Righteous Gemstones Season 2 is my favorite. Season 1 muddled the Gideon-Scotty plotline, Season 3 had some infuriating queerbaiting, and Season 4 was rushed and muddled, but Season 2 did the Kelvin/Keefe and Junior/Eli romances exactly right.
As he fights, his manager Glendon Marsh (Wayne Duvall) cheers. Glendon's teenage son Junior (Tommy Nelson) watches, sometimes happy but usually disturbed.
Is he jealous of the attention Eli is getting? Is he a rebellious teenager during the era of the Generation Gap?.
Junior is gay: In the locker room, Glendon offers Eli "some bonus pay on the South Side," while Junior looks on, smoking a cigarette, still either jealous or angry. As they leave, they pass a n*de guy. Junior is so busy looking that he trips, and then looks back again.
The boy is definitely into men.Jim Crow Must Go: As they drive through a black neighborhood on the South Side of Memphis, near where Martin Luther King, Jr. will be assassinated on April 4th. Junior looks out at the townsfolk in disgust.
Suddenly they are surrounded civil rights protestors: "Jim Crow must go!" "We protest injustice." Junior calls them "bums," which was usually applied to hippies, not African-Americans, leading me to believe that something changed between writing the script and hiring the background actors. Glendon punches him: "they just want what everybody wants, a piece of the fucking pie."
Ok, Junior is racist, and Glendon is abusive, but why this scene? Hiring background players, costume, and staging must have been very time-consuming, with no payoff: civil rights are never mentioned again.
The Loan Enforcer: Glendon is a loan shark as well as a wrestling manager: the job involves beating up a deadbeat. Eli and Junior both go, squabbling over who's the boss.
"Kill 'em!" we hear. Psych! It's the tv. We meet a slovenly, drunken, foul-mouthed, abusive jackass of a husband. While Junor subdues his wife and baby, Eli punches him a few times and asks for the money, and when he doesn't have it, breaks his thumbs. Junior laughs "derangedly" (according to the subtitles).
Afterwards Glendon drops Eli off, hands him some money, and tells him, "Buy yourself something nice." This is a feminizing statement.
As Eli drives off on his motorcycle, we hear Buck Owens' "Tall Dark Stranger":
They say a tall dark stranger is a demon, and that a devil rides closely by his side.
So if Junior is the demon, Eli must be the devil riding beside him. How long will they ride together?
Abusive Daddies all the way down: Eli drives to the Gemstone residence (it's not a stage name, apparently), where his abusive dad chastises him for being late for dinner. So they're eating after Eli's wrestling match? Like at 11 or 12 pm? There's also a mousy, skittish mom and a little sister, May-May (important in Season 3).
Ordered to say grace, Eli jokes: "Good food, good meat, good God, let's eat," which makes May-May laugh. Dad slaps him. End of flashback.
We're fine with the f*ggots: In 2022, elderly Eli Gemstone is a megachurch pastor and televangelist. He and the satellite church ministers are discussing the case of Pastor Butterfield (Victor Williams), caught with his wife and another woman in a dance club restroom, while they were all high on Molly ("we thought they were Sweetarts"). The story made the front page of
The New York Times, thanks to reporter Thaniel Block (Jason Schwartzman), who has made a career of publicizing ministerial scandals. Eli wants to be lenient, but the others object.
A Spanish speaking pastor explains: "My church is ok with the maricones, but we're not ready for swinging and tropus." Pastor Diane translates: "His church is really cool with the gays and the queers, but not so much about the swingers and the thruples." They fire Pastor Butterfield; he tries to commit suicide.
Tell the girls: A young man rides a motorcycle to the Gemstone Compound, doing crazy stunts (this will be important later), while the background song advises:
Tell the girls that I am back in town. They'd better beware
They may run, and they may hide.
I'll follow, and I'll be there.
At least we know that he's not the closeted gay minister. He turns out to be Eli's grandson Gideon, back from a job as a stuntman to assist with the Gemstone ministry. He's going to move into the house that Eli built for his abusive dad.
In other news, Gideon's younger brother Abraham has been leaving "secretions" all over the house, like in the freezer next to the Dreamsicles.
We cut to a church service with Eli Gemstone and his children, Jesse, Judy, and Kelvin, announcing the start of their streaming service, GODD. We see Jesse's wife Amber, their kids, and Judy's husband BJ in the audience. No partner for Kelvin. He must be single
F*ck, yeah: After the service, the family drives in a caravan to Jason's Steak House. They get out of their cars in slow motion and walk past the al fresco area, heterosexual couples reveling in their nuclear family conformity, the "job, house, wife, kids" litany of my youth made visible. The background song brags about their heteronormative success:
Turn your head when I walk by -- I got the world at my feet.
All I want out of every day, is to wake up every morning
Sun is shining, smiling, and we've covered every room
Wait -- where's Kelvin?
Suddenly the record scratches off. Two vans pull up with a flexing muscle Christ and the logo "Strength above All Else." Twelve muscle men emerge, wearing identical canvas gis: the God Squad! Biceps and pecs, abs, bulging flexing intruding on the smug primness of the nuclear families.
Wait -- where are the bulges. They wear cargo pants that don't show anything.
There is no romance here. There is no heterosexual desire. It is raw homoerotic power. The song changes to:
F*ck, yeah! F*ck, yeah! F*ck, yeah!
More after the break