chief. Wait -- he's been working on the case for years. Shouldn't he know everything already?  Back when they were coal miners, Boyd was an explosives expert.  He would yell "Fire in the hole!" to warn them of an explosion coming.  Then he got involved with the white supremacy movement.  

Scene 5: Back to Date Night.  The guys are parked on a narrow country bridge (weird pkace to make out). Boyd wonders if Boyfriend chose a federal building because it would rile the feds enough to arrest him.  And why did he protest blowing up the black church. "I don't see any white supremacy tattoos. Are you even a racist?".  Boyfriend tells him to call his buds in Oklahoma to verify his racism.  His goons are calling Boyfriend's references, but Boyd is tired of waiting and shoots him.  I hate it when Date Night ends like that.

When Boyd calls headquarters (a trailer full of redneck dudes), they say that the references checked out; Boyfriend is a big racist.  "So, how was Date Night?" "Um...er...um...we broke up."   "Was it because he wasn't racist enough, or was his dick too big?"  "Um...er...a little of both."

Scene 6: Raylan wakes up (chest shot) and goes to court to gaze at the typing hands of the Love of His Life, working as a court reporter. She pauses to touch her hair.  Whoa, that's one of his fetishes!  But before he can orgasm, he's called to investigate Boyfriend's body. The police have already found a cap that goes to the rocket launcher used to blow up the black church!  


Cut to the site of the bombed church. A lady pulls her man out of the way of the police.  75% of black parents instruct their kids on how to avoid being killed by the police when they're stopped for "driving while black."  

Detective Gutterson (Jacob Pitts) has already interviewed the eyewitnesses: they said that it was two white guys.  One of them yelled "fire in the hole"  Uh-oh, it was Boyd!


More Boyd after the break

Jan 23, 2021

"The New Mutants": Gay Characters, Beefcake, and Still a Grade of "D"

 


The X-Men, in the Marvel comic and film series, are mutants with superpowers.  Some powers mimic those of standard superheroes: the ability to fly, teleport, move super-fast.  Others are just bizarre: the ability to control metal, or to look at someone (or their photo) and turn into an exact replica, all the way down to the fingerprints.  The 13 movies to date are set in a vast stage, from the distant past  to the far future, from northern Canada to Vietnam to outer space, with enormous props, like throwing an entire baseball stadium at the White House.  But not the latest in the franchise, The New Mutants, which is painfully claustrophobic in its setting and cast.

 In the first scene, Native American teenager Dani Moonstar (Blu Hunt) is awakened by her father and forced to flee into the woods to escape a gigantic snarling, red-eyed "tornado."  She loses consciousness, and awakens in the Facility, a sort of mental hospital where mutants learn to recognize and control their powers.

The Facility is huge; there are dozens of buildings, including a church and a gym with an Olympic-sized swimming pool.  But there are only five residents:



1. Dani, who doesn't know what her power is.

2. Rich Brazilian Berto (Henry Zaga, left), who bursts into flame like the Human Torch whenever he gets excited.

3. Scottish girl Rahne, pronounced "Rain" (Maisie Williams), who can turn into a wolf.  

4. Kentucky coal miner's son Sam (Charlie Heaton), who can propel himself as a fiery human cannonball.

5. Obnoxious Russian Illyana (Anya Taylor-Joy), whose arm develops armour and sprouts a flaming sword (these powers seem rather redundant).  She can also go to limbo, where her puppet becomes a fire-breathing dragon, and see mysterious monsters called the Smiling Men, but those might not be superpowers.

And only one staff member, Dr. Reyes (Alice Braga), who runs the group therapy sessions, conducts weird experiments, and keeps them under 24-hour surveillance.

So many questions.  Why a huge facility for just five patients?   Who does the cooking? Who cleans the swimming pool?  What do the patients do all day, after their single group therapy session.  If they've been there awhile, why to they keep asking each other "What's your story?" sorts of questions, a if they have just met?  When does Dr. Reyes eat and sleep?  


Dani starts a romantic relationship with Rahne.  Sam and Berto buddy bond.  Berto flirts with Illyana (Sam doesn't seem to be interested in girls.)  They have group therapy, play foosball, and watch Buffy the Vampire Slayer on tv. And, as on Nightmare on Elm Street, dreams come to life.

Sam relives the blast that killed his Dad and some other coal miners.

Berto has sex with Illyana, but she morphs into a flaming monster. 

Father Craig, who branded Rahne with a "w" because he thought she was a witch, returns and brands her again.

Illyana's Smiling Men appear and start chasing them.

Spoiler alert:  

It turns out that Dr. Reyes is working for an evil corporation that wants mutants trained as fighting machinese.  Those who learn to control their powers "graduate" to become assassins.  Those who don't get "terminated." 

And Dani's power, of course, is bringing your "worst fears" to life."  Including, finally, the Demon Bear that destroyed her village (which she may have created herself with another power; it's not clear).

So many movies begin with people escaping from Facilities that I expected Dani and the other patients to escape after about ten minutes and jaunt off on a caper.  Maybe ending up in Guatemala or Egypt.  With Dr. Xavier or Wolverine making cameo appearances.  Nope, they vanquish Dr. Reyes (who turns out to be a mutant herself) and escape.  Seeing "the end" was extremely unsatisfying.  Wait -- the movie is just starting...nothing has happened yet...


Plus I found the redundant powers trite, conventional, boring.  Mutant powers can literally be anything. Magneto can kill you by pulling all the iron from your cells.  So why make them all about playing with fire?

The Smiling Men were interesting, but never explained.

Gay Characters: Raine and Dani.  Maybe Sam.

Beefcake: Berto doesn't seem to own a shirt.

My Grade: D.



Mar 29, 2019

Hiram and Ethan Escape from the Fair Folk

Preston's Station, Kentucky,  July 1800

In 1800 Kentucky was still called the Dark and Bloody Land, wild and lawless.  The state was only 8 years old; Hiram's town of Preston's Station (now Prestonsburg), only 3.  You never went into the woods at night, not because of any ghosts or will-o-the-wisps, but because of the highwaymen and renegades and savage Shawnee who might be prowling about.

But here was 16-year old Hiram (model is over 18), trudging down a road that was little more than a deer path, in the moonlight of the witching hour, tired, hungry.  And lost.

With worse waiting when he got home.

His father, 60-year old Aulse Hicks, was the preacher and schoolmaster of Prater's Station.   Well respected, a scholar -- he spoke five languages, and he had published a book proving that the Indians were descended from the lost Ten Tribes of Israel.  But he was strict, demanding, and unforgiving. He expected the son of his old age to spend his time at Greek and Hebrew lessons, and reject worldly temptations like dancing,  ninepins, and games of cards, to prefer -- or pretend to prefer -- the company of God's word to the layabouts down at the tavern

Yesterday Aulse sent Hiram to pray with two brothers from Virginia who had a homestead about five miles from town. He expected to be back before dark, but company was a rare thing in the hills, so they asked Hiram to stay for dinner, and then they sat up, gossipping  and singing and playing games. Before he knew it, the sun was down, and it was dusky twilight.

Five miles in the dark, on a road that was little more than a deer trail?  But there was no help for it, so Hiram set out.

Somehow he got lost --he should have been home in an hour, but the moon was high, the jackdaws were crying, and there was still no sign of the Preston's Station.

He decided to turn back and spend the night with the two brothers after all.  But he couldn't find the homestead again, and now it was the wee hours of the morning, and he was so tired and hungry that he thought he might faint.



Suddenly he saw a light -- not on the main trail, off through the woods.   He approached cautiously, worried that it might be a robber camp.  But it was a house, much bigger and grander than any he had seen in Kentucky.  Could he have walked all the way to Lexington?   (not likely -- Lexington is over 100 miles from Prestonsburg).


Lights and music -- a party going on! Where there was a party, there was food, and a fire.  So Hiram approached the house, and for a reason he couldn't explain later, he slipped in without knocking and made his way to a huge parlor all done up in Christmas red and green.

He couned about thirty people, men and women, all ages. Most were normal sized, but a few were so tall that they had to bow to avoid the chandeliers, and a few were so short that they could bump their heads into other guests' stomachs , Some had pale skin, others the deep purple of night, and still others bright red, like embers.  Even more surprising, some were naked.

They have queer customs in Lexington! he thought.


An elegantly dressed woman  (normal sized, ember-red skin),   approached.  "Why, Hiram Hicks, as I live and breathe! Welcome,welcome!" Before he could be surprised that someone in  Lexington knew him, she grabbed his arm and led him to one of the very tall folk, a leering, bug-eyed man.  "This is old Aulse the Preacher's boy."


"A Preacher's boy!" he exclaimed.  "How delicious!"

Hiram managed a bow. "Do you know Father?"

"Oh, delicately!"

"But you must be famished after your long walk," the ember-red woman said. "Come this way."

She led him to another room: empty except for a table heavy-laden with every delicacy Hiram could ever imagine, except for meat:  corn fritters, onion pie, leek pie, broccoli, asparagus, apple ginger, blueberry pie,  lemon cake, alma pudding, even orange marmalade.

He wondered why no one else was eating.  Perhaps it was not yet the dinner hour?

"You sit down to dinner very late in Lexington," Hiram murmured.

"Oh, we'll be eating and drinking through tomorrow,and the day after that," the ember-red lady said."Well, I'll leave you to it."

She wandered off into the main parlor. Hiram found a plate and a wooden fork, and began dishing out...then someone grabbed his arm.


 He turned to see the most beautiful boy in the world: about his age, normal height, dark brown hair, pale hairless skin, hard like a picture of David in one of his father's books.  And naked! .

"Don't eat anything," he said.  "That's how they trap you. Once you eat their food, you will be   theirs forever, forced to obey their every command."

Hiram dropped his plate in shock. It shattered onto the floor. A naked woman quickly appeared with a broom and dustpan to clean the mess.

The most beautiful boy in the world still had his hand on Hiram's arm, as if he was afraid that he would flee.  "My name is Ethan," he said.  "Or it was, once. Now I am no one at all."

"How long have you been here?"

"I don't know -- I lost count of the days and nights long ago.  Maybe years." He leaned close as if to kiss Hiram, and whispered.  "In all those years I've felt neither hunger nor thirst, nor have I slept, nor have I known a moment's peace.   I live only for their pleasure.  Go now, before you are trapped, too."

"As a Christian, I cannot leave without you,"  Hiram said.  "There must be a way for both of us to escape  this foul place."

Ethan thought for a moment.   "They keep us naked. Perhaps it is not to degrade us, but needful for the glamour of the house.  If  I were dressed...but you cannot clothe me.  You have only what you are wearing."

"Perhaps my shirt will be enough.

Hiram tore off his shirt and gave it to Ethan, and they made their way through the parlor. The odd folk ignored Ethan, but they constantly grabbed at Hiram's bare arm and chest, murmuring "But the night is young!"; "You haven't yet eaten!"; "You're just in time for a game of quist!"; and  It's so late -- you must stay the night."

They crossed the threshhold and ran to the trail, afraid to look back. No one followed. And in a few moments, they saw the steeple of the Parker's Station church in the distance.

They agreed to tell no one about the mysterious house. Instead they made up a story:  Ethan was traveling from Virginia with his parents, when they were beset-upon by Indians.  They killed his parents, stripped him naked, and held him captive for ten days, torturing him at their pleasure. Eventually he managed to escape.   He was wandering through the woods, delirious with pain and grief, when Hiram found him.

Ethan stayed with Preacher Aulse, and eventually became a preacher himself.  He and Hiram lived together happily for many years, and never told anyone about the mysterious house.

I heard this story from Uncle El during our visit to Kentucky, but added the nudity to make it more interesting.   He said he heard it from his grandfather, who heard it from his grandfather:  Hiram Hicks, son of Aulse "Preacher" Hicks, born in Russell County,Virginia in 1783, moved to Prestonburg, Kentucky (then called Preston's Station) about 1797, died there in 1840.   There is no Ethan living with him in the 1830 census.

This story with nude photos is on Tales of West Hollywood

Aug 8, 2017

The Gay Photographer in Eastern Kentucky

In 1964, gay documentary photographer William Gedney, known for documenting the Bohemian subcultures of New York and San Francisco,  traveled to the Blue Diamond Mining Camp in Pike County, Eastern Kentucky, about 60 miles from where my mother's family lived.

He wrote that he was looking for poverty and despair at the collapse of the mining industry, the "mental and physical depression of the people, almost complete lack of future and hope"






He met Willie Cornett, recently laid off from the mine, and ended up staying with Willie, his wife Vivian, and their twelve children in Big Rock, Kentucky.

He found poverty and pain, but not a "lack of future and hope."

He found resilience and strength and beauty.












He found a complex masculinity: cars, guns, country-western music, and redneck machismo, but also tenderness, physical intimacy, strong emotional bonds.

And, a thousand miles away from the gay community of New York, a blatant homoeroticism.













Photographs from his days with the Cornett family were displayed at a one-man show at the Metropolitan Museum of Modern Art in 1968 and 1969.














Gedney stayed in contact with the Cornetts, and photographed them again in 1972.

He didn't publish the photographs during his lifetime, except for one of the girls in the kitchen, for $35.













They were private, depicting the unexpected joy he found in the hills of Eastern Kentucky.
















Gedney died of AIDS in 1989.  Today his reputation is based chiefly on the moments he captured in the Kentucky photographs.












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