For good or bad, I'm a child of the disco era. The songs of the Bee Gees bring back a rush of memories, especially those from their annus mirabilis, 1977-78:
When I brought Tyrone to the Harvest Dancewe were listening to "If I Can't Have You" on the car radio:
Don't know why I'm surviving every lonely day, when there's got to be no chance for me.
My life would end, and it doesn't matter how I cry.
My tears of love are a waste of time if I turn away
I Kissed a Boy Under the Mistletoe at my brother's Christmas party, then went upstairs and turned on KSTT radio to "How Deep is Your Love":
Cause we're living in a world of fools, breaking us down, when they all should let us be.
We belong to you and me.
When I figured It out, "Stayin' Alive" was playing in the background of everybody's life.
Well now, I get low and I get high, and if I can't get either, I really try.
Got the wings of heaven on my shoes -- I'm a dancin' man, and I just can't lose.
Objectively analyzed, the lyrics are simplistic and contradictory -- and heterosexist, loaded down with "girl! girl! girl!"
Yet no songs have ever been so meaningful.
The BeeGees consisted of three Australian brothers, Barry, Robin, and Maurice Gibb. They had been recording for two decades before they hit it big with the soundtrack to Saturday Night Fever, which launched the disco craze. They were apparently all heterosexual, but their music drew heavily from the gay-and-black underground scene.
Their younger brother Andy had an annus mirabilis of his own in 1977-78, with "Love Is Thicker than Water," "Shadow Dancing," "An Everlasting Love," and "Don't Throw It Away."
He became a teen idol, his bare hairy chest and bulge featured prominently in Tiger Beat, as well as the "nearly" gay interview magazine After Dark.
See also: Figuring It Out; The Eagles; and Rod and Al Stewart.
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