The Gay Connection of "Whatever Happened to Baby Jane?"

I heard that Whatever Happened to Baby Jane? (1962) was a gay classic, the coming-out film of the pre-Stonewall Era, when gay men snipped "But ya are, Blanche!" at each other as gleefully as my generation said "Come up to the lab, and see what's on the slab!"

Legendary drag queen and dramatist Charles Busch, who recorded the DVD commentary, says that it's "one of those handful of movies you have to see to get your gay card."

Well, I got my gay card quite a few years ago, so I thought I'd better get around to seeing what all the fuss was about.

Previously I had seen Bette Davis only in All About Eve, Return from Witch Mountain, and Death on the Nile, and Joan Crawford in nothing (unless you count her portrayal by Faye Dunaway in Mommie Dearest), so I was coming in fresh.

There are 3 parts.

1917: Baby Jane Hudson is a 10-year old Vaudeville star whose signature song is the maudlin "I Wrote a Letter to Daddy."  Her older sister Blanche is jealous.

1934: The young adult Jane Hudson is a flop in Hollywood, but Blanche has become a big star.  Jealous, Jane runs into Blanche with her car, crippling her.  The director cleverly avoids showing Blanche, and shows Jane only in one of Bette Davis's old movies.

1962: Jane (Davis) and Blanche (Crawford) have spent their lives in seclusion in a decaying Hollywood mansion, seeing only their housekeeper and business manager.

When Blanche's old movies are broadcast on television, gaining her a new generation of fans, Jane gets jealous again, and starts torturing her.  During a two-day period, she kills Blanche's pet bird, tries to feed her the bird and a rat, rips the phone out of the wall, ties her up, and...well, that's about it.

Blanche tries to signal to various people that she's in trouble, but Jane always intercepts the message.

Finally Jane has a complete breakdown, dragging Blanche to the beach and reverting to her child self.

Then comes the stunning reveal: Jane wasn't trying to kill Blanche the night of her accident.  Blanche was trying to kill Jane!

Ok, so that makes no sense at all.  But really, nothing about this movie makes much sense.  Like, shouldn't a wheelchair bound person get a room on the first floor?

And I still can't figure out the gay connection.

1. Buddy-bonding male friendships?  No.  There aren't any significant male characters, except in a humorous subplot about the middle-aged Jane trying to revive her child star career.  Victor Buono plays Edwin Flagg, a layabout she hires to help with the musical arrangements, who gamely asserts that her idea is genius, and even flirts with her in the interest of getting his paycheck.

2. Lesbian bonds, then?  No.  Blanche and Jane hate each other.

3. Same-sex desire of any sort, even hinted at?  Not a bit.

4. Critiques of hetero-romance?  Maybe a little.  No one is involved with anyone.  The next-door neighbors consist of a mother and daughter.  Blanche's courting of Edwin Flagg comes across as creepy and unhinged, like her incest-tinged relationship with her father.

5. Gay symbolism?  When Blanche laments, "If only I weren't in a wheelchair!" Jane replies acidly, "But ya are, Blanche!"  Maybe the gay men of a certain age used to lament, "If only I weren't gay!", to which their witty friends replied acidly, "But ya are, Blanche!"

6. Gay author or director?  No.

7. Beefcake?  A little, maybe.  Victor Buono looks like he might have a nice hairy chest, and during the beach scene,  some hunks in swimsuits stare aghast at Jane's breakdown.

I guess you had to be a gay man in the pre-Stonewall era to get it.

The 1991 remake was, apparently, even more over-the-top. Vanessa and Lynn Redgrave play Blanche and Jane.  Instead of a housekeeper, there is massage therapist Dominick  (Bruce A. Young), who is probably gay, and instead of a drunken musician, Jane flirts with aspiring filmmaker, drag queen, and pedophile Billy (John Glover, top photo).

See also: All About Eve

Gay Fan Art 4: Cartoon Kids Grow Up

Fan artists enjoy depicting their favorite cartoon characters involved in same-sex romances or explicit sexual situations.

But there's a problem with many of the more popular characters.  Regardless of how much you may envision them as adults, Bart Simpson and Nelson the Bully are still children, and depicting them having a romantic encounter would look rather silly.  And, if you depict them in an erotic situation, you're facing a 10-year prison sentence in the U.S.

Better to age them into teenagers into adults.

Ben Tennyson (Ben 10), who found a device that allows him to shapeshift into aliens, has appeared in four tv series (2005-2014) and several movies. But he never shapeshifted into this super-bodybuilder before fan artists discovered him.

T. J. Detweiler of the Disney Channel's Recess (2000-2003) was the leader of a band of 3rd grade buddies.  Here he's grown up and beefed up so much that he's unrecognizeable except for the signature red hat.  I don't know why he's tied to a tree in his underwear.

Sometimes fan artists choose rather obscure subjects.  The Backyardigans (2003-2006), for preschoolers on CBS, featured a group of toddler anthropomorphic animals: a penguin, a hippopotamus, a kangaroo, and so on.  This is Tyrone, the red-headed moose, turned into a buffed, morose human teenager.

Timmy Turner of Fairly Oddparents (2001-2014) is "an average kid," ten years old and drawn in a stylized, nondescript fashion.  But here a grown up, buffed up version towels himself off after a shower.

 More after the break.

American Horror Story: Gay World

The anthology series American Horror Story is a hit in gay communities.  It's stylish, witty, adequately creepy -- and gay inclusive, a rarity in horror tv.   Here's my rating of the gay content of the first four seasons: beefcake, buddy-bonding, gay characters, and gay symbolism.  Scale of 1 (terrible) to 5 (excellent).

Season 1: Murder House (2011)

A family moves into a house overrun by the ghosts of previous residents.  Interesting twist: ghosts can become corporeal, with bodies indistinguishable from those of the living.
Beefcake: lots of muscular chests and backsides.  These ghosts get naked a lot.
Buddy Bonding: Troubled teen Tate (Evan Peters) seems to have a little thing for the troubled psychiatrist (Dylan McDermott).
Gay Characters: Zachary Quinto and Teddy Sears play a bickering gay couple who were planning to split up.  Then they were murdered in the house, and now they are stuck together for all eternity.  The other ghosts and humans are generally nonchalant about them.
Gay Symbolism: None.
Overall Rating: ****

Season 2: Asylum (2012)

An evil nun runs a creepy asylum for the criminally insane in the 1960s.  With demons, Anne Frank, and alien abductions.
Beefcake:  Not much.  Evan Peters as an alien abductee.
Buddy Bonding: None.  Again, all of the significant friendships are male-female.
Gay Characters: Sarah Paulson as Lana Winters, a lesbian reporter committed to the asylum and forced to undergo a homophobic "treatment" regiment.  In the present, she's a famous writer, out-and-proud.
Gay Symbolism: None.
Overall Rating: ****

Season 3: Coven (2013)

A school for teen witches, a voodoo queen, and the re-animated corpse of 19th century murderess Delphine LaLaurie.  What more could you ask for?  Maybe some gay characters?
Beefcake: Lots.  Madame LaLaurie had a thing for torturing hunky male slaves, and the teen witches build themselves a Frankenstein-monster boyfriend (Evan Peters again).
Buddy Bonding: Some female bonding going on.
Gay Characters: None, except for a fruity Truman Capote-esque member of the Witches Council, who appears briefly in two episodes.
Gay Symbolism:  Witches hiding in the shadows, afraid to let anyone know their true identity, etc., etc.
Overall Rating: ***

Season 4: Freak Show (2014)
A financially-strapped freak show in 1950s Florida, with a murderous clown and his dapper young apprentice wandering around.
Beefcake:  Evan Peters again, the bare buns of a Viking Hustler, a circus strongman, and an amazing bodybuilding little person (his name is Kyle Pacek).
Buddy Bonding: Men are mostly competitors.
Gay Characters: Several.  But for a change, Dandy, the ultra-feminine murderer, is not.
Gay Symbolism: Freaks hiding in the shadows, et., etc.
Overall Rating: *****

Fetish 101: The Truth About Being into Feet, Feathers, Balloons, or Cake

What do you find most attractive about this guy?
A. His basket
B. His biceps
C. His shoes

If you said B, you have partialism, an erotic interest in parts of the human body other than the sex organs.

Like biceps, feet, elbows, shoulders, backsides, and women's breasts.

If you said C, you have a fetish, an erotic interest in an object other than the human body.

Like shoes, boots, leather jackets, baseball caps, cigars, feathers,  underwear, crutches, balloons, cake, jello, mud, urine, and bubbles.

The list is endless.  Nearly everybody has some partialism and fetishes.

And some paraphilias, erotic interest in activities that don't necessarily involve contact with the sex organs.

Like bondage, BDSM, voyeurism (watching other people), exhibitionism (having other people watch you), wearing diapers, smoking, coughing, being lifted, being tickled, saying bad words...

Again, the list is endless.

There are four main theories about how we got our fetishes.

1. Imprinting.  Our earliest erotic thoughts are indelibly linked with the situation they occurred in.  Even incidental details become erotic.  If, for instance, you first liked a guy who happened to be smoking a cigar, you'll have an erotic interest in cigars forever.

Or cigar boxes.  Or just the tips of cigars.  Or having smoke blown into your face.

2. Gender Symbolism.  The object or situation is aggressively masculine or feminine, distilling the "essence" of what it means to be male or female.  You don't just like shoes in general, you like black leather boots or red stiletto heels.  You don't like just any article of clothing, you like gym socks and jock straps or brassieres and red lace panties.

3. Dirty/Forbidden. We grow up being told that sex acts are unclean, that erotic books and magazines are "dirty."  So we associate the erotic with acts or objects regarded as unclean, like feet, mud, urine, and bad words.

4. Power/Control.  Sex acts are always about getting or giving up control, one partner submitting to the other.  So we associate the erotic with acts or objects that involve explicit control, like police uniforms or daddy-son scenes.

Pop quiz:  Why do people find it erotic to get or give wedgies?
A. First experience
B. Gender symbolism
C. Dirty/forbidden
D. Power/control

Answer: Could be any or all of the above.

Psychiatrists used to think that fetishes, paraphilias, and partialism were invariably destructive, perversions of the "sexual instinct."

The psychiatric consensus now is that they're fine, as long as they aren't your only erotic interest, so you should enjoy "real sex" too.

But really, I don't see why anyone should care.  If you are happy with erotic acts involving feet or feathers, or being called bad names, or getting soda spilled on you, how will switching to penises make you happier, more fulfilled, or a better person?

There are only two problems with fetishes and paraphilias:

1. They're very specific.  You don't just want to be tied up, you want to be tied to a tree with gold-colored ropes, with your hands over your head, and a gold scarf used as a gag.

It;s difficult to orchestrate such precise situations, so you might have to settle for almost right, or resign yourself to many nights without passion.

2. It's hard to find Mr. Right.  Potential partners are usually either attractive but not into it, or into it but not attractive.  I suggest going with the latter.  Nothing is more boring than a partner who is just "putting up" with your fetish.

And if he is actually into having stir-fried vegetables eaten off his stomach while he's wearing a Ninja Turtle costume, who cares if he has muscles?


See also: Finding Larry's Fetish; and The Secretary: The Bottom Always Calls the Shots

What's the Gay Connection in "The Sound of Music"?

When I was living in West Hollywood, people kept saying things like:
"I can't go out tonight -- The Sound of Music is on!"
"Which Sound of Music character are you?"
"The Sound of Music is playing at the community theater.  We have to go!"

I have never seen it all the way through.  It gives me bad vibes.

It's my fourth grade teacher's fault.  She told us about Anne Frank and The Sound of Music at the same time, and I got them mixed up, thinking that the musical ended with everyone dying in a concentration camp.

When I used to hear the songs, they gave me a frisson of dread, since I thought they were being sung by the prisoners at Auschwitz.

But even without the horror, they made no sense.  Look at "Do, Re, Mi":

Far, a long, long way to run.  It's  pronounced far, not fahhhh.

Ti, a drink with jam and bread.  Who drinks tea with jam and bread?  For that matter, what the heck is jam?

Or "My Favorite Things"
Cream colored ponies and crisp apple strudels.  Ponies don't come in cream colors, and strudel is a soft pastry, not crisp.

When the dog bites -- when the bee stings.  If a dog bites you, thinking of "favorite things" wouldn't help -- you need a rabies shot. And why would you feel sad when bitten or stung?  It's not sad, it's painful.

"Oh, no," everyone kept telling me.  "It's the greatest musical of all time!  And the gayest!"

So I've been looking for the gay connection.

Not in the plot: it's just a "servant inspires joie de vivre in disfunctional family" story, done to death on tv: Hazel, Charles in Charge, Mr. Belvedere, Give me a Break, The Nanny.  Here the nanny is future nun Maria (Julie Andrews), and the family belongs to the stern Captain Von Trapp of the Austrian army (Christopher Plummer).  After they learn joie de vivre, the family hits it big as professional singers, and finally they escape from the Nazis by climbing over the hillside into Switzerland.



There is no beefcake or buddy-bonding.

There are no gay or gay-vague characters, except maybe Max Detweiler, who becomes the children's agent.

 In 1965 he was played by Richard Haydn, who was gay in real life.  This scene does not appear in the movie.

Maybe there's a gay connection in the cast?

Julie Andrews, of course, went on to play a woman disguised as a drag queen in Victor/Victoria (1982).

Christopher Plummer  won an Academy Award at the age of 82, for playing a gay man who comes out after retirement in Beginners (2010).  In the top photo, he seems to be having a little loincloth malfunction in The Royal Hunt of the Sun (1969).

Nicholas Hammond (left), one of the two boys in Von Trapp's mostly female family, played Spider-Man on tv (1977-78), where he displayed a respectable bulge.  He was married for only four years, and is rumored to be gay.

Not a lot of gay connection there.

What about the real life Von Trapp Family, lead by patriarch Georg Ritter Von Trapp (1888-1947)?  Ok, they were professional singers long before they met Maria, and they were Italian citizens who didn't need to escape Germany -- they just bought train tickets.  After the War, they opened a lodge in Stowe, Vermont.  

Most of the kids eventually married, although Agathe may have been gay: she ran a kindergarten with her "friend of 50 years," Mary Louise Kane.

Still not a lot of gay connection.

The Sound of Music Live! (2013) starred Carrie Underwood as Maria and Stephen Moyer (left) as Captain Von Trapp, Christian Borle (second photo), who plays a lot of gay characters, made his Max Detweiler as gay-vague as possible.

Not much there, either.

So the gay connection of The Sound of Music consists mostly of bulges?

See also: Charles in Charge; Mr. Belvedere; My Fair Lady.

The Walking Dead: Gay People Unwelcome at the End of the World

I saw an episode or so of The Walking Dead on Netflix a couple of years ago.  I wasn't impressed.

It begins, like 28 Days Later, with Georgia cop Rick (Andrew Lincoln) awakening from a coma to discover that most of the population has turned into zombies, leaving only scattered bands of survivors.  He goes off in search of his wife and son.  The first survivor he meets is heartbroken because his wife has become a zombie.

That was more than enough heterosexism at the end of the world, thank you.

Recently I've begun watching again. We're in the middle of Season 3.  So far there have been innumerable other men who have lost their wives, plus a few women who have lost their husbands.  Apparently the zombies target only one half of each heterosexual couple. 

And there's been exactly one reference to the existence of LGBT people: when former prison inmate Axel (Lew Temple) joins the group, he complains that it doesn't have any eligible women: they're either too young, or already involved, and Carol (Melissa McBride) is a lesbian. She protests that she's not a lesbian -- she lost her husband to the zombies --she just happens to have short hair.

That's it.

The comic book series apparently introduces a gay couple in Issue 67: Andrew and Eric, "the only two gay guys left in the world," who live in the Alexandria, Virginia Safe Zone.  Eric is eventually killed, but Andrew survives and becomes a regular character.

The tv series hasn't gotten out of Atlanta yet, so there has been no opportunity to introduce Andrew and Eric.  You could invent gay characters of your own, of course, but every time a fan board suggests that this or that character might be gay, the producers summarily deny it. 

Norman Reedus (left), who plays Daryl Dixon, the redneck hunter (and the only one in the group who hasn't found a way to stay perfectly coiffed) states that his character is "prison gay," open to same-sex relationships if there aren't any women available.  But this apparently was his own decision in fleshing out the character, unknown to the producers.

There are no gay people in their series to date.

Are they making a homophobic statement about the survival chances of limp-wristed, fashion-obsessed swishes in a zombie attack?  

Or are they proclaiming, like Giles on Buffy the Vampire Slayer, that with so many important survival issues, there is no room at the end of the world for discussions of "orientations"?  Except heterosexual orientations, of course.

Or are they just following tradition: except for a few low-budget indie pictures and Stephen King's Cell, gay people are always unwelcome at the end of the world.

But not to worry: there's plenty of beefcake, such as Shane (Jon Bernthal (top photo, Rick's cop buddy who slept with his wife while he was in a coma), and Glenn (Steven Yeun, left), a former pizza delivery boy who becomes the group's most skillful scout.

And there's plenty of same-sex buddy-bonding going on, sometimes between men who don't express any heterosexual interest (presumably they are still grieving over wives lost to the zombies).

So we can go back to what we did in the dark ages before Stonewall: find glimmers of meaning even when we are being told over and over again that we do not exist.

Or we can stop watching.

See also: Two Zombie Movies with Gay Characters; Jose Pablo Cantilo; and The Postapocalyptic Fade-Out Kiss.

The Secretary: The Bottom Always Calls the Shots

It's not often that I agree to watch a movie about heterosexual romance, but Jeremy wanted to see The Secretary (2002), so I watched.

I wasn't happy:  first, it's set in a weird faux-retro world with cell phones and the internet, but everyone looks and acts and thinks like the 1950s No one has ever heard of the women's rights movement, or sexual harassment (turns out that it was actually based on a short story published in 1988).

Second: this is an utterly gay-free world, with not even a subtext to alleviate the heteronormativity.  I don't think two male characters are ever in the same room with each other.

Third: there's no beefcake.  There are full-body shots of naked women (I mean breasts, vagina, the works) in bed with fully-clothed men (I mean even the shoes stay on).

Still, I found something that accidentally resonated with my coming out experience.

The plot: repressed, emotionally unstable Lane (Maggie Gylenhall), who cuts herself, goes to work for repressed, emotionally unstable lawyer Mr. Grey (James Spader).  He is a very bad boss criticizing her hair and clothing, asking personal questions, and berating her for making typing errors.  After a particularly egregious error, he bends Lane over his desk and spanks her.

She loves it.

She begins making errors on purpose, so Mr. Grey will spank her again.

Soon he is dictating how she should get to work, what she should have for dinner, what she can do with her boyfriend (Jeremy Davies of Lost, playing yet another emotionally unstable person).

She loves that, too.  In fact, by allowing herself to be controlled, she blossoms, becoming more assertive, standing up to her weird parents, walking through the park alone for the first time in her life. She stops cutting herself.

Neither Lane nor Mr. Grey have any idea what is happening.  Why do they have the desire to control and be controlled? Is Mr. Grey evil?  Is Lane sick?  They have no vocabulary, no models, no explanations.  As far as they know, they are the only people in the history of the world who have felt this way.

They stumble about, searching for meaning.

I kept wanting to yell, "You nitwits, there's no big mystery -- you're into S&M!  There are clubs, newsletters, guidebooks, retail outlets!  Go online, and look it up!"

But then I thought about growing up in a world where same-sex desire absolutely did not and could not exist, where gay people were never mentioned or written about in books.  I was stumbling about in the dark, without even a name.

And, as far as I knew, no other person in the history of the world had ever felt this way.

In case you're wondering, Lane does do some research, figures out what S&M is, and then demands that they start a full-time dominant/submissive romance.  Mr. Grey reluctantly gives in.

The bottom always calls the shots.

See also: Finding Larry's Fetish.; and Fetish 101.

15 Simple Rules of Gay Dating

Dating is not cruising, and a date is not a hook-up.

Both activities are interesting and pleasurable, but cruising has one goal: to find a physically-attractive partner for immediate erotic intimacy.

Dating has several goals -- to engage in entertaining activities, to have interesting conversations, to be seen with someone attractive, and ultimately to find a long-term romantic partner.

But it's not as simple as sending a text to an attractive guy asking him to dinner next Friday night.  Gay dating has its own rules, procedures, and protocols that differ considerably from cruising.

And, for that matter, from heterosexual dating.

Here are 15 simple rules of gay dating.



(I am assuming that you are the one who suggested the date, and that it has the traditional five segments: Meeting, Entertainment, Dinner, Dancing, and Return.)

The Meeting
How and where do you meet for the events?

1. If you suggested the date, you must call for him at his home.  It is uncommon and in rather bad taste to meet at the Entertainment Venue, so only suggest it if there is an excellent reason, like you live right next door and he lives 50 miles away.

2. You must also pay for the activities, although it is polite for him to offer to pay his share. If the activities are very expensive, you can ask in advance if he would mind chipping in, but, again, that is in bad taste.

3. Sometimes gay men aren't clear on whether you expect friendship or romance, so a kiss before leaving his home will alleviate his concerns.




The Entertainment Venue
Traditionally a movie, but live theater or a sporting event work as well, anything which allows you to be together for a couple of hours without having to make conversation.

4. Heterosexual couples have no qualms about holding hands, hugging, or kissing in the midst of any entertainment venue, but gay couples must be careful.  If he rejects your physical gestures, it doesn't mean that he is not interested -- he may just be being cautious.

5. Even without physical contact, you will get stared at, as most heterosexual buddies who attend entertainment venues together try to sit with a seat between them, lest they accidentally brush knees.

The Dinner
Dinner occurs after the entertainment, to give you something to talk about.

6. If the restaurant is not in a gay neighborhood, you will be asked "How many in your party?" and "are you together or separate?" repeatedly.  The host and servers are unaware of the existence of gay people, and assume that you are two buddies hanging out together.

7. If the restaurant contains a bar, half-drunk ladies will also assume that you are two buddies hanging out together, and thus up for grabs.  They will send you drinks or ask to join you.  Reject them tactfully.

8. Dinner conversation should not include coming out stories, analyses of the faults of ex-boyfriends, or discussions of favored sexual positions.

Dancing
The fourth segment of the date is dancing or some other physical activity, such as ice skating, to work off the stupor of dinner and prepare you for an energetic good-night kiss.

9. Only dance in a gay club.  If you try it in an establishment that is for heterosexuals, you will get stared at and joked about, and you may be assaulted in the parking lot.  

10. When you are not on the dance floor, both you and your date will be hit on.  You can lessen the number of interlopers by physically touching him at all times, signaling "This one is off limits."  But that won't deter the most oblivious.






The Return
The date is not over until you escort him back to his home and say "Goodnight."

11. For heterosexuals, the invitation to come inside is optional, but for gay couples, it is mandatory, primarily because it is too risky to attempt a kiss on the doorstep.  If he does not invite you into his home, or if you do not accept, there will be no second date.

12. Once you are inside, a kiss followed by physical intimacy is expected, but not mandatory.  If you are not in the mood, just say "I want to take things slow," and you can postpone the bedroom to the second or third date, no questions asked.

13. If you decide not to "take things slow," you must spend the night.  If you get dressed and go home when the bedroom activities are over, the evening has become a hook-up, not a date.

14. And bring condoms, in case he doesn't have any of his own.

15. Serial dating is frowned upon in gay communities: if the first date was satisfactory, then you date only that person until the relationship ends or becomes a friendship.  Therefore, you should call or email him within 24 hours, either to plan your next date or to explain that you are no longer interested.

See also: 15 Rules of Gay Cruising.

Kissing Boys to the Bee Gees

For good or bad, I'm a child of the disco era.  The songs of the Bee Gees bring back a rush of memories, especially those from their annus mirabilis, 1977-78:

When I brought Tyrone to the Harvest Dancewe were listening to "If I Can't Have You" on the car radio:

Don't know why I'm surviving every lonely day, when there's got to be no chance for me.
My life would end, and it doesn't matter how I cry.
My tears of love are a waste of time if I turn away

 I Kissed a Boy Under the Mistletoe at my brother's Christmas party, then went upstairs and turned on KSTT radio to "How Deep is Your Love":

Cause we're living in a world of fools, breaking us down, when they all should let us be.
We belong to you and me.

When I figured It out, "Stayin' Alive" was playing in the background of everybody's life.

Well now, I get low and I get high, and if I can't get either, I really try.
Got the wings of heaven on my shoes -- I'm a dancin' man, and I just can't lose.

Objectively analyzed, the lyrics are simplistic and contradictory -- and heterosexist, loaded down with "girl! girl! girl!"

Yet no songs have ever been so meaningful.

The BeeGees consisted of three Australian brothers, Barry, Robin, and Maurice Gibb.  They had been recording for two decades before they hit it big with the soundtrack to Saturday Night Fever, which launched the disco craze.   They were apparently all heterosexual, but their music drew heavily from the gay-and-black underground scene.

Their younger brother Andy had an annus mirabilis of his own in 1977-78, with "Love Is Thicker than Water," "Shadow Dancing," "An Everlasting Love," and "Don't Throw It Away."

He became a teen idol, his bare hairy chest and bulge featured prominently in Tiger Beat, as well as the "nearly" gay interview magazine After Dark.

 See also: Figuring It Out; The Eagles; and Rod and Al Stewart.

Veronica's Closet: How Not to Play a Gay Character

In the 1990s, TV writers didn't know what to do with their gay characters.

They knew what gay men were: men who were really women.  Men who were interested in show tunes and chick flicks and skin care products, who used their hands when they talked, who secretly wore dresses.  And who might...possibly...date men.

  But what to do with them?

Veronica's Closet (1997-2000) took a novel approach: how about a gay man who doesn't know he's gay?  He'll have the show tunes and skin care products, but claim to be straight!  Won't that be hilarious?

It wasn't hilarious at all.

The show aired after Seinfeld, and starred Kirstie Allie, formerly of Cheers, so it became popular.

Veronica ran a clothing company designed to increase women's chances of romance (modeled after Victoria's Secret).

Her staff included:
1. Olive (Kathy Najimy), whose job was undefined.
2. Underwear model turned publicist Perry (Dan Cortese, top photo).
3. Uptight marketing manager and token black guy Leo (Daryl Mitchell).
4. Secretary Josh (Wallace Langham).

Josh started out as feminine-coded, working as a secretary for a women's underwear company.  And the feminine traits piled on, week after week. Not only show tunes and skin care products, but pink handkerchiefs, demitasse, a worry over getting fat, a female best friend, no interest in sports, a girly car, hints at drag. For heaven's sake, his middle name was Nicole!

Therefore he must be gay.  The entire cast acted as if he was gay, asking his advice on skin care products and trying to fix him up with men  When he protested that he was straight, they smiled knowingly.

"Wait," I wanted to ask, "Has Josh ever expressed the slightest interest in men?

"No, never," Veronica might answer.

"Has he ever expressed any interest in women?"

"Yes, often.  He's been shown having sex with women.  He had a girlfriend, nearly got married. But what does that have to do with it?  He's feminine, so he's gay."

Near the end of the series, Josh finally gave and admitted that he was feminine...um, I mean gay.

He reluctantly gave up his heterosexual romances and began dating a guy, not because he was interested, but because that's what feminine...um, I mean gay men do, right?

Right?


The cast doesn't have a great record on gay rights.  Kathy Najimy is bisexual. Kirstie Allie is not a gay ally

Wallace Langham, who played Josh, turned out to be rather homophobic also.  In 2000 he beat up a gay tabloid reporter while using anti-gay slurs.  He was sentenced to 450 hours of community service for LGBT charities.

Turning a Straight Guy Gay in 10 Easy Steps

Ok, you can't turn an actual straight guy gay, or vice versa.  Sexual orientation can't be changed.  If he isn't into guys, he isn't into guys, period.

But there are plenty of men who think they are straight but are actually bisexual, attracted to women most of the time, but sometimes interested in men.

Or who think they are straight but actually gay, interested in men 100% of the time. They assume that being heterosexual means having cool, unsatisfying relationships with women and passionate, intense same-sex "buddies."

You can help him figure it out.  He -- and his family and friends -- will be a lot happier if he stops pretending.

Getting someone to acknowledge same-sex desire is not for the faint of heart.  It might be a better idea to stick to guys who have already figured it out, who know that they're gay, or bisexual, or straight but curved a little around the edges.

But if you're determined, here are 10 simple steps to success

1. Define your goal.  Why do you want him to figure it out? If your goal is sex or romance, be careful: after figuring it out, he  will want to try everything the gay community has to offer, mostly things that don't concern you.

2. Judge the strength of his same-sex interests.  Is he almost exclusively interested in men, or is his desire fleeting and trival?  That is, could he live happily in a heterosexual relationship?

3. Judge the strength of his homophobia.  Does he just have a few minor stereotypes about gay people, or is he seething with rage?   Does he make homophobic jokes, or does he say "live and live"?  If he's exceptionally homophobic, skip Step #4.

4. Come out to him.  Don't expect him to just figure it out by your lack of heterosexual interests and frequent discussions of hot guys.  Straight guys never figure it out.  You have to give him "the talk."

But assure him that you don't find him physically attractive.  Even if you do. Straight guys are under the impression that every gay man wants to have sex with them, and may refuse all future contact unless you make it clear that you don't intend to gawk at him in the shower or grope him in the subway.

5. Introduce him to gay people.  The biggest reason for not figuring it out is the belief that gay men in real life act like they do on tv: they squeal, flutter, gossip, leer, and discuss skin care products.  He likes football and beer, so he must be straight.  Introducing him to a variety of gay people, with a variety of behaviors and interests, will disconfirm him of that notion.

6. Introduce him to accepting heterosexuals.  The second reason for not figuring it out is the belief that family and friends will reject him.  Straight guys rarely read about or discuss gay rights, so they often believe that the world is far more homophobic than it really is.  Introducing him to some straight people who aren't screaming bigots will disconfirm him of that notion.

7. Know your Bible.  The third reason for not figuring it out is the belief that God hates gay people.  There are five Biblical passages that have been used to justify homophobic hatred.  Be ready to look them up and explain what they're really about.  If he's particularly religious, have a list of pro-gay churches and religious groups available.

8. Introduce him to physical contact.  The fourth reason for not figuring it out is the belief that masculine physical contact is creepy and icky.  You can disconfirm him of that notion quite easily. Tell him that gay guys always hug -- it doesn't mean anything.  Invite him to a party that's so crowded that you have to sit pressed together.  Once you get past the barrier of physical contact, he's almost there.

9. Invite him to a gay venue.  Like a Gay Men's Chorus concert or a gay restaurant, but not a Gay Pride festival (too noisy).  By this point, you're acting as if you assume that he's gay, and he's probably figured it out.  If he continues to protest that he's straight, ask "Aren't you about ready to stop pretending?"

Be prepared for some trauma some guys aren't thrilled by the news that they're gay.  They may experience guilt, shame, anger, and all of the other baggage they got growing up homophobic.  You may even have to point out some support groups for newly-out gay men.

10.  It make take awhile.  But hang in there -- he's got nothing to lose, and quite a lot to gain.

See also: Yuri Comes Out; and The Homophobic Thad Becomes a Male Stripper

Gary Daniels: Man-Mountain with Gay Subtexts

During the brawny Old West of the 1980s, when Ronald Reagan was squaring off against the Evil Empire and Jerry Falwell was squaring off against the gays, we needed lots of man-mountains:

Buffed shirtless guys who could storm through the jungles of Southeast Asia to rescue kidnapped buddies,  get revenge on murdered wives or girlfriends, or take out entire enemy armies with their bare hands.

Unfortunately, after the first hundred buffed guys with martial arts training hit Hollywood, the market became highly competitive, and besides, 25-year old kickboxer Gary Daniels was British, unlikely to be cast in a movie promoting American Exceptionalism.

So he went to the Philippines instead.  After a buddy-bonding Indiana Jones rip-off, The Secret of King Mahis Island (1988), he was cast as a man-mountain who ignores his wife and gets nude with his buddy prior to taking out the evil Vietnamese army in Final Reprisal (1988).  Some rather explicit gay subtexts.

By the 1990s, Gary had managed to break into American film, playing kickboxer managers, villains, and opponents in the Big Match, fighting to rescue his kidnapped brother (in American Streetfighter), fighting to rescue his buddy (in Firepower), fighting to get revenge on his brother (Hawk's Vengeance).

Gary's characters had little time for women: the target audience of heterosexual male teenagers wanted to see muscles, fights, and explosions, and couldn't care less about a fade-out kiss.  The result was a lot of gay subtexts.

During the 2000s, as Gary got older, he began playing more fully-clothed roles, as attorneys, detectives, and military officers who oversee the punching and kicking, but don't indulge personally.  His most memorable recent role is The Expendables (2010), in which a group of aging man-mountains is hired to take out a Latin American dictator.

Two of them, played by Arnold Schwarzenegger and Jet Li, reveal that they are a gay couple in The Expendables 2 (2012).  Or maybe they're just joking.  Either way, they're acknowledging the homoerotics behind the man-mountain genre.

Peter MacNicol: Not a Teen Idol

Peter MacNicol was not related to Jimmy and Kristy McNichol -- notice the name is spelled differently -- but everyone thought he was.  In fact, everyone at Augustana College went to Dragonslayer in 1981 because they  mistakenly believed that Peter was the buffed 21-year old teen idol.

It wasn't good.  Derivative, heterosexist...and sword-and-sorcery heroes are supposed to be man-mountains, like Arnold Schwarzenegger.  Or Jimmy McNichol.  But Peter was scrawny!

In Sophie's Choice (1982), he plays a young aspiring writer in the 1950s South, who inexplicably starts a romance with an elderly Jewish lady named Sophie (played by Meryl Streep).  She's a concentration camp survivor who had to make a terrible choice -- I'm not going to tell you what it was -- that renders her forever incapable of falling in love.

But we get to see Peter's scrawny physique, and there's a gay subtext with the always flamboyant Kevin Kline.

A couple of dramas followed, which nobody saw, but might have some more gay subtexts -- with Burt Reynolds in Heat (1986) and Tim Guinee in American Blue Note (1989).

Remember in Ghostbusters (1984), Rich Moranis plays a nerd with a crush on Dana, who becomes possessed by the evil spirit?  Ghostbusters II (1989), which nobody saw, had precisely the same plot, with Peter as the nerd with a crush on Dana who's possessed by the evil spirit.

You probably saw him as the nerdy villain Gary Granger, summer camp manager who tried to force Wednesday and Pugsley into conformity in Addams Family Values (1993).

And as Renfield, snively servant of the wisecracking vampire in Mel Brooks' parody Dracula: Dead and Loving It (1995).

But he didn't really find his niche until he played John Cage, eccentric co-founder of Allie's law firm in Allie McBeal (1997-2002).  The program was generally heterosexist, and occasionally homophobic, but it did give John a gay-subtext friendship with his best bud Richard Fish (Greg Germann). 

He got into a bit of a controversery in 2001, when John romances a woman played by Anne Heche, who had just announced that she had "become" a lesbian.  Would audiences accept a hetero-romance played by a lesbian?

Apparently it wasn't a problem, and later Heche "turned back" to straight.

Since Allie McBeal, Peter has starred in Numb3rs, 24, and Grey's Anatomy, and done a lot of voice work, notably playing X the Eliminator, gay-vague fanboy and wannabe arch-nemesis of Harvey Birdman on Adult Swim.

See also: Jimmy McNichol and the Gay Coach