Dan Shor: Tron, Star Trek, an Excellent Adventure, the South Pacific, and the Backside that Changed the World.

Link to the n*de dudes

Sometime during the days of Blockbuster Video, we rented Strange Behavior (1981), mainly because the cover blurb said something about Galesburg, Illinois, which is near the Quad Cities. 

We weren't aware that it was written by a gay man (Bill Condon), it stars a gay man (Dan Shor), and it features something that would change movies forever.

It's got a silly plot about a crazed college professor named Dr. Le Sange (Dr. Blood), who mind-controls the town teenagers into blood-crazed monsters.

No Galesburg sites are appear mentioned; Apparently they just picked a random town in the Midwest so there would be cornfields and stereotyped farm folk. It was actually filmed in New Zealand.

The focus character is named Pete Brady, which no doubt caused a lot of eye-rolls and derisive laughs in 1981: Viewers would instantly think of the kid from The Brady Bunch (Christopher Knight, who grew up into a muscle hunk.)

This photo teases a gay-subtext buddy bond between focus character Pete Brady (har har) and Oliver (Marc McClure), but the movie is actually heteronormative, with boy-girl romance all the way down.  

I'd rather date Marc McClure, loveable nerd Jimmy Olsen in Superman (1978).

 And Dan Shor, the guy who plays Pete, is not handsome. He's got a long face, a Romanesque nose, and a lantern jaw.

But none of that is important.

What's important is a scene early in the movie where Pete Brady (har har) and his father (not Mike Brady, darn it) have just gotten up in the morning.  Pete approaches him to discuss something.  N*de.  He then moves toward the shower.  We get an extended shot of his backside.

 

It wasn't the first n*de backside on film, but it was the first extended shot that wasn't for a comedic purpose.

There is no other n*dity, male or female, in the film, not even a shirtless shot.  What was the directorial decision to film Dan Shor that way?

In an interview, Dan said that it was a political act, an acknowledgement of gay potential in the homophobic 1980s. It disrupted the heterosexual male gaze and paved the way for movies to present images of male beauty.

"And it sealed my popularity in West Hollywood," Dan joked.  Or maybe he wasn't joking.

More after the break

Michael J. Fox/Alex P. Keaton

Michael J. Fox was the first celebrity I ever  met.  Shortly after I moved to Los Angeles in 1985, I met a guy who knew him from acting class, and the three of us had lunch at a place on Melrose Boulevard.  He was very nice, and completely gay-positive (and heterosexual, even though my insanely jealous boyfriend Ivo claimed to have dated him).

 Unfortunately his sitcom Family Ties (1982-89) wasn't.

It was one of the 1980s "family values" comedies, like Growing Pains, Life Goes On, and Home Improvement. about liberal ex-hippies (Meredith Baxter Birney, Michael Gross) with politically conservative kids (Scott Valentine was daughter Mallory's boyfriend). Michael played the teen Alex P. Keaton, a Young Republican whose money-grubbing provides most of the jokes.


Gay people did not exist in the world of Family Ties -- if they did, Alex's ultra-liberal parents would certainly have had gay friends.  However, sometimes Alex plays the "is he gay?"  game.  In order to impress a girl, he dons an apron to cook dinner. When Dad criticizes this gender transgression, he counters "I hope you don't mind -- I borrowed your apron.  I got quiche on mine."  The joke plays with the expression "Real men don't eat quiche."


In "Little Man on Campus," he fails his first test, and asks his sister Mallory why she fails so often:

Mallory: When I take a test...my mind starts wandering.
Alex: What do you think about?
Mallory: Boys.
Alex: (Waits for the howls of laughter to subside). Let's hope it's different for me.

Pretending to be gay as a joke only works if you don't have any significant same-sex friendships, so Alex carefully avoids sidekicks.  Wacky next door neighbor Skippy (Marc Price) hangs around because he has a crush on Mallory; they become friends anyway, but Alex carefully polices the relationship, even rejecting the standard sitcom stage business of sitting pressed together on a couch (so they can both be in a closeup).  In one episode, they somehow fall onto the bed together.  Skippy nonchalantly continues their conversation, but Alex recoils in horror and jumps away.  Since no gay people exist, this rejection has an even greater emotional impact than the homophobia of Teen Wolf, marking even nonsexual friendships as bad, wrong, and disquieting.

A few episodes suggest -- but immediately reject -- the possibility of romantic love between Alex and a male friend. In "Best Man," Alex's friend Doug (Timothy Busfield) gets engaged.  He treats Alex and his fiancee as emotional equivalents, hugging them and squealing "You're both so cute!", but still, Alex feels threatened by the new relationship and refuses to be his best man.  When he finally understands that he will still be an essential part of Doug's life, he hugs Doug so tightly at the altar that the minister, in "jest," asks which couple is going to be married.

In the two-part episode "A, My Name is Alex," Alex's friend Greg (Brian McNamara) is killed in an auto accident, and Alex is so distraught that he requires psychiatric help.  But after digging into his subconscious, the psychiatrist fails to find any homoromantic feelings, just guilt because Alex refused to accompany Greg on the errand that killed him, and the recognition of his own mortality.

How does someone who is so gay-friendly play someone so anti-gay on tv?

It was the 1980s?

See also: My Date with Michael J. Fox. Plus Marcus and the Scary Bulgarian Bodybuilder.

"Cheaper by the Dozen": Twelve Kids, Some Beefcake

This is one of the iconic beefcake scenes of the 1960s, at least for the kids in the era when bare chests were as rare as gay characters in the movies: the hunky 18-year old Tim Matheson takes his shirt off, for no apparent reason except to give teenagers something to look at.  The movie is Yours, Mine, and Ours (1968), about a  widow with 10 kids who marries a widower with 8 kids, resulting in a very large blended family,  The Brady Bunch times three.

It's all very heteronormative, promoting the value of excessive reproduction, in spite of world overpopulation and the economic problems of feeding that many people.  But who cares?  There was a hunk.

The 2005 remake stars Dennis Quaid and Rene Russo as the highly prolific parents.  Sean Faris, playing the oldest son, gets an extensive beefcake scene.  He's in the midst of shaving when he's called away for an emergency, so there's lather all over his face, but still, beefcake is beefcake.

The 1950 movie Cheaper by the Dozen, based on the memoirs of Frank Gilbreath, has a similar theme: Myra Loy and Clifton Webb star as the parents of twelve kids.  No blended family here; they actually reproduced twelve times.  Clifton Webb was gay in real life, and extremely swishy, so it seems difficult to imagine him having sex with a woman at all.  But that was probably the point: to "redeem" him by demonstrating that even swishy guys are heterosexual.

No beefcake here; the teenage children are both girls.  

In the 2003 remake and its 2005 sequel, Steve Martin and Bonnie Hunt became the parents of the brood.  I haven't seen them -- I avoid movies starring Steve Martin -- but apparently Tom Welling as the oldest son gives us a requisite beefcake shot.  Some of the actors playing the younger kids have also grown up into hunks, such as twins Brent and Shane Kinsman.

Disney+ released heir version of Cheaper by the Dozen in 2022, with Zach Branff and Gabrielle Union as the parents.  It's modernized -- the family is interracial, the parents are divorced rather than widowed, and some of the kids are adopted.  But not too modernized: signs tell us that Black Lives Matter and that we should Resist Hate, but everyone is still heterosexual.  

I had high hopes for Luke Prael as the troubled teenager Seth.  But he displays no interest in boys or girls.

At least Zach Branff takes off his shirt a lot.

And his last name is actually Braff, not Branff.  It's just pronounced with an n, like that town in Canada.

See also: James Dumont's teen idol career, with Tim Matheson, Rob Lowe, and Andrew McCarthy

"Oz, the Great and Powerful": A walking p* enis (not in a good way) finds true love, two wicked witches, and a flying monkey

Bamm-Bamm's Muscles: Gay Promise on "The Flintstones"

Quick, name a cartoon character who came from outer space, was adopted by a human family, and has superpowers?

Right, Bamm-Bamm Rubble.

In an October 3rd, 1963 episode of The Flintstones, about "a modern prehistoric family," Betty and Barney Rubble are upset because they can't have children -- apparently Barney's sperm count is a little low.  They wish on a falling star, and the next morning a baby appears on their doorstep, asleep in a turtle shell, holding a club.

He can only say "Bamm-Bamm," so that becomes his name. He turns out to have superhuman strength, easily carrying furniture and tossing his adopted father around.

As a kid, I was intrigued by Bamm-Bamm's mysterious origin.  Could he be an alien -- a falling star could mean a UFO!  His white hair certainly looked alien.  And the superhuman strength surely meant super muscles!

I didn't see The Flintstones often, so I didn't notice that the writers failed to make much use of Bamm-Bamm's potential.  His supernatural origins were rarely mentioned, and his super-strength became little more than a comic nuisance.

No gay symbolism: in fact, he began expressing toddler heterosexual interest, mooning over toddler-next-door Pebbles, romancing her in baby-talk.  Eventually they were closing episodes by singing the treacly Sunday-school song "Open Up Your Heart (and Let the Sun Shine In)." Yuck.

In 1971, a highly publicized spin-off appeared, The Pebbles and Bamm-Bamm Show (1971-72, and rerun long after).  With the characters as teenagers. 

But Bamm-Bamm dit not transform into Superboy.

He and Pebbles went to high school and belonged to a rock band, like everyone on Saturday morning in the 1970s.

No mysterous origin.  No superstrength.  He wasn't even built -- he had skinny arms and legs and a shapeless lump of a body.  

More after the break