Caryl Churchill is an avant-garde playwright in the mold of Ionesco and Samuel Beckett; her plays challenge your notions of plot, characters, and narrative structure itself. Actually, most of her plays don't really have a plot, but they have a political point.
Cloud 9, first produced in 1979, was originally advertised as about "sexual confusion," but now it's about gender fluidity. There are two acts, set in British Africa in 1879 and London in 1979.
British Africa:
Colonial administrator Clive has a perfect relationship with his wife and children, until forbidden desires disrupt things.
He has an affair with Mrs. Saunders, a visiting widow.
His wife Betty (played by a man), is having an affair with his friend Harry Bagley, and is also approached by the governess for a lesbian fling.
Harry has also seduced Clive's10 year old son Edward (played by a woman), the manservant Joshua (black, but played by a white man), and Mrs. Saunders. When he makes a play for Clive himself, things fall apart.
Fast forward 100 years, but only 25 years have passed for the characters.
Betty (now played by a woman) is recently divorced.
Her son Edward (played by the actor who played Betty in 1875) is gay, and involved in a relationship with Gerry (who played Joshua in 1875).
But he also has an affair with his younger sister Victoria (a doll in 1875).
Victoria is separated from her husband Martin (who played Harry in 1875), and involved with Lin (who played Mrs. Saunders in 1875). She has a 10-year old daughter (played by a man)
This time everything resolves happily, with both of the gay couples on "Cloud 9."
I didn't actually like the play -- weirdness for the sake of weirdness has never been my thing, and I'm not as shocked by same-sex relationships as the author intended.
But I liked it more than anything by Ionesco, and it's nice to see two gay couples in the forefront, "sexual confusion" or not.
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